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Which clippings match '2012' keyword pg.1 of 36
04 JUNE 2017

Girl Talk's Gregg Gillis On Copyright, Curation and Making Mashups Rhyme

"When you listen to the recorded version of Girl Talk's music, it's hard not to get involved with the 'Name That Tune' game of it. ...

You might think that someone who uses other people's music so freely would disdain any notion of copyright, but Gillis, in fact, has a very balanced and contemporary viewpoint. 'I basically believe in that idea [of Fair Use], that if you create something out of pre-existing media, that's transformative, that's not negatively impacting the potential sales of the artist you're sampling, if it's not hurting them in some way, then you should be allowed to make your art and put it out there. I think, even in the years of doing this, the conversation has shifted a good bit.' Gillis has found himself a mashup artist in a mashup culture, and he no longer has to explain what he's doing or defend it. It is telling that no artist that has been sampled by Girl Talk has ever complained."

(Anthony Wing Kosner, 7 October 2012, Forbes)

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2012copyrightderivative worksfair useForbesGirl Talk (music artist) • Illegal Art (record label) • mash-up • mash-up artist • mash-up culture • metatextuality • music remix • music samplingremix culture • sample-based music • transformative works

CONTRIBUTOR

Simon Perkins
22 SEPTEMBER 2016

Examples of parody video remixes using omission

Bush: 2004 State of the Union Remix; Obama State Of The Union remix; OBAMA State of the Union Address 2014 - (PARODY); Palin's Breath; Donald Trump's sniffling and heavy breathing; David Cameron's Conservative Party Conference Speech 2012 [Disrupted]; Nigel Farage and Independence day SPOOF!; Cassetteboy vs The News; Cassetteboy vs The Bloody Apprentice; Jeremy Corbyn's nuclear u-turn and David Cameron's approach to poverty | Cassetteboy remix the news; The Queen responds to Brexit | BREAKING.

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200420122014Alan SugarBarack Obama • Boris Johnson • Brexit • Buckingham Palace • Cassetteboy • cleaner • conference speech • Conservative partyDavid CamerondisruptionDonald TrumpEuropean UnionGeorge W Bush • heavy breathing • hyperbole • Independence Day (1996) • Jeremy CorbynLiberal DemocratMichael GoveNigel Farage • nuclear proliferation • omissionparodyparody rebootparody versionparody video remixesplaying against type • political meltdown • povertyPrince Charles • Queen Elizabeth II • reboot • referendum • remixesrepurposing • Sarah Palin • sniff • sniffing • sniffle • spoofState of the Union • taken out of context • The Apprentice (UK TV series)tv news • u-turn • UK EU membership referendum • UKIP • upstagingvacuum cleanervideo compositingvideo remixvs

CONTRIBUTOR

Simon Perkins
19 JANUARY 2016

Love Punks: online game created by Australian Indigenous kids

"The Love Punks online game was created by a gang of 9,10 and 11 year old Love Punks from Roebourne in WA. For the last 8 months the Love Punks have been sweating it out, in 40 degree heat, on computers creating stop motion animations of themselves and friends in photoshop and flash."

(26 April 2012)

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2012 • 9-11 year olds • Aboriginal Australian kids • Aboriginal culture • Aboriginal kids • Adobe Flash • bearded dragon • Big hART • Burrup Peninsula • childhood imagination • Chynna Campbell • comic bookcommunity participatory projectcreative participationdesert • designers of the future • disadvantaged communitiesDIY • Duncan Gates • First Nations youthfroggame designgreen screenhomemade gamesimagineeringIndigenous Australiansindigenous community • indigenous games and play • Indigenous people • Indigenous young people • interactive comic • kids • lizard • Lovepunks Game • mining • mud flats • Murujuga • NEOMAD • online game • outdoor game • peacockpersonal empowerment • Pilbara desert • pogona • remote communities • Roebourne • salt flats • Satellite Sisters • sea • social arts • stop motion animationstop-frame animation • Stu Campbell • Telen Rodwell • Trevor Jamieson • video gamevideo games and Indigenous peopleWestern Australia • Woodside (natural gas company) • Yijala Yala Project • young designersyoung peoplezombie

CONTRIBUTOR

Simon Perkins
15 JANUARY 2016

Rick Smolan: The Human Face of Big Data

"The Human Face of Big Data is a multi-platform media project that explores the world of Big Data. The project’s intention is to start a global conversation about an information revolution that tracks our existence in ways never before possible. The book, interactive viewer app, iPad ebook and documentary invite us to consider the promise and the peril of humanity’s ability to collect, analyze and visualize the vast amounts of data generated by modern existence."

Video published on 24 Jan 2013

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2012 • Against All Odds Productions • aging • big data • Bright Simons • child birth • cholesterol • chroniclecloud computing • counterfeit drugs • digital health • digital landscape • energy consumption • global projects • Gordon Bell • Jack Dorsey • Jennifer Erwitt • Katy Marriner • Marshall McLuhanmemorabilia • Mike Malone • mPedigree • MyLifeBits • new technologies • Nigel Holmes • personal monitoring device • personal photographs • personalised healthcarephotography projectsretirement communityRick Smolan • Said Business School • Sandy Smolan • Scott Wiseman • SenseCam • ShotSpotter • Silicon Valley Comes to Oxford • smartphone payments • Stephen Wilkes • study guide • tentacles • The Human Face of Big Data • Times SquareUniversity of Oxford • verification system • video lecture

CONTRIBUTOR

Simon Perkins
22 NOVEMBER 2015

Questioning how we relate to the world in functional ways

"JODI's disruption of mapping and video games reminded me of Situationist artist Guy Debord's calls for a 'renovated cartography.' For Debord, when we blindly follow the same directions over and over, using the easiest paths, we get stuck relating to the world in 'functional' ways and imagination withers. Debord wanted people to use the wrong map in the wrong place — to get lost in order that we might see our surroundings anew. Similarly, JODI strips away the usual instrumental goals of our engagements with digital media — to win a game, to communicate information, to navigate quickly. What we are left with is a bare awareness of the random components of our digital lives and a glimpse at the other possibilities for technology."

(Leila Nadir, 30 April 2012, Museum of the Moving Image)

TAGS

2012agency of access and engagementcartographycontrolled environments • designing for playful engagement • Dirk Paesmansdisruptive interrogation • diversity of engagement • exploratory experimentation • exploring other possibilities for technology • functional purpose • getting lost • Guy Debordinstructions for useinstrumental conception of technologyInternet artJoan HeemskerkJODI (art collective)Museum of the Moving Imageour digital livesperformativity • questioning our uses of technology • relating to the world in functional ways • renovated cartography • rethinking boundaries • scriptible spaces • seeing our surroundings anew • Situationist Internationalsymbolic controlunfolding possibilitiesvideo games

CONTRIBUTOR

Simon Perkins
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