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Which clippings match 'Pagan' keyword pg.1 of 1
28 NOVEMBER 2012

The Dark Ages were a time of great artistic achievement

"The Dark Ages have been misunderstood. History has identified the period following the fall of the Roman Empire with a descent into barbarism – a terrible time when civilisation stopped.

Waldemar Januszczak disagrees. In this four–part series he argues that the Dark Ages were a time of great artistic achievement, with new ideas and religions provoking new artistic adventures. He embarks on a fascinating trip across Europe, Africa and Asia, visits the world's most famous collections and discovers hidden artistic gems, all to prove that the Dark Ages were actually an 'Age of Light'.

In the first episode he looks at how Christianity emerged into the Roman Empire as an artistic force in the third and fourth centuries. But with no description of Jesus in the Bible, how were Christians to represent their God? Waldemar explores how Christian artists drew on images of ancient gods for inspiration and developed new forms of architecture to contain their art."

(BBC Four)

"The Dark Ages: An Age of Light" first broadcast BBC Four, 9:00PM Tue, 27 Nov 2012, duration 60 minutes.

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TAGS

3rd century • 4th century • age of light • alpha • ancient Gods • androgynous • androgynyart history • artistic achievement • artistic adventures • artistic force • barbarian • barbarism • BBC FourBible • catacombs • Christian art • Christian artists • Christianity • Christians • church architecturecivilisation • cross-shape • cryptic marker • cryptic symbols • dark ages • dogmatic • Early Christian • godshistoryJesus Christmosaic • new forms of architecture • new ideas • omega • pagan • pagan religion • pagan tradition • paganism • palindrome • paternosterreligion • representations of God • representations of Jesus • Roman Empire • SATOR AREPO TENET OPERA ROTAS • television series • Waldemar Januszczak • Xmas

CONTRIBUTOR

Simon Perkins
09 AUGUST 2009

Prisoners of a White God: Akha culture under attack

"This documentary explicitly reveals under cover work of missionary agencies and individuals in the destruction of an ethnic group, the Akha people of South East Asia. It is a picture of evil cloaked in righteousness. Evangelical missionaries come with the Good News of the Gospel, and aid for the poverty stricken mountain people. The reality is division, destruction of family core groups, human rights violations, displacement, forced relocation, theft of land, cultural genocide, racism and power of a majority people group over the indigenous group.
...
[Tomáš] Ryška does an excellent job presenting the contrast of hypocrisy and wealth of the missionary, aid, food and clothing, the underworld of child trafficking versus the appearance of cleanliness and holiness, worship done the 'right' way, versus the 'pagan way.' He contrasts land theft, greed for the rich mountain resources, good business versus God's service. He uncovers the fear of eternal punishment versus the joys of heaven, fear of death threats for those who dare expose evil that dwells in the fundamentalist Christian missionary centres, corruption versus holiness, forced relocation, illness, depression, malaria, and prison camps in the lowlands for the unfortunate mountain people. It is colonization all over again."
(Akha Heritage Foundation)

TAGS

2008aid • Akha • autonomyChristiancommunitycorruptioncultural heritage • disempowerment • documentaryethicsethnicity • ethnocide • exploitationfaithFirst NationsfundamentalismglobalisationimperialismIndigenousIndigenous communitiesLaos • missionaries • missionarypagan • Prisoners of a White God • religionsocial changeSouth-East AsiaspiritualityThailand • Tomas Ryska • traditiontraffickingtransformationvillager

CONTRIBUTOR

Simon Perkins
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