"Fredrik Gertten profiles two idealistic young female entrepreneurs who created a revolutionary 21st-century design object everyone told them would be impossible to fashion."
(Focus Forward Films, 2012)
"In the 50 years since US insurers organized the Insurance Institute for Highway Safety, car crashworthiness has improved. Demonstrating this was a crash test conducted on Sept. 9 between a 1959 Chevrolet Bel Air and a 2009 Chevrolet Malibu. In a real-world collision similar to this test, occupants of the new model would fare much better than in the vintage Chevy.
'It was night and day, the difference in occupant protection,' says Institute president Adrian Lund. 'What this test shows is that automakers don't build cars like they used to. They build them better.'"
(Insurance Institute for Highway Safety, 9 September 2009)
"The Six Million Dollar Man started off as a novel by [Martin Caidin] called Cyborg, but over the course of its development from book to movie to TV show, it not only changed name, it changed tone.
The book is essentially a thriller that tries to ground itself in reality as much as possible to make Steve Austin a super-spy. Sure he has a bionics left arm (yes, bionics in the book, not bionic), bionics legs and bionics eye. But he can't feel anything in his bionics limbs and his bionics eye won't let him see, only take pictures. And sure, he's very strong, but when he kicks a golf ball, that bionics toe of his still gets crushed by the impact.
It was bionics, but still tried to be relatively aware of the laws of physics and what was practical."
(The Medium is Not Enough TV blog, 9 July 2010)
"Based on the car crash that inspired Marinetti's revelation of the Futurist Manifesto in 1909, Luca Buvoli has created a sculptural work that depicts the 1908 Fiat in motion, the instant before the impact. Marinetti's famous 'crash' has been the subject of various critical interpretations (some even questioning the accidental nature of the event, apparently all set up in a theatrical way)."
(Mattress Factory)
[A sculpture by Luca Buvoli (2008) referencing the nascent Futurist movement.]
"we've compiled a FAQ to answer common questions: Q. Why did you choose to release the video now? A. We have wanted to release the video for some time, but had not found the appropriate venue. We offered it to a local public television station, but they did not respond. ...
Q. Isn't this video missing important scenes? A. We did not capture the impact of either plane or the start of either building's collapse. As many have surmised, the impacts of the airplanes and collapses of both buildings did catch us by surprise.
Q. Why did you edit this video? A. The version we released on 9-11-2006 was intentionally and obviously (using dissolves) edited for length and size only. About 10 minutes of mostly redundant video was removed. None of the media services could host the unedited file at sufficiently high resolution.
Q. Will you release the unedited version? A. We had intended to, but our plans our on hold at the moment due to time and logistical concerns. We do not feel the high-res version shows anything more than the edited version, and we don't wish to stroke any purient interests. We do not intended to sell or profit from this video in any way. ...
Q. Who shot the video? A. Video was shot by Bri and Bob on a Sony DCR-TRV11 Camcorder. A few days after the tape was shot, we transferred the video to DVD using Apple iMovie and iDVD. The tape and DVD have never left our possession. The released video was transcoded from the DVD. The unedited version was re-transferred from the original tape."
(What We Saw, http://wtcbpc.blogspot.co.uk/)
Fig.1 Bri and Bob (9/11/2006). "September 11, 2001: What We Saw", [transcript from introduction to the video: "5 years ago today, we watched and filmed the attack on the WTC out of the window of home, 36 floors up and 500 yards away from the North Tower. Releasing this tape was a difficult decision for us because of its emotional and personal nature, and the potential for misuse. We feel, however, that our unique perspective has an important historical value, and shows the horror of the day without soundtracks or hype often seen in other accounts. Please be respectful of the contents of this account and be aware some may find the scenes on this video very disturbing. Please share only in its entirety.
We chose Revver to distribute our video because of its artist-friendly licensing terms and support for the Creative Commons. Bob and Bri 9/11/2006"].