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Which clippings match 'Housewife' keyword pg.1 of 1
21 OCTOBER 2012

Rosemarys Baby: editing through frame selection

"Rosemary's Baby is a 1968 American horror film written and directed by Roman Polanski, based on the bestselling 1967 novel by Ira Levin. ... Farrow plays an expecting mother who fears that her husband may have made a pact with their eccentric neighbours, believing he may have promised them the child to be used as a human sacrifice in their occultic rituals in exchange for success in his acting career."

(Zach James and Rich Raddon, Movieclips)

Fig.1 excerpt from "Visions of Light" (1992), Arnold Glassman, Todd McCarthy and Stuart Samuels [http://www.imdb.com/title/tt0105764/]

[Jump to 7:54 to see Polanski's skilful use of framing to heighten the audience's interest and sense of intrigue.]

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TAGS

1968 • anagram • apartmentbaby • Charles Grodin • child • cinematic frame • cinematographycompositioncult • demonic presence • devil • door frame • editing through selection • Emmaline Henry • expecting mother • frameframed by the windowframinghorror filmhousewife • human sacrifice • Ira Levin • John Cassavetes • Maurice Evans • Mia Farrow • mise-en-scenemysteriousneighbour • obscured • obscured viewoccult • occultic ritual • pregnancy • pregnant • psychological horror • Ralph Bellamy • raperitual • Roman Polanski • Rosemary • Rosemarys Baby • Ruth Gordon • satan • Sidney Blackmer • tannis root • Visions of Light (documentary)visual design • William Fraker • window framewitch • witchcraft

CONTRIBUTOR

Simon Perkins
29 JULY 2012

Fahrenheit 451: passive consumption through audience participation

"When the 'Family' (the television with its 'cousin' announcers and actors) presents an interactive play in which Linda believes she has a role, an actor (Donald Pickering) wearing glasses with thick, black rectangular frames, turns to the camera as it zooms in on him and says, 'What do you think, Linda?'"

(Tom Whalen, Gale Student Resources In Context)

Whalen, Tom. "The Consequences of Passivity: Re-evaluating Truffaut's Fahrenheit 451," in Literature-Film Quarterly, Vol. 35, No. 3, July, 2007, pp. 181(10).

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TAGS

1966 • 1984 (film) • Alphaville • anti-intellectualism • audience participation • banbannedBernard Herrmannbig brotherbook • book burning • book-people • booksburning • Clarisse (character) • comic bookconformityconsolettecontrol • display wall • dystopiadystopian futureFahrenheit 451fire • fire department • firefighter • fireman • Francois Truffaut • Furia • futuristic societyGattacahousewifehumourindividualism • interactive drama • interactive experience • interactive play • interactive television • It Happened Here (film) • Julie ChristieLinda (character)literature • Machiavelli • mahogany veneer • massificationmedia consumerMetropolis (film)Montag (character)new forms of television • Nicolas Roeg • Oskar Werner • parlor wall • parlour • participation dramaparticipative media • passive consumer • passive consumption • picture newspaper • pro-literature underground • Ray Bradburyreadingreality televisionscience fictionself-reflexivity • sensory deprivation • speculative fictionsubversion • telecast • television • television screen • The Family (television) • The Handmaids Tale • The Martian Chronicles • The Prince (book) • THX 1138 • totalitarianism • TV parlor • TV story • TV wall • video wall • visual joke • wall TV • wall-sized screen • what do you think • written languagewritten word

CONTRIBUTOR

Simon Perkins
16 JULY 2009

Shopping in 1999 A.D.

"From the film 1967 1999 A.D., a short sponsored by the Philco-Ford Corporation, showing what home shopping would be like three decades in the future. Although they missed the frenetic pace of today's online shopping experience-the housewife's browsing looks almost leisurely-they guessed correctly on the abundance flat-panel screens (with multiple monitors, no less), even if they were off by about a decade. Oh course, they didn't quite put together that we'd still be using keyboards for input."

(Joel Johnson, 10 September 2007, Boing Boing Gadgets)

[While this forecast is clearly about the potential of information and communication technology it also quite dramatically demonstrates the interdependence of technological development and culture e.g. reinforcing 1960's gender stereotypes.]

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CONTRIBUTOR

Simon Perkins
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