The Art of the Title Sequence: a compendium
"A compendium and leading web resource of film and television title design from around the world. We honor the artists who design excellent title sequences. We discuss and display their work with a desire to foster more of it, via stills and video links, interviews, creator notes, and user comments."
(Ian Albinson)
Fig.1 Ian Albinson, David Horridge, M. Keegan Uhl, Bill Simmon (2011). 'A Brief History of Title Design', Music: RJD2 "Ghostwriter"
CONTRIBUTOR
Simon PerkinsSHARE
The Dark Genius of Kyle Cooper
Kyle Cooper "specializes in crafting title sequences - the short introductions and closings to films, videogames, and television shows that list the names of the cast and crew involved in the production. In this boutique industry, Cooper is king. He has designed the lead-ins to 150 features - including Donnie Brasco, the 1996 remake of The Island of Dr. Moreau, Mission: Impossible, Spider-Man, Sphere, Spawn, Twister, and Flubber. The movies themselves may not be cinematic classics, but Cooper's credits - which operate as minifilms in their own right - consistently stun and entertain audiences. For this spring's Dawn of the Dead, he even used real human blood. Critic Elvis Mitchell, in his New York Times review of the movie, summed up the Cooper effect: 'The opening and closing credits are so good, they're almost worth sitting through the film for.' Indeed, the word in Hollywood is that some filmmakers have refused to work with Cooper, says Dawn of the Dead director Zach Snyder, because he's 'the guy who makes title sequences better than the movie.' Not since Saul Bass' legendary preludes to The Man With the Golden Arm (1955) and Vertigo (1958) have credits attracted such attention. Cooper counts Bass' work, along with Stephen Frankfurt's lead-in for To Kill a Mockingbird (1962), as his greatest influences."
(Jon M. Gibson, Wired Issue 12.06 - June 2004)
CONTRIBUTOR
Simon PerkinsSHARE
