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Which clippings match '1994' keyword pg.1 of 5
10 FEBRUARY 2013

The Tablet Newspaper: A Vision for the Future in 1994

"The Knight Ridder Information Design Lab is developing a newspaper interface for the tablet device. The tablet newspaper draws on the strengths of print and on the strengths of electronic forms. It is both browsable and searchable, both broad-reaching and customizable. It offers pages with story abstracts linked to more detailed stories, background material, photos, sound, and video. People can ran read as deeply or as casually as they want. Stories are no longer limited to 'news hole,' the space allotted to editorial content after press configurations and advertising have been considered.

The tablet newspaper includes editorial content and advertising, both important components of a local information package. Like editorial content, advertising can have many layers, and can be searched and sorted, as well as browsed. Additionally, ads can have transaction hooks, so that readers can make reservations or purchases."

(Teresa Martin, 1995, CHI Conference Proceedings [http://www.sigchi.org/chi95/])

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TAGS

1994ACM • Apple Newton • Association for Computing Machinery • browsable • digital eradigital media • digital paper • digital readingdigital technologyelectronic formselectronic newspaperelectronic publishingfuture of the book • information interface • ink-on-paper • interface design • Knight-Ridder Information Design Lab • layout designlook and feelnew technologiesnewspaperpage layoutPDApersonal computerremediation • Roger Fidler • speculative researchtablet • tablet interface • tablet newspaper • tablet publishingtechnology convergencetechnology innovation • textual information • the future of the book • vertical orientation • visual clues

CONTRIBUTOR

Simon Perkins
09 JANUARY 2013

Online Educational Delivery Models: A Descriptive View

"Although there has been a long history of distance education, the creation of online education occurred just over a decade and a half ago - a relatively short time in academic terms. Early course delivery via the web had started by 1994, soon followed by a more structured approach using the new category of course management systems.1 Since that time, online education has slowly but steadily grown in popularity, to the point that in the fall of 2010, almost one-third of U.S. postsecondary students were taking at least one course online. Fast forward to 2012: a new concept called Massive Open Online Courses (MOOCs) is generating widespread interest in higher education circles. Most significantly, it has opened up strategic discussions in higher education cabinets and boardrooms about online education. Stanford, MIT, Harvard, the University of California–Berkeley, and others have thrown their support - in terms of investment, resources, and presidential backing - behind the transformative power of MOOCs and online education. National media outlets such as the Wall Street Journal, the New York Times, and The Atlantic are touting what David Brooks has called "the campus tsunami" of online education.

Unfortunately, a natural side effect of this new interest in education and educational technology is an increase in hype and in shallow descriptions of the potential for new educational models to replace the established system. All too often, the public discussion has become stuck in a false dichotomy of traditional vs. online - a dichotomy that treats all online models as similar and that ignores blended or hybrid approaches. This false dichotomy is even more evident now that discussions are spilling into national media forums. But in fact, as my colleague Molly Langstaff has described, educational technology is interacting with innovative educational courses and programs to create not only new language but also multiple models for delivering education."

(Phil Hill, 1 November 2012, Educause Quarterly)

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TAGS

1994Berkeley (University of California)blended learning • course delivery via the web • course management systems • David Brooks • distance education • education delivering • educational technologyEducause QuarterlyHarvard Universityhigher education • hybrid learning • innovative educational courses • MIT • Molly Langstaff • MOOCs • new educational models • online coursesonline delivery • online models • Phil Hill • post-secondaryStanford University • structured approach • the campus tsunami • transformative process • University of California

CONTRIBUTOR

Simon Perkins
19 NOVEMBER 2012

Hyper Island: designing learning experiences to stay creative and competitive in an increasingly digitised world

"For over 15 years Hyper Island has been designing learning experiences for students and industry professionals alike. It all started with three men, a few beers, and one vision. The year was 1994, and multimedia pioneers Lars Lundh, Jonathan Briggs, and David Erixon converged in bar in Stockholm to discuss an upcoming CD-ROM project.

Together they realized their new digital world demanded a new kind of learning: industry-based learning. They envisioned a new institution that could prepare people for the lightening-fast pace of the modern workplace. A place where students could grow, not only as professionals, but also as human beings. ...

Hyper Island is now a thriving global presence, with two main areas of focus. Student Programs immerse young talent in intensive learning experiences from digital art direction to e-Commerce to data strategy. Executive Programs boost understanding of how digital changes societies and consumer behavior -- and how organizations need to change to stay creative and competitive in an increasingly digitized world. Hyper Island is now worldwide, located in Stockholm, Karlskrona, New York, London, and soon, Singapore. And Executive Programs teams can travel around the world designing and executing learning experiences for Fortune 500 companies and start-ups alike.

As the digital world shifts and evolves, Hyper Island continues to react and expand, creating an agile, forward-looking learning environment for students and industry leaders. What began as a bold experiment on a windswept island has become a revolutionary way to learn, reflect, collaborate, and above all, innovate."

(Charlotte Sundåker)

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1994 • bold experiment • CD-ROM • centre for learning • challenging students • collaborateconsumer behaviourcreativity and innovation • data strategy • David Erixon • designing learning experiences • digital art direction • digital changes societies • digital worlddigitised worlde-commerceexperiential learningHyper Islandindustry leadersindustry professionals • industry-based learning • innovate • intensive learning experiences • Jonathan Briggs • Karlskrona • Lars Lundh • learning environmentLondonmultimedia • new digital world • new kind of learning • New Yorkpersonal developmentprofessional developmentreflect • revolutionary way to learn • Singapore • stay competitive • stay creative • Stockholmstudents • Stumholmen • Swedenworkplaceyoung talent

CONTRIBUTOR

Simon Perkins
14 AUGUST 2012

Avondale Dogs: a young boy's relationship with his dying mother

"A young boy grapples with something bigger than he realises: the love within himself brought into focus through his relationship with his dying mother and this love's power of transcendence in times of pain and loss. A multi-award winning film."

(New Zealand Film Commission)

Fig.1 duration: 15 Minutes, ratio: 35mm, B&W, language: Maori Language.

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199435mmAotearoa New ZealandAustralasia • Avondale Dogs • black and white • Caleb Ross • children • Damien Lay • David Coulson • dying • dying mother • eel • Glynis Paraha • Gregor Nicholas • Ian Paul • Jim Wilkins • kiwi short filmslossMaori • Melinni Blake • motherNew Zealand cinema • Rhondda Findleton • short film • smokehouse • Stephen Hall • The Coming of Age of The New Zealand Short Filmyoung boyyoung girl

CONTRIBUTOR

Simon Perkins
12 AUGUST 2012

Eau De La Vie: a nouveau debutante's moral dilemma

"Set somewhere in the near future, this black tale tells of nouveau debutante Catherine, who is being initiated into her friends' sordid cafe society world. She must choose from a small group of pre-purchased performers who will entertain the diners for the evening - but the 'entertainment' leaves Catherine fighting to the death for what she believes is right."

(New Zealand Film Commission)

Fig. 1,2 Simon Baré (1994). "Eau De La Vie", duration: 13 minutes, 35mm, colour.

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TAGS

199435mmAotearoa New ZealandAustralasia • black tale • cafe society • cruelty • Dark Tales (compilation) • David Geary • death • debutante • dinner • disturbing tale • Eau De La Vie • entertainment • Eric De Beus • ethical dilemma • gratification • Janet Roddick • Jeff Boyd • Kirsty Hamilton • kiwi short films • Mick Rose • moral dilemmaNew Zealand cinemaNew Zealand Film Commissionorgasm • Peter Daube • Richard Bluck • sadistic • Sarah Smuts-Kennedy • short film • Simon Bare • speculative fictionThe Coming of Age of The New Zealand Short Filmweirdness

CONTRIBUTOR

Simon Perkins
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