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18 JANUARY 2013

empyre: critical perspectives on contemporary cross-disciplinary issues, practices and events in networked media

"–empyre– facilitates critical perspectives on contemporary cross–disciplinary issues, practices and events in networked media by inviting guests –key new media artists, curators, theorists, producers and others to participate in thematic discussions.

–empyre– is an Australian based global community which preserves its autonomy as a non–hierarchical collaborative entity by engaging with new content on a monthly basis. The list was instigated by Melinda Rackham (AU) in 2002. The community grew exponentially and within the first year Adrian Miles (AU) and Rebecca Cannon (AU) joined briefly as facilitators. Long–term facilitators Christina McPhee (USA) and Michael Arnold Mages (USA) were invited to the –empyre– curatorium soon after, and during the next years they were joined by Jim Andrews (CA)and Felix Sattler (AU/GER). In 2005 Tracey Meziane (AU) and Marcus Bastos (BR) joined the team, and in 2006 and 2007 it was extended with Sérgio Basbaum (BR), Nicholas Ruiz III (USA), Renate Ferro (USA) and Tim Murray (USA). To find out more go to who is –empyre–"

(Melinda Rackham)

TAGS

2002 • Adrian Miles • Australian • Christina McPhee • contemporary practicescritical perspectivescross-disciplinary • cross-disciplinary issues • cross-disciplinary knowledge communitycross-disciplinary research • curatorium • dOCUMENTA (festival) • empyre • Felix Sattler • fibrecultureglobal community • Jim Andrews • Marcus Bastos • Melinda Rackham • Michael Arnold Mages • network society • networked media • new content • new media • new media artists • new media curators • new media producers • new media theorists • Nicholas Ruiz • non-hierarchical collaborative entity • Rebecca Cannon • Renate Ferro • Sergio Basbaum • thematic discussions • Tim Murray • Tracey Meziane

CONTRIBUTOR

Simon Perkins
11 APRIL 2012

Towards a Performative Aesthetics of Interactivity

"I identify a two–decade period – roughly speaking 1985–2005 – as the pioneering experimental period of (computer based) interactive art. Crucial to the understanding of work in this period is the blindingly rapid development of the technological context. At the beginning of the period the graphical user interface was a novelty, the internet barely existed, the web was a decade away, interactivity was an intriguing concept. The production of acceptably high resolution illusionistic digital pictures (still frames) was an active research area and a megabyte of RAM was something luxurious.

The period neatly brackets the emergence of most of the major technological milestones which now undergird digital culture and ubiquitous computing: WYSIWYG, digital multimedia, hypermedia, virtual reality, the internet, the world wide web, digital video, real–time graphics, digital 3D, mobile telephony, GPS, Bluetooth and other mobile and wireless communication systems. It was a period of rapid technological change, euphoria and hype."

(Simon Penny, 2011)

Simon Penny (2011). "Towards a Performative Aesthetics of Interactivity", Fibreculture Journal, issue 19 2011: Ubiquity.

Fig.1 Sniff and Performative Ecologies were included in Emergence, a show of Artificial Life Art curated by Simon Penny and David Familian at the Beall Center for Art and Technology, University of California Irvine, December 2009–April 2010. Regrettably Performative Ecologies did not function as designed during the exhibition.

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TAGS

19852005academic journal • artificial life art • bluetoothcomputer based interactive artconvergencecross-disciplinarydesign historydesign researcherdigital 3Ddigital culturedigital multimediadigital videofibrecultureFibreculture JournalGPSgraphical user interfacehistory • honeymoon period • hypermedia • illusionistic digital pictures • interactive artinteractivityInternetmedia art • megabyte • mobile and wireless communication systems • mobile telephony • multimedianew medianovelty • performative ecologies • pioneering experimental period • RAM • rapid development • rapid technological changereal-time graphics • Simon Penny • speculative designtechnological changetechnological context • technological milestones • timelineubiquitous computingverisimilitudevirtual realityvisualisationweb designworld wide webWYSIWYG

CONTRIBUTOR

Simon Perkins
11 NOVEMBER 2009

Fibreculture: forum for critical and speculative interventions

"fibreculture is about critical and speculative interventions in the debate and discussions concerning information technology, the policy that concerns it, the new media for(u)ms it supports and its sustainable deployment towards a more equitable Australia. fibreculture is a forum for the exchange of articles, ideas and arguments on Australian IT policy in a broad, cultural context. it concerns the philosophy and politics of: new media arts, information and creative industries, national strategies for innovation, research and development, education, and, media and culture"

(Fibreculture, Australia)

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CONTRIBUTOR

Simon Perkins
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