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Which clippings match 'Death' keyword pg.1 of 6
12 JUNE 2015

Belief in the here and now: a Humanist perspective

Written & produced by the British Humanist Association, and narrated by Stephen Fry. Animated by Hyebin Lee. Thank you to Alom Shaha, Craig Duncan, Andrew Copson, and Sara Passmore That's Humanism logo design by Nick Cousin

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2D animationafterlifeanimated short filmbelief systemsbeliefs • biological death • British Humanist Association • consciousnesscontemplating mortalitydeathdisembodimentdyingend of life • eternal life • existentialismfaith • faith in nature • fulfilmentheaven • here and now • human consciousnesshumanism • Hyebin Lee • life • making the most of life • material realitymaterial worldmortalitynothingnessobjective realityrationalist perspectiverealm of existence • reincarnation • spiritualityStephen Fry

CONTRIBUTOR

Simon Perkins
08 FEBRUARY 2015

The Meaning of Life with Gay Byrne: Stephen Fry

The Meaning of Life with Gay Byrne, Sunday 1st February 2015, 10.30pm. Published on 28 January 2015.

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2015 • all wise • atheism • bone cancer • capriciousness • Christian god • Christianitydeath • Gay Byrne • god • Greek god • Greek gods • Greek mythological figures • Greek mythology • Hades • injustice • maniac • meaning of life • megalomaniac • misery • monotheism • monstrous • mythological creature • mythological figures • Pluto • Raidio Teilifis Eireann • RTE One • Stephen Frysufferingunderworldwhat comes after

CONTRIBUTOR

Simon Perkins
11 MARCH 2014

A portal to the underworld in Jean Cocteau's Orphée (1950)

"Jean Cocteau's update of the Orpheus myth depicts a famous poet (Jean Marais), scorned by the Left Bank youth, and his love for both his wife, Eurydice (Marie Déa), and a mysterious princess (Maria Casarès). Seeking inspiration, the poet follows the princess from the world of the living to the land of the dead, through Cocteau's famous mirrored portal. Orpheus's peerless visual poetry and dreamlike storytelling represent the legendary Cocteau at the height of his powers."

(The Criterion Collection)

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1950after deathafterlifeallegoryblack and whiteboundary-crossing • Classical mythology • contemplating mortality • Criterion Collection • deathdreamdreamlike storytellingEurydicefantasy about deathglass portalgloveheterotopiain-limboJean CocteauJean Marais • land of the dead • Left Bank youth • legendlove • love and death • love story • Maria Casares • Marie Dea • mirror • mirrored portal • mortalitymythOrphee (1950)Orpheus • Orpheus (1950) • Orpheus myth • otherworldlinessplaceless placeplacelessnesspoetportalprincessSFXspecial effectssurrealist cinemathreshold spaceunderworld • visual poetry • visual spectaclewaterwife • world of the living

CONTRIBUTOR

Simon Perkins
20 JANUARY 2014

The Lake House: narrative film that exploits circular structure

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2006across time • Alejandro Agresti • between past and presentcausality • Christopher Plummer • chronological time • circular narrative • circular narrative structure • circular narrative style • circularitycontemporary present • correspondence • David Auburn • deathdoghouse • Il Mare (2000) • Keanu Reeves • lake • letter writinglove storymailbox • melancholia • passage of time • Persuasion (Jane Austen) • plot structuresportal (science fiction)remaking film • romantic drama • Sandra Bullock • separate points in time • simultaneityspeculative fiction • The Lake House (2006) • time

CONTRIBUTOR

Simon Perkins
24 DECEMBER 2013

Bunny: tale of a cranky elderly bunny baking in her kitchen when a pesky moth flies in to disturb her lonely late-night activity

Fig.1 Chris Wedge (1998) "Bunny", Blue Sky Studios.

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1998Academy Awardafter deathafterlifeallegoryanimated short filmanimationanthropomorphism • baking • Blue Sky Studios • bunny • Bunny (1998) • Bunny Blue Sky • cabin • cake • cake batter • Chris Wedge • computer animationcontemplating mortalitydeathfantasy about deathforest • gateway • heaven • husband • kitchenlate nightlonelinesslosslove storymortalitymothovenrabbitremembranceromantic loveshort filmsoulmatesvisual effectswedding day

CONTRIBUTOR

Simon Perkins
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