"The Virtual Reef is a life-sized marine ecosystem expanding across two levels of the new Science and Engineering Centre. Multi-touch technologies enable the user to manipulate, intimately explore and interact with the reef world, specific behaviours and relationships.
Australia's leading marine science and interactive and visual design organisations, QUT and the Queensland Museum, bring knowledge and research of the underwater world to your fingertips through multi-touch screens and projectors.
Users will have the opportunity to go beyond the cinematic experience and interact with the marine world. Each interaction has associated content designed to complement the aims of the National Curriculum and provide an exploratory learning experience."
(Jeff Jones, the Cube, QUT)
Fig.1 "The Virtual Reef" project team: Professor Jeff Jones (Cube Project Leader), Associate Professor Michael Docherty (Project Leader), Warwick Mellow (Principal Animator/Art Director), Joti Carroll, Paul Gaze, Sean Gobey, Ben Alldridge, Sophia Carroll, Sherwin Huang, Bryce Christensen.
New York invasion by 8-bits creatures ! PIXELS is Patrick Jean' latest short film, shot on location in New York. Written, directed by : Patrick Jean Director of Photograhy : Matias Boucard SFX by Patrick Jean and guests Produced by One More Production www.onemoreprod.com
"From sketch to final creation for his Biotypography project, Oded [Ezer] wanted to create live, almost cinematic situations where these typo creatures 'act' and 'behave.' He says the most difficult part of the project was the issue of balance - where to draw the line between the insect and the letters.
Biotypography - typo art project depicting manipulated Hebrew and Latin 'Typo creatures.'
'When I saw an ant on the floor of my studio, I started to imagine what would happen if this was a creature half ant and half letter. Wouldn't it be wonderful if nature had invented letters? And then maybe different letter-ants could gather, create words and communicate with us!?'
'I could manufacture a medium wherein typography could develop and evolve into something completely different.'"
"Hilarious and frequently surreal, the stop-motion extravaganza A Town Called Panic has endless charms and raucous laughs for children from eight to eighty. Based on the Belgian animated cult TV series (which was released by Wallace & Gromits Aardman Studios), Panic stars three plastic toys named Cowboy, Indian and Horse who share a rambling house in a rural town that never fails to attract the weirdest events.
Cowboy and Indians plan to gift Horse with a homemade barbeque backfires when they accidentally buy 50 million bricks. Whoops! This sets off a perilously wacky chain of events as the trio travel to the center of the earth, trek across frozen tundra and discover a parallel underwater universe of pointy-headed (and dishonest!) creatures. Each speedy character is voiced - and animated - as if they are filled with laughing gas. With panic a permanent feature of life in this papier-mâché burg, will Horse and his equine paramour - flame-tressed music teacher Madame Longray (Jeanne Balibar) - ever find a quiet moment alone? A sort of Gallic Monty Python crossed with Art Clokey on acid, A Town Called Panic is zany, brainy and altogether insane-y!."
"This alternative art movement found its most congealing participant in one of America's most opprobrious and maligned underground artists, the painter, Robert Williams. It was this artist to brought the term 'lowbrow' into the fine arts lexicon, with his ground breaking book of 1979, The Lowbrow Art of Robert Williams. It was from this point, that the seminal elements of West Coast Outlaw culture slowly started to aggregate."