Not Signed-In
Select and review.
02 APRIL 2012

Disinformation: 'The Origin of Painting'

"The Origin of Painting' by Disinformation - luminous graffiti, live electromagnetic sound and shadow photography, autodestructive portraiture and experimental painting installation, live at Fabrica Gallery, Brighton, UK, Nov 2001. A huge new version of 'The Origin of Painting' features in 'The Party Project' fiesta (organised by J&B, Diageo and Advanced Music / Sonar Festival) - a major exhibition of urban street art and graffiti culture that tours Seville, Madrid, Valencia, Barcelona, La Coruña, Malaga in July and August 2008. …

This Disinformation installation was first exhibited under the title 'Artificial Lightning' at The Hayward Gallery in London in April 2000. The installation takes its current name from the painting 'The Maid of Corinth, or The Origin of Painting' depicted by Joseph 'Wright of Derby' in 1782 (and Disinformation's tribute was exhibited at Q Arts, 35 Queen Street, Derby in June 2004, just a few doors from Wright's former home at 26 Queen Street, Derby). This exhibit also inspired the production 'Luminous' by experimental choreographer Saburo Teshigawara, on which Disinformation worked with the Japanese dance company Karas. 'The Origin of Painting' also inspired a project called 'Anti Matter' (exhibited at Huddersfield, Wrexham etc) - a Disinformation video which explores themes suggested by ideas of the physicist Paul Dirac."

('Disinformation' Aka Joe Banks, YouTube)

1

TAGS

1782 • 2001 • Anti Matter (installation) • art installation • Artificial Lightning (installation) • autodestructive portraiture • Disinformation (pseudonym) • electromagnetic sound • experimental • experimental painting installation • graffiti • graffiti culture • Joe Banks • Joseph Wright of Derby • live performanceluminous • luminous graffiti • painting • Paul Dirac • Saburo Teshigawarashadow • shadow photography • The Origin of Painting • This Disinformation (installation) • UK • urban street art • visual spectaclevisualisation

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.