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11 JULY 2013

Isidore Isou's influential Venom and Eternity

"This experimental film ('Venom and Eternity') by Isidore Isou constitutes the Letterist manifesto of film. Rejecting film conventions by 'chiseling' away at them, Isou introduced several new concepts, including discrepancy cinema where the sound track has nothing to do with the visual track. In addition, the celluloid itself was attacked with destructive techniques such as scratches and washing it in bleach. Causing a scandal at the 1951 Cannes Film Festival, this film was later introduced in the United States where it influenced avant–garde film makers such as Stan Brakhage."

(Internet Archive)

Fig.1 Isidore Isou (1951). Traité de bave et d'éternité. Venom And Eternity.

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TAGS

1951 • anarchism • artistic expressionavant-garde cinemaavant-garde film maker • bleach • celluloidcinema • cinema is dead • cinematic conventionsconventionsdeath of cinemadeath of the authordeface • destructive techniques • discrepancy cinema • Eric Rohmer • experimental filmformal workformalismGuy Debord • influential practitioners • influential worksInternet Archive • Isidore Isou • Jean Cocteau • letterist manifesto • lettrism • lettrist movement • Maurice Scherer • rejectionRomanian • Romanian filmmaker • scratches • situationism • situationistStan Brakhagestock footagesync sound • Venom and Eternity (1951)

CONTRIBUTOR

Simon Perkins
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