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Which clippings match 'Decorative Arts' keyword pg.1 of 2
04 OCTOBER 2015

Lubna Chowdhary transforms spaces using colour

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aesthetic qualitiesBritish artist • ceramic elements • ceramic tile • ceramic works • ceramicist • ceramicscolourcolourwayscraftcraftsmanshipdecorative artsdesign consultancyfemale artistgeometric abstractiongeometryglaze • glaze firing • hand-blended colours • hand-painted • handcrafted ceramic works • handcrafted works • handcrafting • individually crafted works • interior decorationinterior design • Lubna Chowdhary • material practicesmodularity • ready-made elements • traditional craftsmanship • truth to materialsvisual abstraction • visual geometry • visual pattern

CONTRIBUTOR

Simon Perkins
04 MAY 2015

Beyond Bloomsbury: Designs of the Omega Workshops 1913-19

"Established in 1913 by the painter and influential art critic Roger Fry, the Omega Workshops were an experimental design collective, whose members included Vanessa Bell, Duncan Grant and other artists of the Bloomsbury Group.

Well ahead of their time, the Omega Workshops brought the experimental language of avant-garde art to domestic design in Edwardian Britain. They were a laboratory of design ideas, creating a range of objects for the home, from rugs and linens to ceramics, furniture and clothing – all boldly coloured with dynamic abstract patterns. No artist was allowed to sign their work, and everything produced by the Workshops bore only the Greek letter Ω (Omega)."

(The Courtauld Institute of Art)

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1913 • 1919 • Alvaro Guevara • art movement • avant-garde art movement • Bloomsbury Group • bold new designs • British designceramicsclothing design • Cuthbert Hamilton • decorative artsdesign collectivedesign history • design of domestic products • Duncan Grant • Edward McKnight Kauffer • Edward Morgan ForsterEdward Wadsworth • Edward Wolfe • Frederick Etchells • furniture designGeorge Bernard Shaw • Gertrude Stein • Henri Gaudier-Brzeska • home furnishingsinterior design • Israel Zangwill • Jesse Etchells • Lady Ian Hamilton • Lady Maud Cunard • Lady Ottoline Morrell • linen design • linocutlithography • Mikhail Larionov • mosaicnew approaches • Nina Hamnett • Omega artists • Omega Workshops • painted furniture • painted murals • painted silks and linens • Pamela Diamand • Roger Fry • rug • Somerset House • stained glasstablewaretextile design • The Courtauld Institute of Art • upholstery • Vanessa Bell • vibrant abstract design • Virginia WoolfWilliam Butler Yeats • Winifred Gill • woodblock prints • woven wools • Wyndham Lewis

CONTRIBUTOR

Simon Perkins
28 DECEMBER 2014

The beautiful decorative patterns of faux tribal masks

"The young Dutch designer starts each of his creations on the basis of a material experiment. This enables him to discover production techniques and aesthetic developments. The result lies within unusual and attractive patterns, colours and structures. ... His love for materials has given birth to a passion for textiles that have a strong impact on his creations and pushed him to imagine a series of bizarre masks, in 2010; masks that are to Matisse, 'a characteristic sign of our essence'."

(The Red List)

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2010abstract forms • aesthetic developments • aesthetic objectsanimal resemblances • animal-mask • Bertjan Pot • carpetcolour • colour combinations • colourful designs • costume designcraft and materialscraftingdecorative artsdecorative sewingdesign craftDutch designfabric • faux tribal art • geometric designs • geometric patterns • handicraft • human face • maskmask-making • material experiment • material practicesmaterials investigationnaive stylepastiche • production technique • rope • rope masks • sewing and craft • sewn together • stylised formstextile artstextile design • The Red List • vibrant colourvisual patternzoomorphism

CONTRIBUTOR

Simon Perkins
13 MARCH 2013

Chinoiserie at Lincolnshire's Belton House

"Hand painted C18th Chinese wallpaper at Belton in the Chinese Bedroom with a continuous scene of a garden party. Cornice, dado and other joinery painted to imitate bamboo."

(National Trust, UK)

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18th centurybamboobedroom • Belton House • Chinese • Chinese Bedroom • Chinese wallpaper • Chinoiseriecontinuous scenedecordecorationdecorative artsdepictionEast Midlands • furnishings • garden party • great country house • hand-paintedinterior designLincolnshire • National Trust • National Trust Images • oriental • orientalismornamentalpaintingscenery • stately home • UKvisual designvisual patternwallpaper

CONTRIBUTOR

Simon Perkins
12 MARCH 2013

Examples of Chinese ornament selected from objects in the South Kensington museum and other collections

"We have long been familiar with the power of the Chinese to balance colours, but we were not so well acquainted with their power of treating purely ornamental or conventional forms ; and in the chapter in the Grammar of Ornament on Chinese Ornament I was led, from my then knowledge, to express the opinion that the Chinese had not the power of dealing with conventional ornamental form : but it now appears that there has been a period in which a School of Art existed in China of a very important kind. We are led to think that this art must in some way have had a foreign origin; it so nearly resembles in all its principles the art of the Mohammedan races, that we may presume it was derived from them. It would be no difficult task to take a work of ornament of this class, and, by simply varying the colouring and correcting the drawing, convert it into an Indian or Persian composition. There is of course, in all these works, something essentially Chinese in the mode of rendering the idea, but the original idea is evidently Mohammedan. The Moors of the present day decorate their pottery under the same instinct, and follow the same laws as the Chinese obeyed in their beautiful enamelled vases. The Moorish artist takes a rudely–fashioned pot or other object, and by a marvellous instinct divides the surface of the object, 'by spots of colour, into triangles of proportionate area, according to the form and size of the object; these triangles are then crossed by others."

(Owen Jones, 1867)

Owen Jones (1867). "Examples of Chinese Ornament Selected from Objects in the South Kensington Museum and Other Collections: By Owen Jones. One Hundred Plates", S. & T. Gilbert, 4 Copthall Buildings, E.C. Back of the Bank of England.

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1867 • ceramic glaze • ceramicsChinesecolourcompositioncultural heritagecultural significance of objectsdecorationdecorative arts • enamel • enamelled vases • flowersformglazeIndianInternet ArchiveIslamicmaterial culture • Mohammedan • Moorish • Moors • motifMuslim • object surface • orientalismornamentalornamental formOwen JonesPeoples Republic of China • Persian • pigmentpotspottery • rudely fashioned • South Kensingtonsymbolic meaning • vase • visual appearancevisual designvisual grammar • visual heritage • visual motifvisual pattern

CONTRIBUTOR

Guannan (cassie) Du
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