"The discussion was recorded for BBC Newsnight's 'Encounters' series, with topics ranging from the influence of Bobby Vinton's 1963 hit 'Blue Velvet' on Lynch's film of the same name, seeing Jerry Garcia's ghost, liking to ''bite' paintings, as well as 'Twin Peaks', which Smith says 'reconnected [her] to the world and art'."
(Luke Morgan Britton, 20 November 2014, NME)
[Patti Smith and David Lynch have a brief conversation at the Fondation Cartier in Paris where they discuss each other's work and their mutual respect for each other. BBC2 Newsnight Encounters, 13 November 2014.
"Dune, the motion picture was made in Mexico City, Mexico during the spring of 1983. Drafted by director David Lynch, Sean Young arrived on the set of Dune with her Super 8 camera in tow to shoot this documentary. Fresh off of Ridley Scott's Blade Runner, Young joined the cast of Lynch's big–budget adaptation of Frank Herbert's Dune, one of the most ambitious science fiction tales in all of pop culture. Produced by Dino De Laurentiis, Dune cost about $45 million to make and earned only about half of it back. But you'd never know Dune would become such a notorious film by watching the smiles on everyone involved."
"Not only does the documentary Eraserhead Stories offer as much information as you'll find anywhere on the making of David Lynch's first feature film, it has a few Lynchian qualities of its own. For almost an hour and a half, David Lynch sits down behind a microphone and reminisces about the six years his ragtag team spent putting the movie together. But he does it in black–and–white, in front of a curtain, smoking, like something out of an early–1950s television broadcast. The ambient dull roar of an ill wind appears, intermittently and inexplicably, on the soundtrack. Photographs flash by, supporting some of Lynch's inspiring, arduous, and bizarre recollections. Many of his stories deal with the nuts and bolts of bringing one's financially impoverished but creatively overflowing early movies into reality."
(Colin Marshall, 17 December 2012, Open Culture)
David Lynch (2001). "Eraserhead Stories".
"Blue Velvet begins with the lily–white small town of America's collective fantasies and shows us its dark underside: drugs, violence, sex, and particularly sexual perversion. Our hero, Jeffrey, hiding in the dark, peers through the slats of Dorothy Vallens' closet at Dorothy getting undressed and Frank's strange sadomasochistic sex with her. Jeffrey stands for all of us American filmgoers peering (voyeuristically!) at Evil in traditional American films. Lynch clues us as to how we should read his film when he shows us a cluster of ants under the Beaumonts' pretty lawn. This is Tennyson's nature red in tooth and claw–the underside of cutesy Lumberton with its free enterprise propensity for cutting down trees."
(Norman N. Holland)
"Lana Del Rey has recorded a cover of the classic track 'Blue Velvet' for a commercial for clothing company H&M"
Fig.1, 2 Directed by Johan Renck for H&M