"Tactical Media emerged when the modest goals of media artists and media activists were transformed into a movement that challenged everyone to produce their own media in support of their own political struggles. This "new media" activism was based on the insight that the long-held distinction between the 'street' (reality) and the 'media' (representation) could no longer be upheld. On the contrary, the media had come to infuse all of society.
To challenge dominant (strategic) structures in society, it was necessary develop new (tactical) means of producing and distributing media. Not a specialised task separate from the social movements, but a key activity around which social movements could coalesce. And of equal importance, the media environment characterised by a broadcast logic of geography was being supplemented with an environment characterised by a many-to-many logic of access.
Though much has changed these insights remain as valid today as they did in the early 1990s."
(Eric Kluitenberg and David Garcia)
Fig.1 Image from: Critical Art Ensemble, Digital Resistance: Explorations in Tactical Media, 2001. http://critical-art.net/books/digital
"In Webcam Venus, we asked online sexcam performers to replicate iconic works of art. This piece is an experimental homage to both fine art and the lowbrow internet phenomenon of cams. Sexcams use webcams and chat interfaces to connect amateur adult performers with an audience. Users log on to see men, women, transsexuals, couples and groups broadcast their bodies and sexuality live for the public, often performing for money. To create this experiment in high and low brow media, we assumed anonymous handles and spent a few hours each day for a month asking performers: 'Would you like to pose for me?'
What is beauty today? By operating in the language of sexcams, we alter the contemporary ideal of beauty with the ubiquitous display of sexuality online. We challenge the institutions which enforce false perceptions of propriety—via nudity in classical painting—as the only form of acceptable safe-for-work beauty. Publicly presented traditional paintings and sculptures are prevalent with sexuality and gender politics, and yet the display of nudity online is usually defined as 'pornography'. Amateur adult broadcasters also resist the popular, contemporary definition of beauty. They are not the typical definition of beauty prevalent main stream media: heavily Photoshopped image in the name of advertising, which destroys self image and confidence while encouraging materialism. Sexcam performers are the apotheosis of the most honest parts of us and yet typically the least valued part of a society. Even though they are transmitted virtually, they are real people and they are beautiful."
(Addie Wagenknecht, 5 March 2013, Free Art and Technology Lab)
"The advancement of internet technologies and the rapid rise of virtual communities have instigated internet human flesh search (HFS) or cyber manhunt in western countries   that it has become a cyber phenomenon. HFS originated in China. The term was translated from 人肉搜尋 (Ren Rou Sou Suo ) which broadly refers to “an act of searching information about individuals or any subjects through the online collaboration of multiple users” .
Participation and collaboration by users play a vital role in the HFS process. On one hand, HFS practices, which are considered a manifestation of citizen empowerment and civil participation, are supported and applauded by other countries. On the other, majority of high-profile HFS cases in China have become aggressive and vicious, arousing research interest on the involved legal , privacy , and social issues .
Although Chen and Sharma  provide a comprehensive review of HFS that is supplemented by Chao , there is still a gap in research and in the analysis of HFS on a global context. The Taiwanese context is worthy of review because despite the abundance of HFS incidents occurring in the country, few studies on those have been shared to the international community."
(Yu-Hui Tao, Chian-Hsueng Chao, 2011)
Tao, Y.-H. and Chao, C.-S., Analysis of human flesh search in the Taiwanese context, in proceeding of the 2nd International Conference on Innovations in Bio-inspired Computing and Applications, December 16-18, Shenzhen, China, 2011
"POI (Palm Oil Investigations) has launched a Palm Oil barcode scanner for Australia and New Zealand products. ...
Scan the product barcode. Read the palm oil status. Select an alternative ethical product. Send a pre-written email to the company. Hit buy to compile ethical purchasing percentages and share your percentage to social media so you can show how you are making a difference.
Around 40% of products on supermarket shelves contain palm oil. Palm oil is a common ingredient in food (Biscuits, bakery items, Ice Cream, Chocolate, Confectionery, Crisps, Margarine, Health food bars, Cereals) etc. Derivatives of the oil are common in personal care products (Shampoo, Conditioner, Soaps, Skin care, Toothpaste) as well as household cleaning and detergents.
Rarely labelled by its correct name, palm oil is the hidden ingredient. There are over 200 names for palm oil its derivatives, the most common is the generic term vegetable oil. Other common names used in food production are emulsifier 471 and humectant glycerol."
(Palm Oil Investigations)