"Melvyn Bragg considers the 150-year history of the Two Cultures debate. In 1959 the novelist C.P. Snow delivered a lecture in Cambridge suggesting that intellectual life had become divided into two separate cultures: the arts and the humanities. The lecture is still celebrated for the furore it provoked - but Snow was returning to a battleground almost a century old. Melvyn Bragg visits the old Cavendish Laboratory in Cambridge, scene of many of modern science's greatest triumphs, to put the Two Cultures debate in its historical context - and Paul Nurse, President of the Royal Society, reveals the influence the Two Cultures debate had on his development as a scientist."
(Melvyn Bragg, 2013)
"The Value of Culture: Two Cultures", Radio broadcast, Episode 3 of 5, Duration: 42 minutes, First broadcast: Wednesday 02 January 2013, Presenter/Melvyn Bragg, Producer/Thomas Morris for the BBC Radio 4, UK.
Date: 29 May 2013 - 30 May 2013
Location/venue: Thistle Brighton, King's Road, Brighton, England, BN1 2GS
The Higher Education Academy’s second annual learning and teaching Arts and Humanities conference, ‘Storyville: Exploring narratives of learning and teaching’ will take place on 29 – 30 May 2013 in Brighton.
"At the heart of the Arts and Humanities disciplines sit stories – stories which create and recreate worlds, distant and present, stories which inspire and engage, stories which grow imaginations and expand what is thinkable.
Stories are everywhere, and our second annual conference seeks to explore the intersections between narrative and learning and teaching..."
(Higher Education Academy, UK)
"Since 1994 under the founding direction of Roy Rosenzweig, the Center for History and New Media (CHNM) at George Mason University has used digital media and computer technology to democratize history - to incorporate multiple voices, reach diverse audiences, and encourage popular participation in presenting and preserving the past.
CHNM uses digital media and technology to preserve and present history online, transform scholarship across the humanities, and advance historical education and understanding. Each year CHNM's many project websites receive over 20 million visitors, and over a million people rely on its digital tools to teach, learn, and conduct research."
(Roy Rosenzweig Center for History and New Media)
"If you are applying for funding to support a practice-led research project, please read the following advice for framing your proposal.
For your research to be considered as practice-led, your own practice must be an integral part of the proposed programme of research, and the creative and/or performative aspects of the research must be made explicit. Interdisciplinary proposals are welcomed, including those which fall within subjects traditionally defined as humanities as long as the main focus of the research is practice-led.
The research carried out should bring about enhancements in knowledge and understanding in the discipline, or in related disciplinary areas. This requirement excludes research to provide content. For example, if a film-maker wanted to make a film about refugees, the research questions should be about the process of making the film, not about the experience of the refugees. Work that results purely from the creative or professional development of an artist, however distinguished, is unlikely to fulfil the requirements of research."
2). Arts and Humanities Research Council (January 2012). "Research Funding Guide" Version 1.7
"In recent years there has been mounting concern to understand the distribution, utility and influence of research findings in non-academic contexts. This concern originates in part from political imperatives to demonstrate public value, for research to move towards pragmatic considerations in wider public discourse, in cultural, industry and policy environments.
All UK Research Councils are expected to be able to demonstrate the wider impact and value of academic research. The important question that we must seek to address is: what is the contribution of arts and humanities research to society? Or, what is the impact or influence of arts and humanities research outside the academy?
The Arts and Humanities Research Council has commissioned a series of case studies to investigate the impact of arts and humanities research. Across the series as a whole, impact has been defined in its broadest sense to include economic, social and cultural elements. The case studies included in this publication focus on the social impact of two artist exhibitions, specifically concentrating on visitor responses and reactions.
Established in April 2005, the Arts and Humanities Research Council provides funding for a range of UK wide programmes, supporting the highest quality research and postgraduate training in the arts and humanities."
(Arts and Humanities Research Council UK)
2). Social Impact of Artist Exhibitions: Two Case Studies