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Which clippings match 'Sound Design' keyword pg.1 of 2
17 FEBRUARY 2017

Acoustic signatures used in the sound design for Arrival (2016)

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2016 • acoustic signature • acoustics • Alan Murray • alien beings • alien vocals • Arrival (2016) • bagpipe • Bernard Gariepy Strobl • body physicality • Claire Pochon • Claude La Haye • Daniel Capeille • Dave Whitehead • Denis Villeneuve • extraterrestrial life • field recording • Gregory Vincent • heptapod vocals • kokako • Luc Raymond • Mathieu Beaudin • Michelle Child • Mimi Allard • Nicholas Becker • Nicolas Becker • Niels Barletta • Olivier Calvert • Olivier Guillaume • Patrick Rioux • physical body • physicality • Pierre-Jules Audet • rice paper • Simon Girard • sound design • sound designer • Stan Sakellaropoulos • Steven Ghouti • Sylvain Bellemare • tui • Valery Dufort-Boucher • White Noise Ltd

CONTRIBUTOR

Simon Perkins
20 JULY 2014

Choreographed Typography by Hyun Ju Song and Mi Lyoung Bae

"Created by Hyun Ju Song and Mi Lyoung Bae, The Moment is an exploration of language, how the meaning is formed from words. Hyun Ju Song describes a situation when people face an absurd situation in Korea, they say 'It makes no word.' This project is about the absurd moment and creates no word out of words."

(Filip Visnjic, 12/02/2014, CreativeApplications.Net)

Hyun Ju Song and Mi Lyoung Bae (2013). "The Moment", Concept, visual programming & performance by Song, Hyun Ju, Sound programming & performance by Bae, Mi Lyoung. A generative design work where the Latin alphabet is transformed into abstract geometry using 3–screen–projection, Processing and Max/MSP.

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2013 • abstract geometry • alphabet • animated text • audiovisual experienceaudiovisual performanceblack and white • CreativeApplications.Net • disassemblegenerative design • Hyun Ju Song • Korean artist • Latin alphabet • Latin wordlegibilityletterformlive animationlive audiovisual performanceMax/MSPmedia artist • Mi Lyoung Bae • moving typeProcessing (software)projection worksrealtime animationsound design • sound programming • soundscape • The Moment (2013) • typo art projecttypographytypography experimentsvisual interpretation

CONTRIBUTOR

Simon Perkins
15 MARCH 2014

Organ of Corti (2010-11) an experimental acoustical intervention

"Organ of Corti is an experimental instrument that recycles noise from the environment. It does not make any sound of its own, but rather it attempts to draw our attention to the sounds already present by framing them in a new way. Named after the organ of hearing in the inner ear, it uses the acoustic technology of sonic crystals to accentuate and attenuate frequencies within the broad range of sound present in road traffic or falling water. By recycling surplus sounds from our environment, we hope to challenge expectations of what might constitute a piece of music by adding nothing to the existing soundscape but rather offering new ways of listening to what is already there. This instrument is a device that, for us, rematerializes our experience of sound, inviting us to 'listen to ourselves listen'."

(Frances Crow and David Prior)

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2011 • acoustic properties • acoustical experimentacousticsambient soundarchitectural conjecture • architectural interventions • architectural speculation • David Prior • design research project • experimental acoustical intervention • experimental music • experimental music composition • experimental musical instrumentexperimental soundexploratory projects • Frances Crow • interdisciplinary investigationlandscape futures • Liminal (partnership) • listening • music production • noisenoise pollutionorgan • Organ of Corti • persistence of sound • PRS New Music Award • public sound art • research and consultancy • site-specific interventionssonic artssonic environment • sound and music environments for exhibition • sound artsound artistsound designsound experimentssound performancesound sculpture • sound walk • soundscape • spatialised sound installations • spatialised soundscapes • speculative researchUKurban experienceurban landscapeurban speculationuser paths

CONTRIBUTOR

Simon Perkins
13 OCTOBER 2012

Plato Art Space: Ilhan Koman and Candas Sisman's 'Flux'

"Famous Turkish sculptor İlhan Koman's boat Hulda arrives in İstanbul, its final destination, after its long journey which began in Stockholm. Hulda was both Koman's home and studio during his residence in Stockholm.

The exhibition consists of the photographs and videos from Hulda's journey, 10 original sculptures such as Whirlpool and Dervish by İlhan Koman and a video –dedicated to İlhan Koman– by young artist Candaş Şişman. The photographs and videos are from the cities Hulda visited during its journey –Stockholm, Amsterdam, Bordeaux, Lisbon, Barcelona, Naples, Malta, Thessalonica and İstanbul. The exhibition in Plato Art Space is also the final leg of the activities of Hulda Festival (www.huldafestival.org).

The exhibition is also undertaking the mission of building a bridge between young generation artists and Koman by presenting Candaş Şişman's work. Şişman's video Flux is influenced by Koman's sculptures (Pi, Moebius, Whirlpool and Ogre) and is dedicated to İlhan Koman's inspiring art. The video has a sound design which is also inspired by the materials of Koman's sculptures and is produced by Candaş Şişman.

The exhibition is curated by Yıldırım Arıcı and accompanied by a reader (published by Plato College of Higher Education) and it is featuring texts by Çetin Kanra, Aykut Köksal, Abidin Dino, Ferit Edgü, Burcu Beşlioğlu and a poem by Oktay Rıfat. "

(Plato Art Space, İstanbul contemporary art)

Fig.1 "Flux", Candaş Şişman, Hulda Festival 21 September 2010 – 23 November 2010 İstanbul, Turkey.

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20103D animation • Abidin Dino • abstractionAmsterdamanimated sculptureanimationarchitectural formsartistartwork • Aykut Koksal • Barcelona • Bordeaux • Burcu Beslioglu • Candas Sisman • Cetin Kanra • contemporary art • Dervish • design formalismexhibition • Ferit Edgu • generative artgeometry • Hulda • Hulda Festival • Ilhan Koman • Istanbulkinetic sculptureLisbonMaltamaterial moving in space • Moebius (sculpture) • morphNaples • Ogre (sculpture) • Oktay Rifat • Pi (sculpture) • Plato Art Space • Plato College of Higher Education • primitive logicprimitive shapessculptorsculpturesound designStockholm • Thessalonica • TurkeyTurkish media art • Whirlpool (sculpture) • Yildirim Arici

CONTRIBUTOR

Simon Perkins
11 FEBRUARY 2010

VFX Masterpiece: The Third & The Seventh

"I use V–Ray. Illumination has fascinated me since as long as I can remember: Years ago, it was quite difficult to simulate global ilumination by traditional techniques. So after trying several GI engines, I found V–Ray to be the best solution by far to suit all my needs in these terms."

(Jorge Seva alias 'Alex Roman')

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20093D • 3D artist • 3ds MaxAdobe PremiereAfter Effects • Alex Roman • animation • architectural visualisation • architectural visualization • ArchViz • art directionCG • CG modelling • cinemacinematographycomputer graphicscreative practicedesigndesign formalism • design viz • digital cultureDOFfilmillumination • Jorge Seva • Michael Nyman • renderingshallow focussound designSpainspectacletexturetexturing • Third and The Seventh • V-RayVFXvisual communicationvisual depictionvisual designvisual effectsvisualisation

CONTRIBUTOR

Simon Perkins
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