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Which clippings match 'David Lynch' keyword pg.1 of 2
17 AUGUST 2013

8mm behind-the-scenes home movie Making 'Dune' by Sean Young

"Dune, the motion picture was made in Mexico City, Mexico during the spring of 1983. Drafted by director David Lynch, Sean Young arrived on the set of Dune with her Super 8 camera in tow to shoot this documentary. Fresh off of Ridley Scott's Blade Runner, Young joined the cast of Lynch's big-budget adaptation of Frank Herbert's Dune, one of the most ambitious science fiction tales in all of pop culture. Produced by Dino De Laurentiis, Dune cost about $45 million to make and earned only about half of it back. But you'd never know Dune would become such a notorious film by watching the smiles on everyone involved."

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19838mmbehind-the-scenesBlade Runner (1982) • Brad Dourif • David Lynch • Dino De Laurentiis • Dune (1983) • Frank Herbert • home movieKyle MacLachlanmaking ofMax von SydowMexico • Mexico City • motion picture • Patrick Stewart • Ridley Scottscience fiction • Sean Young • Sting • Super 8 movie camera

CONTRIBUTOR

Simon Perkins
18 DECEMBER 2012

Eraserhead Stories: David Lynch on the Making of His Famously Nightmarish First Film

"Not only does the documentary Eraserhead Stories offer as much information as you'll find anywhere on the making of David Lynch's first feature film, it has a few Lynchian qualities of its own. For almost an hour and a half, David Lynch sits down behind a microphone and reminisces about the six years his ragtag team spent putting the movie together. But he does it in black-and-white, in front of a curtain, smoking, like something out of an early-1950s television broadcast. The ambient dull roar of an ill wind appears, intermittently and inexplicably, on the soundtrack. Photographs flash by, supporting some of Lynch's inspiring, arduous, and bizarre recollections. Many of his stories deal with the nuts and bolts of bringing one's financially impoverished but creatively overflowing early movies into reality."

(Colin Marshall, 17 December 2012, Open Culture)

David Lynch (2001). "Eraserhead Stories".

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2001American cinemaAmerican independent cinemaart and design practitionersauteurblack and white • Charlotte Stewart • cult classic • cult filmdark comedyDavid Lynchdocumentary • Eraserhead • Eraserhead Stories • famous peoplefilmfilm directorfilmmakergrotesqueindependent cinemaindependent filmindie cinemainfluentialinfluential creatorsinfluential director • interviews with famous people • Jack Nance • landmark film • Laurel Near • low budgetlow-budget filmmaking ofmovienightmarevisual spectacle

CONTRIBUTOR

Simon Perkins
29 OCTOBER 2012

Blue Velvet: the dark underside of America's collective fantasies

"Blue Velvet begins with the lily-white small town of America's collective fantasies and shows us its dark underside: drugs, violence, sex, and particularly sexual perversion. Our hero, Jeffrey, hiding in the dark, peers through the slats of Dorothy Vallens' closet at Dorothy getting undressed and Frank's strange sadomasochistic sex with her. Jeffrey stands for all of us American filmgoers peering (voyeuristically!) at Evil in traditional American films. Lynch clues us as to how we should read his film when he shows us a cluster of ants under the Beaumonts' pretty lawn. This is Tennyson's nature red in tooth and claw-the underside of cutesy Lumberton with its free enterprise propensity for cutting down trees."

(Norman N. Holland)

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1986 • Alfred Tennyson • ants • Blue Velvet • collective fantasies • community • dark underside • David Lynch • Dennis Hopper • Dorothy Vallens • drugs • evil in films • feature filmfilm • filmgoers peering • free enterprise • hiding in the dark • Isabella Rossellini • Kyle MacLachlan • Laura Dern • lily-white • Lumberton • melodramanature • pretty lawn • repressionsadomasochistic sexsex • sexual perversion • small townsocietyundercurrents • underside • violencevisual spectaclevoyeurism

CONTRIBUTOR

Simon Perkins
20 SEPTEMBER 2012

Lana Del Rey covers 'Blue Velvet' for H&M ad

"Lana Del Rey has recorded a cover of the classic track 'Blue Velvet' for a commercial for clothing company H&M"

(NME.COM)

Fig.1, 2 Directed by Johan Renck for H&M

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2012 • autumn collection • Blue Velvet • Bobby Vinton • classic track • clothing companycreative inspirationDavid Lynchdesign stylefashion design collection • H and M • homagein between narratives • Johan Renck • Lana Del Rey • mise-en-scenemusic clipmusic covernarrative scenesotherworldlinessstyletableau vivanttheatrical spaceTVCvisual dramavisual spectacle

CONTRIBUTOR

Simon Perkins
05 AUGUST 2012

Jane Campion: A Girl’s Own Story (short film)

"Jane Campion has been a dominant force in world cinema for nearly two decades. Shot delicately in black-and-white, A Girl's Own Story is an early short film that traces the stories of three suburban teenage girls (Pam, Gloria and Stella) in 1960's Australia. It deals with the difficulties of burgeoning sexuality, incest, friendship and family against the backdrop of Beatlemania and an era that valued the isolating notions of purity and wholesomeness over honesty and acceptance."

(Anton de Lonno 11 July 2010, Senses of Cinema)

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1960s1984 • A Girls Own Story • An Angel at My Table (film) • AustraliaAustralian cinemaauteur • Beatlemania • black and whiteboys • burgeoning sexuality • chiaroscurocold • Cut (film) • David Lynchdesiredoll play • eery • effigyexpressionistic • expressionistic conventions • familyfemale sexualityfemininityfriendship • Gabrielle Shornegg • gender performance culture • Geraldine Haywood • haunting moment • honesty and acceptance • humour • I Feel the Cold • ice-skating • incest • Ingmar Bergman • inky suburban subconscious • intimate sexualityisolationJane Campion • lustful embrace • Marina Knight • New Zealand filmmakerparentspathos • Peter Weir • Piano (film) • puritySenses of Cinema (journal)sexual agencyshort filmsuburbanteenage girls • tenderness • The Beatles • The Portrait of a Lady (film) • wholesomeness • world cinema

CONTRIBUTOR

Simon Perkins
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