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Which clippings match 'Czechoslovakia' keyword pg.1 of 2
31 JULY 2016

The Gift Of The Town: Terezin transit camp Nazi propaganda film

"In response to growing international awareness of Nazi atrocities, the Nazis decided to allow a Red Cross investigation committee to visit the Theresienstadt ghetto in Czechoslovakia [in August-September 1944]. Elaborate measures were taken to disguise conditions in the ghetto and to portray an atmosphere of normalcy."

(United States Holocaust Memorial Museum, Washington, DC)

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1944 • Altentransporte • Bohemia • camp life • concentration campCzechoslovakiadisease • elaborately staged hoax • false picture • falsity • film clip • fort • fortress • garrison city • ghetto • hoax • International Red Cross • Jewish ghetto • Jewish Holocaust • Joseph II • Karel Peceny • Kurt Gerron • malnutrition • Maria Theresa of Austria • Moravia • Nazi propaganda films • Nazis • political prisoner • prisonpropaganda film • rail transports • Red Cross • Terezin • Theresienstadt • Theresienstadt ghetto • transit camp • World War II

CONTRIBUTOR

Simon Perkins
01 SEPTEMBER 2014

Bulgarians repeatedly vandalise Soviet monuments in protest

"The Russian Embassy in Bulgaria has issued a note demanding that its former Soviet–era ally clean up the monument in Sofia's Lozenets district, identify and punish those responsible, and take 'exhaustive measures' to prevent similar attacks in the future, the news agency reported Monday.

The monument was spray–painted on the eve of the Bulgarian Socialist Party's celebration of its 123rd anniversary, the Sofia–based Novinite news agency reported.

The vandalism was the latest in a series of similar recent incidents in Bulgaria – each drawing angry criticism from Moscow.

Early this year, unknown artists painted another monument to Soviet troops in Sofia in the colors of the Ukrainian flag.

In August last year, a Soviet army monument in Sofia was painted pink in an 'artistic apology' for Bulgaria's support of Soviet troops who suppressed Czechoslovakia's Prague Spring revolt against Moscow–based communist rulers."

(Anna Dolgov, 19 August 2014, The Moscow Times)

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2013anniversaryappropriationBulgaria • Bulgarian Socialist Party • critical commentarycriticismcritiquecultural critiquecultural insensitivityculture jammingCzechoslovakiadisrespectgraffiti art • Lozenets • monumentpolitical art • political criticism • political protest • Prague Springprotest artprotest worksPussy Riotre-purposeRed Armyreimaginedreinscribe • reinscription • revision • revolt • Robin (Batman) • Ronald McDonald • Russian embassy • Santa Claus • Sofia (Bulgaria) • Soviet armySoviet eraSoviet monuments • Soviet troops • Soviet Unionspray paintingstreet artsupermanUkraine • Ukrainian flag • unknown artist • vandalism

CONTRIBUTOR

Simon Perkins
11 JULY 2013

Czech Film Posters of the 1960s

"The birth of the Czech creative film poster phenomenon in the early sixties can be credited to Karel Vaca, Karel Teissig, Richard Fremund, Vladimir Tesar, Jiri Balcar, Jaroslav Fiser, Zdenek Ziegler, Milan Grygar, Bedrich Dlouhy, Zdenek Palcr and others. In the late sixties and during the seventies they were joined by Josef Vyletal, Olga Polackova–Vyletalova, Jiri Rathousky, Alexej Jaros, Karel Machalek, Petr Pos, Jiri Salamoun, Vratislav Hlavaty, Zdenek Vlach and Antonin Sladek. In the streets, but soon also at film festival exhibitions, in art galleries and cinema premises, Czech film poster rapidly won the favor of the public for its creative imagination, poetic and lyrical atmosphere. It was characteristic by the use of collage, rollage, photomontage, retouching, striking graphic designs, wity typographic visual puns and surrealist dreamy interpretation. Mass reproductions of works of art flooded the billboards in towns and cities and changed them into sidewalk open air galleries. In the course of the 1960s, Czech film poster designers found inspiration in the informal style, applying its forms of structural abstraction and lettrism, later on in pop–art and op–art, using the then popular psychedelic forms and colors. Artists frequently employed styles inspired by the film forms, such as enlarged close–up, merging of symbolic and metaphoric visual levels and repeated details."

(Marta Sylvestrova, Museu de Arte de Macau)

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1960s • Alexej Jaros • Andrzej Wajda • Antonin Sladek • artistic expression • Bedrich Dlouhy • collagecolour • cultural education • Czech film poster • Czech graphic design • Czech RepublicCzechoslovakiaexhibitionFederico Fellinifilm poster • film poster designer • graphic design • informal style • Ingmar Bergman • Jaroslav Fiser • Jiri Balcar • Jiri Rathousky • Jiri Salamoun • Josef Vyletal • Karel Machalek • Karel Teissig • Karel Vaca • lettrism • Luchino Visconti • Macau Museum of Art • mass reproduction • metaphoricmid-century design • Milan Grygar • Moravian Gallery in Brno • Museu de Arte de Macau • Olga Polackova-Vyletalova • op art • open air galleries • Paolo Pasolini • Petr Pos • photomontagepop art • psychedelic forms • psychedelic imagery • reproduction of illustrations • retouching • Richard Fremund • rollage • structural abstraction • surrealist inspiration • typographic poster • Vladimir Tesar • Vratislav Hlavaty • Zdenek Palcr • Zdenek Vlach • Zdenek Ziegler

CONTRIBUTOR

Simon Perkins
24 JUNE 2012

A History of Eastern European Matchbox Design

"Matchbox labels from the former Eastern bloc often display a remarkable degree of sophistication, elegance and artistic quality. They were, at a time, the most convenient,efficient and powerful medium for visual communications. Although they were produced under strict state–controlled production processes; that were aimed at exploiting them as a means of publicizing political initiatives, promoting public health and safety, and selling the communist ideal both at home and abroad, the artists used them as a vehicle to experiment with various imaginative ideas and artistic techniques, achieving truly stunning results."

(Guity Novin – گیتی نوین (ناوران) – ا)

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Albania • Alexander Dubcek • artistic techniques • Bulgaria • Central Europe • communism • communist design • communist reformers • communist systemCzechoslovakiaEast GermanyEastern bloc • Eastern Europe • EstoniaGDR • German Democratic Republic • graphic designgraphic design history • Guity Navran • Guity Novin • history • history of graphic design • Hungarian Uprising • Hungary • Imre Nagy • Jane McDevitt • Joseph Stalin • label design • LatviaLithuania • matchbox • matchbox labels • national identity • NATO Alliance • Nikita KhrushchevPoland • political initiatives • post-war erapostwar • powerful medium • Prague Springpublic healthpublic information • public safety • publicising • RomaniaRussiaSocialist Federal Republic of Yugoslaviasocialist realismSoviet Union • state-controlled • the communist ideal • USSRvisual communication • Warsaw Pact • Western democracies • Yugoslavia

CONTRIBUTOR

Simon Perkins
25 APRIL 2011

Fantastic Planet: political allegory of human regression and rebirth

"A winner of the Cannes Film Festival 1973, 'Fantastic Planet' is a full length animated fantasy set on the planet of the Draags in a far–off solar system where humans are kept as pets by a race of huge blue creatures."

(Alice in Videoland)

Fig.1–8 René Laloux and Roland Topor (1973). 'Fantastic Planet/La Planète Sauvage'. France: 72 mins.

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1973alienalien raceallegoryanimationattackbluebraceletCannes Film FestivalchildrencollarcommunicationCzechoslovakiadomesticated • Draags • drawingexodus • extermination • Fantastic Planet • fantasyfilm • fragile • fragilityFrancefuturehumanhumanoidimaginary worlds • Jiri Trnka Studio • knowledge • La Planete Sauvage • lethal • master and slave • meditationnew technology • Oms • Oms en serie • peacepetplanetpolitical allegorypost-apocalyptic scenariorebirthregression • Rene Laloux • reversal of fortune • Roland Topor • savage • scalescience fictionsocietyspeculative fictionspiritsstatue • Stefan Wul • stop framesymbolism • Terr • Tiva • tribevisual design

CONTRIBUTOR

Simon Perkins
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