(Francesco Bellotti, Riccardo Berta, Alessandro De Gloria, Annamaria D’ursi, Valentina Fiore, 2012)
Bellotti, F., Berta, R., De Gloria, A., D’Ursi, A., and V. Fiore, V. 2012. A serious game model for cultural heritage. ACM J. Comput. Cult. Herit. 5, 4, Article 17 (October 2012), 27 pages. DOI=10.1145/2399180.2399185 http://doi.acm.org/10.1145/2399180.2399185
"There's a generational shift in technology happening right now: From the open Web to native apps, from desktops to mobile phones, from platforms built on standards to platforms owned by corporations. Let's call it the second Internet. Here's what it looks like: "Facebook Instant Article". That's right — it's Facebook. More than 1.44 billion people use Facebook every month, and almost a billion of them use it every day. The majority do so via the Facebook app on their phones.
That's why publishers like the New York Times, Buzzfeed, and National Geographic were so eager to test out Facebook's new Instant Articles platform.
This platform puts publishers' stories directly into the Facebook app (on iOS only, for now), where they load more quickly than they would if Facebook just linked to the publishers' websites — which take an average of eight seconds to load, Facebook says. Instant Articles also offer a variety of snazzy tools for publishers to present their images and interactive elements."
(Dylan Tweney, 15 May 15 2015, VentureBeat)
Photography exhibition 'Wunderland' by Frank Kunert, 10 April to 7 June 2015, La Chambre, 4 place d’Austerlitz, 67000 Strasbourg.
"More than simply a photographic satire, the 'miniature worlds' of Frank Kunert are compositions of ideas, models of sets which he spends weeks and months meticulously putting together from plastic, modeling clay and paint until the results are perfect, almost lifelike. These 'miniature worlds' are funny, bizarre, grotesque, contemplative, dreamy, but also provocative and critical. It's up to the viewer to decide if he finds them entertaining or macabre, or how far he's willing or able to follow the stories Kunert tells."
(The Eye of Photography, L’Oeil de la Photographie)
"The soundtrack to the 2014 Alejandro González Iñárritu-directed black comedy Birdman features an innovative, percussion-based score from Grammy Award-winning jazz drummer Antonio Sanchez. Also included on the soundtrack are various classical pieces used in the film including compositions by Gustav Mahler, Maurice Ravel, and Sergei Rachmaninov. While Sanchez is primarily known as a jazz musician, he took a more free-form, avant-garde approach for Birdman. Rather than composing pieces for the film, at Iñárritu's request, Sanchez improvised to a rough cut of the film and then re-recorded his improvisations yet again once the film was completed. Hoping to match the gritty, live aesthetic of the film, Sanchez altered his traditional percussion set-up, employing instead the use of different drum heads modified at times with tape to deaden the sound and even attached items to his cymbals to achieve a less pristine, more broken quality. Iñárritu even went so far as to have percussionist (and Sanchez' friend) Nate Smith appear in the film playing along to Sanchez' soundtrack, which was recorded to sound like it was being played in the actual scene. The result is a highly creative, sonically varied soundtrack that matches the quirky, conceptual nature and dramatic tension of Iñárritu's film."
(Matt Collar, allmusic.com)
"Al Nakba, documentary (200 min) -produced by Al Jazeera- was first broadcasted in Arabic on the 60th anniversary of the Palestinian catastrophe. It was translated into English in 2009 and then into four different languages: French, German, Spanish and Italian. Al Nakba won the prize for the best long documentary about Palestine in Al Jazeera Fifth International Film Festival (Doha/Qatar) and the audience award in Amal Ninth Euro-Arab Film Festival (Santiago/Spain). It participated in other film festivals in Brazil, Argentina, Italy, Jordan, Egypt and Palestine."
"Al Nakba" (2008). directed by: Rawan Damen