Not Signed-In
Which clippings match 'Media Landscape' keyword pg.1 of 2
30 JULY 2013

Is Photoshop Remixing the World?

"Photoshop has completely revolutionized our visual culture. Artists now use Photoshop to create complex imagery that would have been impossible 20 years ago. It has also profoundly changed the art of photo retouching, turning a labor intensive process into an artful and often controversial digital workflow. But possibly the most current and expressive influence can be seen in meme culture online. With the ability to alter any image in the media landscape, everyday people now have the means to critically comment on culture and spread their ideas virally, leveling the playing field between traditional media creators and consumers. Photoshop has changed the way we communicate, the way we express ourselves, and the way we view the world and each other."

1
2

TAGS

altering images • amateur cultural productionbaroquebeauty industry • Chris Buck • complex imagery • compositingcreative practice • critically comment • digital workflow • Don Caldwell • everyday people • expressive influence • Jeff Huang • labour intensive • Laurent Le Moing • Matt Jones • Matthias Vriens • media consumermedia landscapememe culturememesOff Book • online discourse • PBS • pepper spraying cop • photo manipulationphoto retouchingPhotoshop • photoshop disasters • photoshopped • photoshopping • producers and consumersquestioning traditionsremix culture • Robert Maxwell • thumbs and ammo • traditional media creator • Txema Yeste • visual communicationvisual culturevisual effectsworkflowworkflow tool

CONTRIBUTOR

Simon Perkins
03 MAY 2012

Knowledge Unlatched: a new academic publishing business model

"The Problem: specialist books in the Humanities and Social Sciences (including but not exclusively monographs) are under threat due to spiralling prices and reduced library funds.

Access is restricted: while academics could choose to bypass existing publishers and just post content on the Web, the general consensus within academia is that they would prefer to have their books professionally published.

Only a few hundred copies make it into the eight to twelve thousand research universities, and very few teaching universities have access to these materials. For many individuals private purchase is beyond their reach.

A Possible Solution: cover the costs of creating the first digital copy through a library consortium and make the titles open access. Publishers would continue to generate additional revenues from the sale of print, ePub and PDFs in bespoke formats."

(Frances Pinter, 2011)

1

TAGS

2011academiaacademic journals • academic publishing • academics • bespoke format • Bloomsbury Academicbookcontent on the webdigital convergencedigital copyeconomic changeepub • Frances Pinter • groupon • humanities and social sciences • journal subscription • knowledge access • knowledge economy • Knowledge Unlatched • library consortium • long form • long form publication • longform • longform publication • media landscape • monograph • new business modelsnew digital distribution networksold mediaopen accessPDFpeer review • professionally published • publicationpublisherpublishingpublishing model • reduced library funds • research universities • sale of printscholarly journals • specialist books • spiralling prices • teaching universities

CONTRIBUTOR

Simon Perkins
03 MARCH 2012

Open journalism: the newspaper is moving beyond a newspaper

"If the story of the Three Little Pigs broke today, how would a modern newspaper cover it? That's the concept behind a new TV ad for The Guardian, the newspaper's first major TV spot for 25 years.

The spot launches a campaign to promote the paper's 'open journalism' approach–its name for the way in which it is attempting to involve its readership in not just commenting on stories, but contributing to and even determining its news agenda. 'Open is our operating system, a way of doing things that is based on a belief in the open exchange of information, ideas and opinions and its power to bring about change,' said Alan Rusbridger, editor–in–chief of Guardian and MediaGuardian publisher Guardian News & Media. 'The campaign is designed to bring that philosophy to life for new and existing readers.'

The launch ad examines the way in which the tale of the Three Little Pigs might be covered by The Guardian today, with all the different forms of content and different channels that implies. It also seeks to get over the way in which stories develop over time as new facts come to light and the effect of social media on switching the focus of coverage and debate.

An epic two–minute version (shown above) debuted on Channel 4 last night.

Comparisons will inevitably be made with 1986's classic Points of View by BMP (indeed the Guardian itself has said that the new ad is a 'nod' to the old one. They share an endline: The Whole Picture).

But while Points of View got over its message succintly and elegantly, Three Little Pigs is less focussed, less pithy. This can be seen as a reflection of the changing nature of media–newspapers are now less about relating THE story and more about acting as a platform for multiple strands around a topic to be explored by multiple participants, including the readers themselves, in real time. But it makes for a less memorable piece of advertising storytelling.

'The aim is to reach progressive audiences and show them why they should spend time with us,' according to Andrew Miller, chief executive of the Guardian's parent company Guardian Media Group. But you have to wonder whether such progressive types would not be aware of what the Guardian is doing anyway? The ad will probably make existing Guardian readers feel better about themselves, but will its slightly daunting complexity attract many new ones?"

(Patrick Burgoyne, 1 March 2012, Creative Review)

1

TAGS

adadvertisersauthorityauthorship • Bartle Bogle Hegarty • BBH (advertising agency) • bloggingcitizen journalismcoverageCreative Review (magazine)debate • depth of coverage • digital firstdigital publishingend of printjournalismmediamedia convergencemedia landscapemedia paradigm shift • news editor • newspaperold media • open journalism • open software • printprint mediaprint publishingpublishingpublishing model • range of coverage • readershipThe GuardianThe Whole Picture • Three Little Pigs • traditiontransformationtruth

CONTRIBUTOR

Simon Perkins
03 NOVEMBER 2010

Clay Shirky: How cellphones, Twitter, Facebook can make history

16 June 2009

1

TAGS

2009cell phonecensorshipchange • changing the nature of politics • citizenshipClay Shirkycollaborationcommunicationcommunity • control of news • convergenceconversationdigital cultureempowermentFacebookgroupshistoryinnovationinteractionmedia landscapemessageNigeriaold mediaorganisationsparticipationprint revolution • repressive regimes • social changesocial constructionismsocial interactionTED Talkstransformation • transformed media landscape • Twittertxt

CONTRIBUTOR

Simon Perkins
09 NOVEMBER 2009

The end of the old print publishing model (not the end of print)

"Beautiful! Actually, you've covered this before: the end of print theme today is like the end of theater 60 years ago when TV was making its baby steps. Today we are talking about the end of the old management along with the publishing model which has been gainfully exploited for far too long. In order to survive and thrive they have to give away more every day, and successful navigating a mag or a paper this pit of freebies and discounts will indicate the future great talent in publishing. You know, since paper and rent is not getting any cheaper and all... But 'end if print?!' Goodness, no!"

(Anton Shmerkin, 1 November 2009, comment on magCulture.com)

TAGS

2009adadvertanimated presentationcampaignconvergenceeconomic changeeconomic modelend of printentrepreneurship • freebie • innovationiPodmagazine • Magazine Publishers of America • magazine subscription • managementmedia landscapeobsolescenceold mediaprintpublishingpublishing modelstatisticssubscriptiontraditiontransformationtrendtweet

CONTRIBUTOR

Simon Perkins
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.