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26 SEPTEMBER 2014

Intermediality in Film: A Historiography of Methodologies

"Abstract: After a short survey of the key questions regarding intermediality in cinema and placing them into the context of current debates in media studies and film theory, the paper addresses the key issues of the methodology of studying intermediality in film. In assessing the import of intermedial studies on film, the paper focuses on certain characteristic methodologies that have emerged in treating intermedial occurrences within films throughout the history of theorizing about the movies in general. Some of the major historical paradigms to be briefly described are: the normative aesthetic viewpoints in the spirit of cinematic New Laocoöns, the trans–medial theorizing of the moving image, inter–art theories, and parallax historiographies. Finally methodologies aiming at modelling intermediality and mapping the rhetoric of intermedial cinema are presented in somewhat more detail."

(Ágnes Pethő, 2010)

Ágnes Pethő (2010). "Intermediality in Film: A Historiography of Methodologies", Acta Universitatis Sapientiae, Film and Media Studies, 2 (2010) 39−72.

TAGS

2010 • Agnes Petho • artformconvergence • current debates • David Bordwell • David Rodowick • film theoryFriedrich Kittler • hybrid artform • hybrid form • inter-art theories • intermedial cinema • intermedial occurrences • intermedial studies • intermediality • intermediality in cinema • intermediality in film • Irina Rajewsky • Jay David Bolter • Laocoon • Malcom Turvey • media convergencemedia studiesmoving image • multimedial nature • Murray Smith • Noel Carroll • normative aesthetic viewpoints • parallax historiographies • post-medium • remediation • Richard Allen • Richard GrusinSapientia Hungarian University of Transylvania • Stanley Cavell • Sven Lutticken • trans-media

CONTRIBUTOR

Simon Perkins
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