"The directors of The Best of Enemies, a documentary about the 1968 debates between Gore Vidal and William F. Buckley, could have produced a riveting movie simply by splicing together old debate footage. This movie is about many weighty matters--politics, ideology, history, society and the media--but the delicious spectacle of watching two sexy men in their prime, with rapier wit, speaking in the accents of a gone American elite, slicing each other into fine ribbons, makes the film a guilty indulgence.
These two ghosts from a bygone era still make great television. It worked so well, in fact, that the series of debates, created by ABC to attach to the two 1968 conventions–Republicans in Miami and Democrats in Chicago–became the prototype for every television talking head show for the next half-century.
Sadly, no one has ever done it better. ...
The Buckley-Vidal debates could be the high moment in the history of the televised American political debate. But the spectacle contained within itself the seed of the end too. Extreme civility was about to explode and cool William Buckley, whose fate it was to manifest that explosion, would regret it for the rest of his life."
(Nina Burleigh, 1 February 2015, Newsweek)
"Oil billionaires Charles and David Koch's tremendous spending power and reach––what the media has dubbed the 'Kochtopus'––is unrivaled. The conservative nonprofit David founded, Americans for Prosperity, has said it plans to spend $45 million this election cycle, more than three times the $13 million the Democratic Governors Association has on hand as of mid–October. There's no way of knowing how much the Kochs have given to the AFP or any other group; new Senate legislation allows tax exempt nonprofits to raise unlimited funds without disclosure. Publicly, only about $3.9 million can be traced to the brothers, including a $1 million donation to the Republican Governors Association from David, a former vice presidential candidate for the Libertarian Party."
(Clare O'Connor, Forbes.com, 21 October 2010)
Fig.1 Scott Mitchell (6 April 2011 at 01:32pm). "The Beast File: Koch Brothers", ABC News, [available at: http://hungrybeast.abc.net.au/stories/beast–file–koch–brothers] via: mrpolity1 (uploaded 2 June 2011). "Koch Brothers – The Kochtopus", YouTube
"As graphic designers we often use the power of image to persuade, convince, reveal or to construct a contextual stage for messages. A great deal of research and consideration goes into this process of deciding what type of imagery will best convey our ideas. As visual thinkers we are accustomed to deciphering the distinctions created by color, form, scale, etc. By cropping away information or altering an images color we can more effectively represent our ideas. All of this, of course, assumes our decisions are correct, that they will elicit from the audience the desired response. But how often do we evaluate these visual decisions after the creative process has concluded? What happens to our work after it is released for public consumption?
In regard to politics the use of image is used to associate personalities with issues, display concern or patriotism and of course create negative associations as well. Notice the recent trend of political speeches in front of a backdrop of issue words or phrases such a 'economic growth' or 'healthcare.' How well do these efforts succeed? More importantly, how visually literate is the general public in terms of detecting and interpreting what they see?
Visual Ideology is an effort to raise awareness to the use of images in messaging. Given the choice, what images would the general public associate with specific ideas or words? How can one image be more meaningful than another similar image? This project asks viewers to to make decisions as to images that best represent their visual definition of political terms or ideas. During this process it is hoped that viewers will begin to develop a better understanding of how visual imagery can influence meaning. By placing the responsibility of making these visual decisions with the viewer they get to experience a part of graphic design. As graphic designers, we get to see how self defined political personalities might be visually represented. Though not necessarily a ideological map, this project will hopefully offer some insight as to how differing political personalities interpret visual information."