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Which clippings match 'Marionette' keyword pg.1 of 2
24 MARCH 2010

Wrangler: Blue Bell Spring/Summer 2010 Website

"The Blue Bell website featuring Tony Ward in an interactive undressing is exciting and ingenious.

You can control the legendary model's every move, right down to stripping off his shirt. Using digital film and cinematic special effects to achieve an incomparable level of user interface."

(AJANAKU:Marco, 9 February 2010, http://www.ajanaku.nl/wrangler–blue–bell–springsummer–2010–website/)

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TAGS

2010adAdobe Flashadvertanimated presentationanimation • Blue Bell • choreography • cinematic special effects • clothesclothingcommercialcontrol • denim • designdollfashionfigures in spaceinteractiveinteractive advertisingmarionettemediatedmotionmotion designplayremediationstop frame • strip • Tony Wardtoyundressuser interfacevisual communicationwebsite • Wrangler

CONTRIBUTOR

Simon Perkins
20 NOVEMBER 2009

Plato's Allegory of the Cave

"Behold! human beings living in a underground cave, which has a mouth open towards the light and reaching all along the cave; here they have been from their childhood, and have their legs and necks chained so that they cannot move, and can only see before them, being prevented by the chains from turning round their heads. Above and behind them a fire is blazing at a distance, and between the fire and the prisoners there is a raised way; and you will see, if you look, a low wall built along the way, like the screen which marionette players have in front of them, over which they show the puppets.

And now look again, and see what will naturally follow if the prisoners are released and disabused of their error. At first, when any of them is liberated and compelled suddenly to stand up and turn his neck round and walk and look towards the light, he will suffer sharp pains; the glare will distress him, and he will be unable to see the realities of which in his former state he had seen the shadows; and then conceive some one saying to him, that what he saw before was an illusion, but that now, when he is approaching nearer to being and his eye is turned towards more real existence, he has a clearer vision, –what will be his reply? And you may further imagine that his instructor is pointing to the objects as they pass and requiring him to name them, –will he not be perplexed? Will he not fancy that the shadows which he formerly saw are truer than the objects which are now shown to him?"

(Plato)

Plato's Republic, book vii, 514a–c to 521a–e

[Plato's allegory about consciousness underpins Western philosophy. It also introduces a fundamental concept used by Christian theology to describe spiritual enlightenment.]

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TAGS

allegoryallegory of the caveauthenticitycavechainClassicalcognitive immersionconsciousnesscopy • divine enlightenment • enlightenment • hierarchyimmersionmarionettemetaphysicsmimesisPlatoprisonerpuppetrealismrepresentationshadow • spiritual perception • Theory of Forms • transcendencetruth

CONTRIBUTOR

Simon Perkins
15 JANUARY 2009

Jiri Trnka - Ruka (aka The Hand)

"is the last film he made before his death in 1969 and reflects Trnka's own struggle to create art under a totalitarian regime."
(Seksu Roba)

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1965allegoryanimationcritiqueCzechoslovakia • Jiri Trnka • marionettepioneeringpolitical allegory • Ruka • symbolism • The Hand • totalitarianism

CONTRIBUTOR

Simon Perkins
05 NOVEMBER 2008

The giant spider of Liverpool, La Princesse

"The giant spider of Liverpool arrives at the city hall, wakes up after a sleep and, in some dramatically speeded up footage, crawls up a building to rest.

La Princesse was created by a French company, La Machine, as part of the Liverpool European Capital of culture programme. – filmed and edited by Giselle Leeb

Director & Producer Giselle Leeb, Imperfect Productions
Documentary / General interest"

(Giselle Leeb)

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animationgiant marionette • Giselle Leeb • La Machine • Leeb • LiverpoolmachinemarionettepuppetspectaclespiderUK

CONTRIBUTOR

Sean Myatt
02 NOVEMBER 2008

Jan Svankmajer: Dimensions of Dialogue 3

"In the third segment, the two bald human heads from the first segment, now fully dimensional on what is clearly a tabletop, gauge each other by eye, trying to figure out how to interact without fighting.

They cooperatively offer objects from their mouths that they think would help the other... toothpaste vs. a toothbrush, a pencil vs. a sharpener (held by disgusting tongues), etc.They start off okay, but eventually in their haste anticipate the other's needs, they start getting things wrong... a piece of bread gets a shoelace through it, the toothbrush goes into the pencil sharpener (not a pretty sight), etc., until the two collapse into panting wrecks, torn up by their hasty actions."

(Tim Fitzpatrick)

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CONTRIBUTOR

Simon Perkins
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