Not Signed-In
Which clippings match 'Puppet' keyword pg.1 of 3
22 FEBRUARY 2017

“Bang bang” di Umberto e Stefano Cinquini

"Nell’America che ha eletto Donald Trump nuovo Presidente degli Stati Uniti c’è chi si batte per la difesa del diritto costituzionale e al porto delle armi da fuoco. Ma le conseguenze ce la racconta la cronaca con il lungo elenco di delitti o di incidenti per l’uso domestico di pistole e fucili. Come se fossimo in un moderno Saloon del Far West Donald Trump è, per i costruttori, il simbolo di tutto ciò."

(Carnevale di Viareggio, 2017)

1
2

TAGS

2017 • American Idiot (2009) • American politics • Bang Bang (2017) • caricature • Carnevale di Viareggio • carnival • carnival float • cowboycritical commentarydepictions of real-life peopledistorted appearanceDonald Trumpentertainment spectacleexaggerated appearance • float designer • forelock • giant marionettegunshumouriconic imagery • Italian design • Mexican • Muslim • myth of the West • neon-litNorth Americaparody • political statement • politician caricaturepuppet • satirical float • satirical representation • Statue of Liberty • Stefano Cinquini • Thank God Im a Country Boy (1974) • The West • Tuscany • Umberto Cinquini • Viareggio • Wild West frontier

CONTRIBUTOR

Simon Perkins
17 NOVEMBER 2016

When Nigel Farage met Donald Trump

1

TAGS

2016Brexit • childish • Donald Trumpface swaphead replacementhumour • Hunter Tirpak • informal alliance • mash-upNigel FarageparodyPennsylvaniapolitician caricaturepower relationspuppetRepublicanrepurposingright-wingsatirical illustration • Tiny Farage • Tiny Trump • UK EU membership referendumvideo compositingVladimir Putin

CONTRIBUTOR

Simon Perkins
07 NOVEMBER 2013

Virtual girl called 'Sweetie' used to stop webcam child sex tourism

"To show how unrestrained child predators can act but also to show how easy it is to track them down the Dutch child rights organisation put itself in the shoes of a 10–year–old Filipino girl. With an innovative technology the virtual character Sweetie was created to be controlled by Terre des Hommes researchers. From a remote building in Amsterdam the researchers operated in public chat rooms. In a very short period, over 20,000 predators from around the world approached the virtual 10– year–old, asking for webcam sex performances. While the adults interacted with the virtual girl, the researchers gathered information about them through social media to uncover their identities. With this evidence Terre des Hommes Netherlands is pushing all governments to adopt proactive investigation policies, with a world wide petition, starting today."

(Hans Guyt, The Hague, 4 November 2013, Terre des Hommes)

1

TAGS

20133D visualisationAmsterdamavatarbelievabilitybotchat roomchild abuse • child exploitation • child pornographychild protection • child rights • child sex tourism • child victims • developing nationsdigital actorsexploitation • Filipino • girl • Hans Guyt • human-likehyperrealismillegal behaviourinnovative technologylaw enforcementlifelikelolitaNetherlandsonline youth victimisation • perpetrator • Philippines • post-traumatic stress • posting onlinepredatorprotectionpuppetreal-life dollsafeguardingsex crimesex offenders • sex tourism • sexual acts • sexual exploitationsexual fetishsexual slaverysexualised depictions • Sweetie (virtual girl) • synthespian • Terre des Hommes • victimvirtual charactervirtual girlvisual depictionvoyeurismvulnerabilityvulnerable groupsvulnerable peoplewebcam • webcam child sex tourism • webcam sexyoung childrenyoung people

CONTRIBUTOR

Simon Perkins
06 MARCH 2012

Shadow puppetry matches dreamlike quality of Kate Bush song

"50 Word's for Snow found the elusive Kate Bush at her most stark and stripped–down. The album was the aural equivalent of a single line of footsteps in a snowy pasture. It's no wonder then that Bush, who has always been skilled at pairing her music with their equivalent visuals, turned away from her trademark cinematics for the video of her song, 'Lake Tahoe.'

In the album version of 'Lake Tahoe,' only quiet strings and a piano accompany Bush as she weaves a tale of an old dog dreaming of his owner. And while the full song explains the animal's true situation, Bush – who directed the video herself – has trimmed it down into a more ambiguous excerpt here.

Her use of shadow puppetry matches song's dreamlike quality. The stark contrast between the black figures and the white world makes each set piece seem mystical. The dog runs through phantasmagorical lands filled with spooky woods, looking for his owner. It's beautiful in its simplicity – emphasizing small subtle movements over big extravagance. The elegant design of the puppets mixes fantasy elements like the moving trees with realistic pieces such as the soft sway of the woman's hair."

(Dan Raby, 24 January 2012, All Songs Considered Blog, National Public Radio)

1

TAGS

2012 • 50 • 50 Words for Snow • aestheticsblack and whitedesigndioramadogdreamlike quality • Eider Falls at Lake Tahoe • elegant designfantasyfantasy elements • graphic • hair • Kate Bush • Lake Tahoe • monochromatic • moving trees • music video • National Public Radio • NPRphantasmagoriaphantasmagoricalpuppetpuppetry • Robert Allsopp • shadowshadow puppetshallow focussimplicityspooky woodsstripped-down • subtle movements • tale • visual designvisual spectaclevisual storyvisual style

CONTRIBUTOR

Simon Perkins
16 JANUARY 2012

The Family Factory: Developing Methods for Live 3D Animation

"In this way the puppeteers would be part of the development of the prototypes for the virtual puppets as well as the characters for the play, before the actual rehearsals would begin two month later. ...

The value of the actual meetings and workshops can not be emphasised enough. This gave the participants hands on experience with the constraints in the actual equipment and a chance to meet the team that would be responsible for operating it. It is not until the artist has a very physical and intuitive impression of the material and the involved people the creative process takes off for real–before this everything is abstract ideas. ...

In the planning of the research project and the actual production the division of labour within and between each field of activity were specified as outlined in section 3.

As the process went on the borders became more blurred exploring the new field between creative production in theatre and animation and methods from computer science and systems development. One of the big challenges was the development of a common language between the artist and the programmer/technicians and to define and invent new methods that were necessary to carry out the production.

I tried to explore the numerous reasons for this in the evaluation phase of the project. This was done by conducting qualitative interviews with the participants and by reviewing the large body of video documentation from the process. The footage was edited to a 50 minute documentary about the project on which the following assumptions are based (Callesen 2001)."

(Jørgen Callesen, 2003, p.15,18,30)

Callesen (2001) Virtual Puppets in Performance, Proceedings, Marionette: Metaphysics, Mechanics, Modernity, International Symposium, University of Copenhagen, 28. March – 1. April, 2001

Callesen, J. (2003) "The Family Factory – Developing new Methods for Live 3D Animation" in Madsen, K.H. Production methods: behind the scenes of virtual inhabited 3D worlds. Springer–Verlag, London.

TAGS

3D animation • abstract ideas • actual equipment • actual production • applied researchartistic practice • computer science methods • conceptualisationconstraintscreative practicecreative process • creative production in theatre • enquiry • evaluation phase • experimentation • field of activity • hands on experience • intuitive impression of the material • new methodsparticipantsperformance • physical impression of the material • planningPRAMnetprototype • prototype development • puppetpuppeteerqualitative interviewsresearchresearch project • reviewing • systems development • theatretheory buildingvideo documentationvirtual puppetworkshops

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.