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03 APRIL 2012

William Forsythe: choreography as a reflection of social spheres

"In his installation performances such as Human Writes or Heterotopia, to which Forsythe has dedicated an increasing amount of his time in recent years, choreography becomes a social practice. Forsythe's installations are controlled test arrangements in which all the participants can observe themselves, their bodies and their movements together. When a performance like Human Writes deals in substance with the difficulties surrounding universal human rights, it becomes clear where the potential of dance and movement can lie. After all, it's not abstract universal laws alone that guarantee our co-existence. It is much more our physical actions, our daily movements that create and shape the community. Herein lies the political meaning of Forsythe's notion of dance. He creates spaces where he places people in a new, unknown relationship to themselves so that they reflect differently on their (social) spheres and in so doing explore their own potential scope for action."

(Gerald Siegmund, May 2008, Goethe-Institut)

Fig.3 Dominik Mentzos, "Human Writes", performance-Installation by William Forsythe and Kendall Thomas [http://www.theforsythecompany.com/pressphotos/humanwrites/].

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TAGS

abstract universal laws • ballet • bodies • choreography • co-existence • community • confrontational • controlled test arrangements • create and shape • creative problem solvingcritique • daily movements • danceDominik Mentzosdrawdrawing • emplacement • experimentationGoethe-Institutheterotopiahuman rights • Human Writes (performance) • installation • installation performance • language of ballet • movementnomologicalparticipantsperformancephysical actions • political meaning • potential for action • relationshipssocial actionsocial change • social practice • social spheres • space • the potential of dance and movement • universal human rights • universal laws • William Forsythe

CONTRIBUTOR

Simon Perkins
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