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Which clippings match 'Czechoslovakia' keyword pg.1 of 1
24 JUNE 2012

A History of Eastern European Matchbox Design

"Matchbox labels from the former Eastern bloc often display a remarkable degree of sophistication, elegance and artistic quality. They were, at a time, the most convenient,efficient and powerful medium for visual communications. Although they were produced under strict state-controlled production processes; that were aimed at exploiting them as a means of publicizing political initiatives, promoting public health and safety, and selling the communist ideal both at home and abroad, the artists used them as a vehicle to experiment with various imaginative ideas and artistic techniques, achieving truly stunning results."

(Guity Novin - گیتی نوین (ناوران) - ا)

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Albania • Alexander Dubcek • artistic techniques • Bulgaria • Central Europe • communism • communist design • communist reformers • communist system • Czechoslovakia • East Germany • Eastern blocEastern EuropeEstonia • GDR • German Democratic Republic • graphic design • graphic design history • Guity Navran • Guity Novin • history • history of graphic design • Hungarian Uprising • Hungary • Imre Nagy • Jane McDevitt • Joseph Stalin • label design • LatviaLithuania • matchbox • matchbox labels • national identity • NATO Alliance • Nikita Khrushchev • Poland • political initiatives • post war era • postwar • powerful medium • Prague Spring • public health • public information • public safety • publicising • RomaniaRussiaSocialist Federal Republic of Yugoslaviasocialist realism • Soviet Union • state-controlled • the communist ideal • USSR • visual communication • Warsaw Pact • Western democracies • Yugoslavia

CONTRIBUTOR

Simon Perkins
25 APRIL 2011

Fantastic Planet: political allegory of human regression and rebirth

"A winner of the Cannes Film Festival 1973, 'Fantastic Planet' is a full length animated fantasy set on the planet of the Draags in a far-off solar system where humans are kept as pets by a race of huge blue creatures."

(Alice in Videoland)

Fig.1-8 René Laloux and Roland Topor (1973). 'Fantastic Planet/La Plančte Sauvage'. France: 72 mins.

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1973alien • alien race • allegoryanimationattackbluebracelet • Cannes Film Festival • childrencollarcommunicationCzechoslovakiadomesticated • Draags • drawingexodus • extermination • Fantastic Planet • fantasyfilm • fragile • fragilityFrancefuturehuman • humanoid • Jiri Trnka Studio • knowledge • La Planete Sauvage • lethal • master and slave • meditation • new technology • Oms • Oms en serie • peacepetplanetpolitical allegorypost-apocalyptic futurerebirthregression • Rene Laloux • reversal of fortune • Roland Topor • savage • scalescience fictionsocietyspeculative fiction • spirits • statue • Stefan Wul • stop framesymbolism • Terr • Tiva • tribevisual design

CONTRIBUTOR

Simon Perkins
26 MARCH 2010

Dirkon: innovative paper cut-out camera

"During the 1970s, magazines published in Communist Czechoslovakia were controlled by the state, like the majority of other enterprises. Very few good magazines were available and were difficult to get hold of, so people would borrow and exchange them when given the opportunity. This also applied to magazines aimed at young people, which was probably one of the reasons why almost everyone from my generation, when we get on to the subject of pinhole cameras, has fond memories of the cut-out paper camera known as Dirkon*, published in 1979 in the magazine ABC mladých techniků a přírodovědců [An ABC of Young Technicians and Natural Scientists].

Its creators, Martin Pilný, Mirek Kolář and Richard Vyškovský, came up with a functional pinhole camera made of stiff paper, designed for 35 mm film, which resembles a real camera. It may not be the most practical of devices, but it works!

My first attempt at putting together a paper Dirkon a few years after it came out fell victim to a total lack of patience on my part. Today, twenty years later, I decided that I had to include this unusual pinhole camera in my collection. So I got hold of an old copy of ABC and set to work....

* The name Dirkon is a play on words based on the combination of the parts of two words: Dirk- is the beginning of the Czech word dírka – pinhole, and -kon is the end of the name of a well-known Japanese camera which needs no introduction.

A few notes about the original instructions

For the patient among you, here are the instructions for making the Dirkon camera which you can download in Adobe PDF format. But first a few notes which I've jotted down after my experience with making it, which you might find useful.

The camera must be cut out of stiffer paper than ordinary office paper (or thin card). If the paper isn't entirely opaque, you need to stick very thin black paper underneath the important sections so that no light gets into the camera. This is particularly important for sections 1, 2, 3, 10 and 23.

It is very important to print the cut-out to the correct size, i.e. 1 : 1. When you are printing from the Acrobat Reader, the option "Fit to page" MUST NOT be selected, otherwise the pages might come out smaller and the film won't fit into the Dirkon camera. I've added a ruler on each page so that you can check that the size is correct.

The instructions recommend using Foma 21° DIN film. This was film made back in former Czechoslovakia but it's similar, for example, to today's Ilford PAN 100. You can of course use any 35 mm film, even colour.

I discovered from the makers of Dirkon that, even when it was published, people often came up with improvements on their model. The design was significantly improved by sticking on a thin piece of metal with a hole, rather than making the hole in the paper, as described in the instructions. I didn't follow this suggestion, however, since I wanted to experience the real magic of Dirkon photography."

(David Balihar)

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1970s197935mm • ABC mladých techniků a přírodovědců • An ABC of Young Technicians and Natural Scientists • cameracardboardcut-outCzech RepublicCzechoslovakiadesigndevicediagram • Dirkon • improvisationinnovationlow-tech • Martin Pilny • Mirek Kolář • Nikonpaper • paper camera • papercraftphotography • pinhole • pinhole camera • Richard Vyskovsky • ultra-low-tech

CONTRIBUTOR

Simon Perkins
15 JANUARY 2009

Jiri Trnka - Ruka (aka The Hand)

"is the last film he made before his death in 1969 and reflects Trnka's own struggle to create art under a totalitarian regime."
(Seksu Roba)

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allegoryanimationcritiqueCzechoslovakia • Jiri Trnka • marionettepioneeringpolitical allegory • Ruka • symbolism • The Hand • totalitarianism

CONTRIBUTOR

Simon Perkins
03 DECEMBER 2003

Air Transport Map: Network of Routes and Destination Nodes

The map shows European cities linked through transport routes flown by the Czechoslovakia Air Transport Company in 1933. Each city is represented as a node within the larger web travel destinations. The map provides a compelling demonstration of the value of well-considered information design.

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Belgrad • Berlin • Bratislava • Budapest • Czech and Slovak Federative Republic • Czecho-Slovakia • Czechoslovakia • Czechoslovakia Air Transport Company • Dresden • Edward TufteHamburgHannoverinformation designmap • Munchen • node • Nurnberg • Praha • Roma • routeWien
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