"If you press GRAPHICS (shifted 9) then the cursor will come up as : this means graphics mode. If you type in a symbol it will appear in its inverse video form, & this will go on until you press GRAPHICS again or NEWLINE. RUBOUT will have its usual meaning. Be careful not to lose the cursor amongst all the inverse video characters you've just typed in. ...
Right at the beginning are space & ten patterns of black, white & grey blobs; further on there are eleven more. These are called the graphics symbols & are used for drawing pictures. You can enter these from the keyboard, using graphics mode (except for space, which is an ordinary symbol using the cursor; the black square is inverse space). You use the 20 keys that have graphics symbols written on them. For instance, suppose you want the symbol , which is on the T key. Press GRAPHICS to get the cursor, & then press shifted T. From the previous description of the graphics mode, you would expect to get an inverse video symbol; but shifted T is normally <>, a token, & tokens have no inverses: so you get the graphics symbol instead."
(Steven Vickers, 1981, Sinclair Research Limited)
Fig.1 "graphics mode" table from Steven Vickers (1981). "Sinclair ZX81 BASIC Programming", Second Edition 1981, Copyright 1980 Sinclair Research Limited (converted to HTML by Robin Stuart).
2). Matthew Eagles (2008). "ZX81 VDU" TrueType font which replicates the letters, numbers etc. displayed on the screen of the ZX81.
"Max Headroom was one of the most innovative science fiction series ever produced for American television, an ambitious attempt to build upon the cyberpunk movement in science fiction literature. The character of Max Headroom, the series's unlikely cybernetic protagonist, was originally introduced in a 1984 British television movie, produced by Peter Wagg, and starring Canadian actor Matt Frewer. ABC brought the series to American television in March 1987, refilming the original movie as a pilot but recasting most of the secondary roles. The ABC series attracted critical acclaim and a cult following, but only lasted for fourteen episodes. The anarchic and irreverent Max went on to become an advertising spokesman for Coca-Cola and to host his own talk show on the Cinemax cable network."
(The Museum of Broadcast Communications)
"Après 30 ans d’existence, le Minitel s’apprête à tirer sa révérence. Les plus jeunes ne verront même pas de quoi il est question, mais ceux qui étaient au collège ou au lycée dans les années 90 s’en rappelleront peut-être pour avoir recherché dessus leurs résultats aux examens du brevet ou du bac. Le Minitel, ou l’ancêtre d’internet ! Invention 100 % française, le 1er réseau dans l’histoire des télécommunications à permettre la “connexion de terminaux permettant la visualisation de données informatiques” disparaîtra le 30 Juin 2012, et avec lui la machine à l’origine du fameux “36-15″. Définitivement la fin d’une époque.
After 30 years of existence, the Minitel is preparing to take its final bow. The youngest will not even see what it is about, but those who were in college or high school in the 90s will remember perhaps have looked over their test scores. The Minitel, or the ancestor of the Internet ! 100% French invention, the first network in the history of telecommunications to allow ”terminal connection to visualization of computer data” will draw his bow on June 30, 2012, and with it the machine behind the famous “36 - 15 “. Definitely the end of an era."
(Vincent Laserson, 31 May 2012, De Jeunes Gens Modernes)
"The brochures selected here (just a fraction of the Museum's holdings in this area) show some of the more important technologies, companies, and applications in computing from 1948 to 1988. This covers the period from mechanical and relay-based computers to those based on the microprocessor - a remarkable transition that occurred over only 25 years. We hope you enjoy browsing through these historical documents."
(Computer History Museum)
"A 1987 video has been unearthed featuring a 25-year-old squash-playing, accountancy graduate John Key. The bright-eyed Mr Key features in an early Close-Up story called Big Dealers. The 'portrait of 80s job du jour: foreign exchange dealer', shows the now Prime Minister in 'the pit' (trading room) as a senior forex dealer. 'Forex dealing is a work hard, play hard world with an image of rich brats who wreck restaurants but always somewhere else,' says the reporter. 'I am not denying that, that has happened and I guess that will happen again in the future but I personally perform in that way,' Mr Key responded."
(Deanna Harris, 02 Sep 2010, MediaWorks TV)