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Which clippings match 'Consumerism' keyword pg.2 of 6
20 NOVEMBER 2014

The Pervert's Guide to Ideology

"Starting from the provocative premise that political and commercial regimes regard us as 'subjects of pleasure', controlling us by offering us enjoyment, director Sophie Fiennes and charismatic philosopher Slavoj Žižek repeat the formula of their 2006 collaboration, The Pervert's Guide to Cinema.

The quirky, genial Žižek employs cleverly chosen clips from a huge variety of movies – including Brazil, M*A*S*H, The Sound of Music, and Brief Encounter – to illustrate his fascinating monologue, frequently appearing on sets and in costumes which replicate scenes from the films in question. For example, dressed as a chubbier, bearded Travis Bickle, he expounds the darker subtexts of Taxi Driver's plot from within the anti–hero's grotty apartment. This entertaining approach helps to ensure that what might otherwise have been a dense, even daunting intellectual challenge is actually an engaging and unexpected delight."

(The Institute of Contemporary Arts)

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TAGS

2012 • A Brief Encounter (1945) • anxieties • atheism • bloodbath • Brazil (1985)capitalism • catholicism • cinematic fantasies • consumerism • critical interpretation • critique of ideology • cultural critic • cultural critique • cultural theorist • daisy-chained improvisations • desire • dissident • documentary filmenculturation • enjoyment • Ethel Sheperd • fatigues • fears • flights of fancy • hegemonic discourseheroiconography • ideological message • ideological systems • ideologies • ideology • If (1968) • impulse of capitalism • Jaws (1975) • Kinder Eggs • Lucy Von Lonkhuy • MASH (1970) • NaziNazi GermanyNazi propaganda filmsnews footageOccupy Wall Street • Ode to Joy • prevailing ideologies • promise of fulfillment • propagandapsychoanalysis • psychoanalyst • psychoanalytic critic • pursuit of enjoyment • Rammstein • readable experience • rebel • Seconds (1966) • secret message • simple pleasures • Slavoj Zizek • Slovene • Slovenian • Sophie Fiennes • Soviet Russiasubconscioussubtext • tacit understanding • Taxi Driver (1976) • The Dark Knight (2008) • The Fall of Berlin (1950) • The Last Temptation of Christ (1988) • the otherThe Perverts Guide to Ideology (2012) • The Searchers (1956) • The Sound of Music (1965)They Live (1988) • Titanic (1997) • Triumph of the Will (1935) • unconscious desires • underdog • unseen depths • villain • violent outsider • West Side Story (1961) • Zabriskie Point (1970)

CONTRIBUTOR

Simon Perkins
11 DECEMBER 2013

Nicolas Bourriaud: Postproduction

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amateur cultural productionartistsboundary-crossing • collective story • consumerismcontemporary artcritical discoursecultural and social relationscultural technology • culture of use • database as cultural formDIYDIY craftsDJforms • historised • Hunter College • Jerome Sans • Ludwig WittgensteinMarcel Duchamp • network on signs • new audio theory • new modes of production • newness • Nicky Enright • Nicolas Bourriaud • paths through culture • post • post-productionproduser • programme forms • protocols of usereinterpretationrelational aestheticsremix culturesamplerscriptible • site of navigation • social and cultural forms • sociality • tabula rasa • the new • theory of substantial formstoolsusevisual artwork of art • zone of activity

CONTRIBUTOR

Liam Birtles
16 SEPTEMBER 2013

Robert Peston Goes Shopping: shopping and the high street retailer

"In this new three–part BBC Two series, Robert Peston tells the colourful story of shopping in Britain since the Second World War. Using rarely seen archive and interviews with the key players of British retail, Peston explores how shopping has changed–and how it's changed us.

He tells the story behind some of our favourite high street stores, including Marks and Spencer, Sainsbury's and Tesco. He explains how we fell in love with shopping, but allowed the love affair to become too passionate, so much so that many of us ended up in chronic debt. And he shows how retail is now in the grips of a revolution as it attempts to come to terms with the rise of online shopping and the fallout of the financial crisis.

In the first episode, Seduction, Robert Peston tells how shopping in Britain was transformed from a chore to be endured into our favourite pastime. In the years of austerity and rationing after the Second World War, shopping was drab. There were long queues, yet there was little to buy.

But in the economic boom of the 1950s, consumerism took off. Marks and Spencer led the way with a mix of quality, value and customer service. From America came self–service supermarkets, which changed the way we shop. Then came out–of–town superstores–one–stop shops which fed the need for convenience as car ownership and the numbers of working women rose in the 1960s.

Clever retailers learned to adapt to cater for the new markets of the Sixties, Seventies and Eighties fashion boutiques: Chelsea Girl, for instance, catered for the emerging teenage market, while the career woman was served by Next.

By the 1980s, shopping had been transformed into a leisure activity–a fundamental shift confirmed by the opening of Britain's first large out–of–town shopping mall in 1986. Gateshead's MetroCentre was more than just a shopping centre–it was a leisure complex complete with restaurants, cinema, and even a fun fair. Shopping was king."

(BBC Media Centre)

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TAGS

1950s1960s1980sASOSausterityBBC Two • car ownership • click and collect • consumerismconvenience • David Sainsbury • Dixonseconomic boomfinancial crisis • George Davies • high street shops • high street stores • Jane Snowball • leisure activity • leisure complex • m-commerceMarks and Spencer • Michael Aldrich • Mrs Snowball • multi-channel retailing • Next Retail Ltd • one-stop shops • online shopping • out-of-town • out-of-town superstores • pawnbroker • payday loan lender • rationing • retail historyretail storeretailers • Robert Peston • Robert Peston Goes Shopping (2013) • Sainsburys • self-service supermarket • shoppingshopping behaviourshopping centreshopping mallsocial shopping • Stanley Kalms • superstore • Teleputer • TescoUK • working women

CONTRIBUTOR

Simon Perkins
20 JULY 2013

The key image of the present day is the man in the motor car

"In all of these experiments, aborted works, happenings, events, the motif of the car crash is crucial. Ballard sought to understand the role that automobile styling, and mass consumerism, plays in our lives. His sights were set on what he saw as the built–in death drive that technology embodies, the effacing of identity, the shutting off of our neurological systems. Our willingness to submit to the amniotic bliss of the technological womb. Of course, today we know where all this would eventually beach: his 1973 masterpiece, Crash. But in 1971 Ballard was still pushing the farthest limits of his obsession, refining riffs and routines, expanding the parameters of the car crash as far as popular culture would allow. Crucially this was far beyond the stuffy confines of 'literature', which Ballard has never had much time for, and into visual art and film: the realm of the popular imaginary."

(Simon Sellars, 10 August 2007, Ballardian)

Fig.1 dir. Harley Cokeliss, "Towards Crash!", 1971. 16 mm Eastmancolor transferred to video, sound, 17:34 min. Courtesy the artist. © BBC TV 1971.

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16mm197120th centuryabsurd condition of humanityBBC TVBBC2bodily formbodybody experiencecarcar crash • car wash • collisionconsumerismcrashcrash test • crash test dummy • death • Eastmancolor • experimental filmGabrielle Drake • Harley Cokeliss • Harley Cokliss • human interpretation • J G Ballard • James Mossman • Kodak Eastmanmachine aestheticmeaninglessness of life • motorcar • motoristprotection • romancing technology • romanticismsex and machines • styling • suffering and inevitable deathtechnological shaping of sociality • technological system • technoromanticism • The Atrocity Exhibition (1970) • Towards Crash (1971) • traumavisual codes

CONTRIBUTOR

Simon Perkins
19 DECEMBER 2012

North Korean 'Propaganda' is the real viral hit of 2012

"Propaganda 2012 is a 95–minute video that presents itself as a North Korean educational video intending to inform the citizens of the Democratic People's Republic of Korea about the dangers of Western propaganda. The video's uploader, known as 'Sabine', reiterates a statement she gave to the Federal Police regarding the movie's origins. She explains how the film was given to her by people claiming to be North Korean defectors whilst she was visiting Seoul. ...

Although the origins of Propaganda 2012 are contentious, its power lies in the fact that much of its content attempts to avoid invented history. Considering the media buzzwords associated with the alleged country of origin, Propaganda 2012 turns a mirror onto the Western world and seeks to criticise its entire history and culture–from the genocide and imperialism of its past, to the interventionism and consumerism of the modern era. The movie's overall attitude seems to express an intention to educate, shock and caution its audience into realising that people in the West are governed by a super–rich ruling class (The one per cent), who do not offer them true democracy; but instead seek to invade and assimilate as many countries as possible, whilst distracting their population with a smokescreen of consumerism, celebrity, and reality television. This message is spread across the video's 17 chapters, which each attempt to focus on specific examples of Western indoctrination and oppression. The film is regularly punctuated by commentary from an anonymous North Korean professor, and quotes from Western thinkers such as Noam Chomsky and Richard Dawkins. ...

Propaganda 2012 is certainly a film where the audience takes from it what they bring to it, and a variety of emotions can be induced upon viewing. Laughter, cynicism, outrage, contemplation and reflection would all be adequate responses to the video's tough, and often graphic, portrayal of the complex world in which we are living. Yet perhaps the most important thing to remember when watching the film is that the video is available to view uncensored, on a largely unregulated world wide web, and merely represents an extreme end of the vast spectrum of free expression. Therefore, during this festive end to an austere year, enjoy Propaganda 2012 as an interesting and beguiling alternative voice that cries loudly against the dangers of religious consumerism, and reminds us to remain humble and reflect on those less fortunate than ourselves."

(Kieran Turner–Dave, 17 December 2012, Independent Arts Blogs)

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TAGS

20129/11anti-capitalism • brainwashing • capitalismCentury of the Selfcommunismconspiracy theoriesconsumer cultureconsumer desireconsumerism • counter-terrorism • criticismcult of celebritycultural imperialismcultural implicationsdemocracydistractiondocumentary • DPRK • emotive manipulation • false flag • fear • fear of communism • fear of terrorism • free expression • Gangnam Style • genocidehalf-baked ideashistory and culture • hysterics • imperialism • indoctrination • interventionism • invented history • Just Do It • Korea • life in the West • likes • manufacturing consent • moralitynarcissismnationalism • neo-imperialist • Noam ChomskyNorth KoreaoppressionOprah WinfreyParis Hiltonpatriotismpolitical educationpropagandaPropaganda (2012)public relationsQuentin Tarantinoreality televisionreligion • religious consumerism • Richard Dawkins • Sabine (pseudonym) • salvation • September 11 2001shockingsmokescreensocialist realismSociety of the Spectacle (Guy Debord)South Koreaspectacle • Survivor (tv series) • terrorism • the one per cent • trust • Tyra Banks • unconscious desireswatching television

CONTRIBUTOR

David Reid
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