Exhibition: "Bruno Munari: My Futurist Past", Estorick Collection of Modern Italian Art, 39A Canonbury Square, London, N1 2AN, From 19 September 2012 to 23 December 2012.
Bruno Munari was a "founding member of the Movimento Arte Concreta (M.A.C.) in Milan, which was established towards the end of the 1940s. This acted as a catalyst for new developments in Italian abstraction, and aspired to bring about a 'synthesis of arts' in which traditional painting would be complemented by new tools of communication, demonstrating the possibility of a convergence of art and technology, creativity and functionality. Reflecting his belief that technological advances expanded the artist's expressive vocabulary, by 1950 Munari had begun to experiment with creating works by means of projecting light through compositions made from a wide range of materials such as coloured and transparent plastic, organic elements and Polaroid filters, producing beautiful and intriguing images of vast dimensions."
(Estorick Collection of Modern Italian Art, 2012)
Fig.1 Bruno Munari, Aeroplanes and Archers, 1932, mixed media, 34.8 x 24.8cms Courtesy Massimo & Sonia Cirulli Archive
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"Rob Nilsson pioneered small analog and digital formats and created a low-budget cinematic style called direct action. He established the Tenderloin Action Group (now called the Tenderloin yGroup) in 1990, a drama workshop for homeless people, inner-city San Francisco residents and professional actors. He was the first video maker to blow up small-format video to 35 mm film for international theatrical distribution. His work has screened at festivals in the United States and abroad, including Mill Valley, Toronto, Santa Barbara, San Francisco and Locarno. Nilsson's work has been honored with numerous awards, including the Camera d'Or at Cannes and the Grand Jury Prize at the Sundance Film Festival (he was the first American Director to win both)."
(Media Arts Fellow)
Fig.1 scene from Rob Nilsson (1987). "Heat and Sunlight", Betacam SP to 35mm film transfer.