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Which clippings match 'Bus' keyword pg.1 of 2
17 DECEMBER 2014

Remembering childhood and the nostalgia of home

"Quand on grandit on decouvre que les endroits et les objets qu'on connaissait avant sont beaucoup plus petit que dans notre souvenir.

Запах бабушкиного борща возвращает память в далекое счастливое детство."

(Natalia Chernysheva)

Natalia Chernysheva (2013). "Le retour" (The Return). Produced as student of the La Poudrière course at école du film d'animation.

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2013 • accordion music • allegoryanimated short film • borscht • broth • buschildhood memorieschilds perspectivefamilyfemale protagonist • French animation • granddaughter • grandmother • growing uphand-illustratedhand-painted stop motion animation • homecoming • illustrative stylein perspective • International Animated Film Festival KROK • kiss • La Poudriere • Le retour (2013) • memory and nostalgia • Natalia Chernysheva • one minute film • poignant memories • returning homerural liferusticsmellsoupstudent films • yearning for past times • young girl

CONTRIBUTOR

Simon Perkins
10 DECEMBER 2014

Zbigniew Rybczynski: New Book

"The screen is divided into nine different squares. Each representing one place. The uniting element of all the actions is a book passed from one hand to the other. All stories run parallel, as if in realtime, yet linked in a linear way at the same time through the narrative of the action."

Fig.1 Zbigniew Rybczyński (1975). "Nowa Książka (New Book)", 35mm short film, 10:26, SMFF Se–Ma–For Lodz, Poland.

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CONTRIBUTOR

Simon Perkins
21 JUNE 2014

Nothing Lasts Forever: a low budget parody about a struggling artist

"Writer–director Schiller is best known for his short films from the early days of SNL and in 1984, together with producer Lorne Michaels, concocted this imaginative fantasy–comedy about true love, bad art, magical hobos, Carnegie Hall and space travel. Sweet, absurd and crammed with an incredible cast and countless hilarious moments of inspired brilliance, it was never released and never found the cult–audience it so rightfully deserved."

(Zack Carlson, 16 December 2012)

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1984 • Alles Ist Verganglich (1984) • anti-consumerist • Apollonia Van Ravenstein • art test • artistauthoritarianism • becoming an artist • Bill Murrayblack and whiteblack humourbus • Calvert Deforest • Carnegie Hallconceptual artcult film • Dan Aykroyd • dream sequence • Eddie Fisher • forgotten works • Holland Tunnel • Imogene Coca • kindness • Lauren Tom • Lawrence Tierney • Lorne Michaels • low budgetManhattan • Marc Alderman • melange • menial job • moon • Mort Sahl • New YorkNew York City • Nothing Lasts Forever (1984) • Odessa Stepsparodypasticheperformance art • Port Authority • repurposingromantic notion of the artist • Sam Jaffe • Saturday Night Livespace travel • starving artist • stock footage • struggling artist • Tom Schiller • tramp • treadmill • underground culture • unreleased films • Zach Galligan

CONTRIBUTOR

Simon Perkins
18 JANUARY 2011

8 1/2 film intro shows protagonist in arrested moment

"Opening the film is a title card introducing the producer, the title of the film, and the film's director. That cuts to a tracking shot of a car in traffic, and then another cut to a shot from above the cars to show the congestion (this shot tracks them from right to left). At the end of that shot, there is a cut to the back of the main character, Guido's, head. The camera then moves to the left and shows the two people in the car sitting next to him. The camera comes back to Guido in his own car as he begins wiping the inside of his windshield. Smoke begins to fill the car. Guido plays with the buttons in the car and desperately tries to escape. There is another cut to a shot of people hanging out of a bus and people stuck in their cars. They seem to be frozen in time. The film then cuts to another shot, this time from outside the car, of Guido trying to get out. The camera pans to a man who is staring at Guido from another car. After we see Guido pounding at the window, the shot cuts to a man touching a woman's arm in another car. The camera then pans to more cars waiting in traffic and then finally comes back upon Guido's smoke–filled car. The shot then cuts to Guido finally making it out of the car through the window. He climbs atop the car. Then the shot cuts to another shot of a man in a different car watching him intently. The camera zooms out and we see the bus and then Guido somehow floating atop the cars, out of the traffic. The shot then cuts to his legs and tilts upwards to show his entire backside, his coat waving the wind, and him slowly raising his arms towards the sky. Then there is a cut (fade–in) to Guido flying through the sky, then another to just the clouds. As the camera glides through the clouds, it is ambiguous of whether there is another cut or if the camera just happens upon a structure of some sort. Then there is a solid cut to a man atop a horse that is galloping on a beach. We see a man in a white shirt tugging a rope. The shot then cuts to another shot of a leg with a rope wrapped around it, and we can see the man in the white shirt and the man on the horse on the ground in the background. The scene then cuts again to the man in the white shirt running around the beach tugging on the rope, and then again to the foot with the rope (which the man is trying to get off). The sequence then cuts again to the man who was on the horse holding papers, then to the body of the man whose foot was tied to the rope being tugged down and falling into the ocean."

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1963 • 8 1/2 • arresting momentsarresting time • beginning sequence • black and whitebuscarclaustrophobic spacesdream sequencedrivingfamous sceneFederico Fellinifrozen in the momentfrozen in timefrozen momentgassing • Gianni Di Venanzo • in media resinfluential works • intro sequence • introduction • introductory sequence • Italian cinema • Marcello Mastroianni • motorway • opening sequence • Otto e mezzo • threshold spacetime slowed downtraffic congestion • traffic jam • trapped

CONTRIBUTOR

Simon Perkins
11 MAY 2006

Face Your World: Neighbourhood Kids Photograph Their World

"[Face your World was] especially developed for kids from 6 to 12 years old, in 3 neighborhoods in Columbus, Ohio. It contains 4 different aspects: a multi user computer game with which the kids can recreate their own surroundings, a bus with 6 work spaces for the children, 3 bus stops on which the children's creations are exposed, and a web site showing the worlds and with more information on the project.

With digital photo cameras, the kids take pictures of their own neighborhoods. These photos are uploaded to the "face your world" system on the bus. After logging in, the kids can recreate their environment in a 3D space, using their own pictures as well as those that are already in the database.

The interactor consists of the 3D navigation mode and the 2D edit mode. In the navigation mode the user can place new objects in the 3D world by choosing a flat object or a box, and a texture from the database (a building or a car for example) to 'stick on' the object. The objects can be moved, rotated, lifted, scaled, deformed and deleted. It is also possible to modify an object in the 2D edit mode. On this 2D drawing board the kids can cut, draw, paint, type, mirror and erase.
While navigating and building their world, the children can take screen shots, which will be displayed on the bus stops and web site.

In the 3D world, the users are represented by avatars. This way, the kids can see each other navigate through the world. The world is one shared place in which every child also has its own exclusive area, where no one else is allowed to build, unless they ask for permission. The kids can then negotiate in a chat environment. This chat space can also be used to just send each other messages, making communication and cooperation a vital part of constructing a world."
(V2_Lab, 16.07.2002, center for art and media technology in Rotterdam)

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applied researchbus • center for art and media technology • childrencommunitycommunity participatory projectcommunity-generated contentdigital storiesexperimentation • Face your World • interdisciplinary • Jeanne van Heeswijk • kids • Marco Christis • neighbourhoodNetherlandsOhioparticipationphotograph • recreate • research centreresearch instituteRotterdamtheory buildingUSA
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