Not Signed-In
Which clippings match 'Christianity' keyword pg.1 of 1
08 FEBRUARY 2015

The Meaning of Life with Gay Byrne: Stephen Fry

The Meaning of Life with Gay Byrne, Sunday 1st February 2015, 10.30pm. Published on 28 January 2015.

1
2

TAGS

2015 • all wise • atheism • bone cancer • capriciousness • Christian god • Christianitydeath • Gay Byrne • god • Greek god • Greek gods • Greek mythological figures • Greek mythology • Hades • injustice • maniac • meaning of life • megalomaniac • misery • monotheism • monstrous • mythological creature • mythological figures • Pluto • Raidio Teilifis Eireann • RTE One • Stephen Frysufferingunderworldwhat comes after

CONTRIBUTOR

Simon Perkins
28 NOVEMBER 2012

The Dark Ages were a time of great artistic achievement

"The Dark Ages have been misunderstood. History has identified the period following the fall of the Roman Empire with a descent into barbarism – a terrible time when civilisation stopped.

Waldemar Januszczak disagrees. In this four–part series he argues that the Dark Ages were a time of great artistic achievement, with new ideas and religions provoking new artistic adventures. He embarks on a fascinating trip across Europe, Africa and Asia, visits the world's most famous collections and discovers hidden artistic gems, all to prove that the Dark Ages were actually an 'Age of Light'.

In the first episode he looks at how Christianity emerged into the Roman Empire as an artistic force in the third and fourth centuries. But with no description of Jesus in the Bible, how were Christians to represent their God? Waldemar explores how Christian artists drew on images of ancient gods for inspiration and developed new forms of architecture to contain their art."

(BBC Four)

"The Dark Ages: An Age of Light" first broadcast BBC Four, 9:00PM Tue, 27 Nov 2012, duration 60 minutes.

1

TAGS

3rd century • 4th century • age of light • alpha • ancient Gods • androgynous • androgynyart history • artistic achievement • artistic adventures • artistic force • barbarian • barbarism • BBC FourBible • catacombs • Christian art • Christian artists • Christianity • Christians • church architecturecivilisation • cross-shape • cryptic marker • cryptic symbols • dark ages • dogmatic • Early Christian • godshistoryJesus Christmosaic • new forms of architecture • new ideas • omega • pagan • pagan religion • pagan tradition • paganism • palindrome • paternosterreligion • representations of God • representations of Jesus • Roman Empire • SATOR AREPO TENET OPERA ROTAS • television series • Waldemar Januszczak • Xmas

CONTRIBUTOR

Simon Perkins
23 SEPTEMBER 2005

Retrospective Identities: unambiguous, stable, intellectually impervious and collective

Retrospective "identities use as resources narratives of the past which provide exemplars, criteria, belonging and . ... This provides for an unambiguous, stable, intellectually impervious, collective identity. This consumes the self in all its manifestations and gives it a site outside of current and future instabilities, beyond current ambiguities of judgement, relation and conduct. In some contexts it produces a strong insulation between the sacred and profane, such that it is possible to enter the profane world without either being appropriated or colonised by it. Islamic fundamentalism enables the appropriation of western technologies without cultural penetration. Nearer home orthodox Jews in the 1920s, and even earlier, occupied small shops and business slots in the economy and retained their identity through strict orthodox practice. In the 1960s and onwards many British [Central] Asian Moslems occupied a similar economic and cultural context. The problem here for such retrospective identities is their reproduction in the next generation, and here we might expect a shift to prospective or even therapeutic positions. Age may well influence the expression of the retrospective identity through differential selection of resources. It may well be that the young are attracted to the current revival of charismatic Christianity with its emphasis upon the subjective, the emotional, upon intense interactive participation and upon oppositions to institutional orthodoxes. On a more anecdotal level I have been impressed with the revival of student fraternity rituals in Portugal, Norway and Germany. Finally we can consider nationalism and populism as subsets of retrospective fundamentalism, drawing on mythological resources of origin, belonging, progression and destiny (rise of the extreme right). Any weakening of the collective resource on which the fundamentalist identity draws and which minutely regulates conduct, belief and participation, as is likely in inter–generation reproduction, may entail a shift to re–centring identities on the part of the young."

(Basil Bernstein 2000, p.74)

Bernstein, Basil. (2000). 'Pedagogy Symbolic Control and Identity, Theory Research Critique'. Oxford, Rowman & Littlefield Publishers, Inc.

1

TAGS

Basil Bernsteinbelief systemsbelongingChristianitycoherenceconservative attitudesfaithfraternityfundamentalismGermany • Hillsong Church • identityinsular communitiesIslamIslamicJudaism • Moslem • MuslimmythologynationalismNorwaynostalgiaold fashioned family valuesorthodox practicesorthodoxy • Paradise Community Church • populism • Portugalprofaneradicalisationreligionreligious fundamentalism • retrospective identity • ritualsacredsubculture • televangelism
Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.