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23 DECEMBER 2010

The Six Million Dollar Man: the evolution of an iconic title sequence

"The Six Million Dollar Man started off as a novel by [Martin Caidin] called Cyborg, but over the course of its development from book to movie to TV show, it not only changed name, it changed tone.

The book is essentially a thriller that tries to ground itself in reality as much as possible to make Steve Austin a super–spy. Sure he has a bionics left arm (yes, bionics in the book, not bionic), bionics legs and bionics eye. But he can't feel anything in his bionics limbs and his bionics eye won't let him see, only take pictures. And sure, he's very strong, but when he kicks a golf ball, that bionics toe of his still gets crushed by the impact.

It was bionics, but still tried to be relatively aware of the laws of physics and what was practical."

(The Medium is Not Enough TV blog, 9 July 2010)

TAGS

197219741978accidentartificialartificial limbastronautaugmentationback story • biomechatronics • Bionic Womanbionicsbodycinematic conventionsconventionscorporeal augmentationcrashcyberneticscyborgexpositionhero • Lee Majors • Lindsay Wagner • Martin Caidinmasculinity • Oscar Goldman • pilot episodeprosthesisresurrectionsci-fisequence designSix Million Dollar ManspySteve Austinsurgerytelevisionthrillertitle sequenceTVvisual designvisualisation

CONTRIBUTOR

Simon Perkins
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