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Which clippings match 'Theory And Practice' keyword pg.2 of 3
16 MARCH 2013

Constructing Models for Practitioner-Based Research

"This paper considers differing understandings about the role and praxis of practitioner–based research for the arts. Over more than a decade the nexus between theory and practice has been a point of debate within the contemporary arts school both in Australia and overseas. This paper attempts to reveal ways of approaching this issue from within and across the disciplines. Discussions with colleagues from the arts representing fields as diverse as music, visual arts, creative writing, women's studies, dance and theatre studies indicate that the research principles explored, albeit briefly, here have resonance for each of these disciplines. Consequently, in an attempt to be broadly relevant for these diverse fields I have chosen to position the model as practitioner–based. Within this widened context I will be exploring the different ways in which studio–based practitioners and academics conceptualise the processes and characteristics of research in the arts and professional practice. However, as this is still work in progress, my exemplars will largely reflect my own field of the visual arts. Further research will enable this model to expand.

Presented is a way to conceptualise and explain what we do as studio–based researchers in the arts. In so doing I am recognising that contemporary practices in the arts reflect a meridian era of evolution, which requires us to be articulate practitioners. This includes being able to analyse and write about our practice in sophisticated ways. I see practitioner–based research and the resultant exploration of personal praxis as a way to achieve this. What I propose is that as artists we open up a larger domain by recontextualizing and reinterpreting aspects of standard mainstream research processes, looking at the resemblances, the self–resemblances and the differences between traditional and practitioner–based research methods as a logic of necessity."

(Robyn Stewart, 2001)

TEXT Vol Vol 5 No 2 October 2001 [http://www.griffith.edu.au/school/art/text/]

TAGS

2001academics • articulate practitioners • artists • arts fields • arts researchcontemporary artscontemporary practicescreative artscreative practicecreative writingdanceinvestigative praxis • logic of necessity • music practice • personal praxispractitioner-based research • practitioner-based research methods • praxisprofessional practicerecontextualisationresearch in the arts • research principles • research processesRobyn Stewartstudio practicestudio-based enquiry • studio-based practitioners • studio-based researcher • TEXT (journal) • theatre studies • theory and practicevisual artswomens studies

CONTRIBUTOR

Simon Perkins
09 JANUARY 2013

Eighth International Conference on the Arts in Society

Eighth International Conference on the Arts in Society, Eötvös Loránd University, Budapest, Hungary, 24–26 June 2013

"The purpose of the annual Arts Conference is to create an intellectual platform for the arts and arts practices, and to create an interdisciplinary conversation on the role of the arts in society. It is intended as a place for critical engagement, examination and experimentation of ideas that connect the arts to their contexts in the world–on stage, in studios and theaters, in classrooms, in museums and galleries, on the streets and in communities.

Its scope is deliberately broad and ambitious. Our times demand nothing less than cross–disciplinary and holistic approaches. The breadth of the Conference and its accompanying Journal, however, are without prejudice to finely grained discussion of the specific, the local and the grounded practices.

The Conference provides a venue and a framework for the arts and art practices that are situated within the context of international art expositions, festivals and biennials engaged with the international production of art and its global distribution networks. This Conference aims to discover what values, instincts and common ground may exist within the arts and their practices and sites of reception around the world. Your participation shapes the Conference itself.

We are inviting proposals for paper presentations, workshops/interactive sessions, posters/exhibits, or colloquia (See Proposal Types). Virtual participation is available for those who are unable to attend the conference in person. Proposal ideas that extend beyond these thematic areas will also be considered.For more information about the ideas and themes underlying this community, see Our Focus."

TAGS

2013art and design conferenceart and educationart educationart practicesarts • arts conference • arts education • arts history and theory • Arts in Society Conference • arts practices • Budapestcall for paperscolloquiaCommon Ground (publishing)conferencecreative artscritical engagementcross-disciplinary • Eotvos Lorand University • holistic approaches • Hungaryinterdisciplinaryinternational conferencenew media • paper presentations • political and community agendas in the arts • poster sessions • roundtable sessions • scholarly platform • technology and the arts • the arts • The Arts Knowledge Community • the role of the arts in society • theory and practicevisual arts

CONTRIBUTOR

Simon Perkins
24 JUNE 2012

International Journal of Design: peer-reviewed and open-access

"The International Journal of Design is a peer–reviewed, open–access journal devoted to publishing research papers in all fields of design, including industrial design, visual communication design, interface design, animation and game design, architectural design, urban design, and other design related fields. It aims to provide an international forum for the exchange of ideas and findings from researchers across different cultures and encourages research on the impact of cultural factors on design theory and practice. It also seeks to promote the transfer of knowledge between professionals in academia and industry by emphasizing research in which results are of interest or applicable to design practices."

(International Journal of Design)

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TAGS

affective design • animation • approaches to design • architectural design • computer applications in design • cultural factors on design • design fieldsdesign industrydesign journaldesign management • design methodologies • design practicedesign practicesdesign professionalsdesign researchdesign research journal • design strategy and management • design theoryemotional designergonomic design • ergonomics and perceptions in design • game designglobalisationglobalisation and localisationhuman perception • IJDesign • impact of cultural factors on design theory and practice • industrial designinterface designInternational Journal of Design • journal of design • journal of design research • kansei • kansei engineering • localisation • open-access journal • peer-reviewed journalresearch papers • social-cultural aspects of design • theory and practiceurban designvisual communicationvisual communication design

CONTRIBUTOR

Simon Perkins
14 APRIL 2012

Achim Menges: Architecture and Product Design Research

"Architecture as a material practice is predominately based on an approach to design that is characterised by prioritising the elaboration of form over its subsequent materialisation. Since the Renaissance the increasing division between processes of design and making has led to the age–long development and increasing dependence on representational tools intended for explicit, scalar geometric descriptions that at the same time serve as instructions for the translation from drawing to building. Inevitably, and with few exceptions, even in today's digital practice architects embrace design methods that epitomize the hierarchical separation of form definition and materialisation.

The research of the Institute for Computational Design explores an alternative, morphogenetic approach to design that unfolds morphological complexity and performative capacity from material constituents without differentiating between formation and materialisation processes. This requires an understanding of form, material, structure and environment not as separate aspects, but rather as complex interrelations that are embedded in and explored through integral computational processes.

The notion of material system constitutes one central aspect of this research. Material system does not only refer to the material constituents of a building alone, but rather describes, in a system–theoretical sense, the complex reciprocity between materiality, form, structure and space, the related processes of production and assembly, and the multitude of performative effects that emanate from the interaction with environmental influences and forces. This conceptualization of material systems enables the utilization of computational design processes. The ability of computation to simultaneously do both, stochastically derive and systemically process complex datasets within a defined or evolving constraint space, can be utilized to explore a material system's performative capacity within its materially determined limits. Furthermore, continuously informing the form generation with different modes of computational analysis enables a direct link between the ontogeny, the history of structural changes of an individual, and its interaction with external forces and energy respectively, that is its ecological embedding. This enables to conceive of material systems as the synergetic outcome of calibrating and balancing multiple influencing variables and divergent design criteria, which always already include the interaction with the system–external environment. The resultant environmental modulations can now be understood as highly specific patterns in direct relation to the material interventions from which they originate.

The design of space, structure and climate can be synthesized in one integral design process."

(Achim Menges, Achimmenges.net)

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TAGS

Achim Menges • architectsarchitectural conjecturearchitecture • bifurcation between theory and practice • building • complex datasets • computational design • computational design processes • computational processes • cultural technologydesign and makingdesign methods • design of space • design processdesign researchdigital practice • elaboration of form • environmental influences • environmental modulations • European Renaissanceform • form definition and materialisation • formation and materialisation • hierarchical separation • history of structural change • Institute for Computational Design • latticematerialmaterial interventionsmaterial practice • material systems • materialisationmateriality • materially determined limits • modes of computational analysis • morphogenetic approach to design • morphological complexity • ontogenesis • performative capacity • performative effects • product designproduction and assembly • representational tools • scalar geometric descriptions • space • stochastic • structure • synergetic outcome • synergy • system-theoretical sense • systemically process • theory and practice • translation from drawing to building • wood • wood lattice

CONTRIBUTOR

Simon Perkins
24 JANUARY 2011

Practice vs praxis: modelling practitioner-based research

"Praxis, for me, involves the critical and inextricable meld of theory and practice. Thus practitioner–based research is concerned with processes for theorising practice ... In moving creatively into our practice we are fundamentally concerned to develop new knowledge, to challenge old beliefs and to speculate on the 'what ifs' of our concepts and processes. For the arts practitioner, this new knowledge is made in the context of and challenge to the history, theory and practices of the relevant field. The research function for developing and extending knowledge is judged on the outcome of the research, which synthesises, extends or analyses the problematics of the discipline. It is important to realise that this creative work resembles pure and applied research in any field. As Richard Dunn says; 'a work of art or design is embedded in or deforms the theory and practice of the discipline' (1994:8)."

(Robyn Anne Stewart, 2003, USQ ePrints)

1). Stewart, Robyn Anne (2003) Practice vs praxis: modelling practitioner–based research. In: 2002 International Society for Education through Art (InSEA) World Congress, 19–24 Aug 2002, New York, USA.

CONTRIBUTOR

Simon Perkins
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