"The narrative of the piece develops around human communication and mutually supportive relationships. A bright object in the middle of the stage acts as source of knowledge and connecting link between the dancers. This object contains inside a motion sensor (a Wiimote controller) and is used in specific moments by the dancers as a performative object to manipulate audio."
"With Oui" – May 2015 | B. Iden Payne Theater, UT Austin – Texas: Choreography: Billie Secular, Ladonna Matchett; Sound: Eli Fieldsteel; Live Visuals: Rodrigo Carvalho; Lighting Designer: Ya-Tai Chung; Dancers: Zach Khoo, Kelsey Oliver, Gianina Casale, Nick Kao, D’Lonte Lawson, and Sam O.
"The world's first gun made with 3D printer technology has been successfully fired in the US. The controversial group which created the firearm, Defense Distributed, plans to make the blueprints available online. The group has spent a year trying to create the firearm, which was successfully tested on Saturday at a firing range south of Austin, Texas. Anti–gun campaigners have criticised the project. Europe's law enforcement agency said it was monitoring developments. ...
The idea is that as the printers become cheaper, instead of buying goods from shops, consumers will instead be able to download designs and print out the items at home. But as with all new technologies, there are risks as well as benefits."
(Rebecca Morelle, 6 May 2013)
"Bogdanovich's coming of age story, set in 1950s rural Texas, is an achingly accurate portrayal of small–town life and the compromises and disappointments that mark the passage from adolescence to adulthood. In contrast to his contemporaries, who experimented with style and new filmmaking techniques inspired by the French New Wave, Bogdanovich looked back to classical Hollywood, utilizing stark black and white cinematography, deep focus and a traditional narrative structure. The film is striking in its lack of nostalgia for the past, focusing instead on the desperation of a dying community and way of life, embodied by the shuttering of the lonely movie house."
(Harvard Film Archive)
"The Last Picture Show", Directed by Peter Bogdanovich. With Timothy Bottoms, Jeff Bridges, Cybill Shepherd. US 1971, 35mm, b/w, 118 min.
"It's hard to overestimate the influence of Peter Bogdanovich's The Last Picture Show (1971) ... on all those other elegiac movies about lost youth and crumbling dreams in small American towns that followed it in such huge numbers. We know the storylines, which never vary much. Boy meets girl. They fall in love and think their relationship will last forever but war/adulthood/pregnancy intervenes. Old school friends spend a last summer of high jinks together. They vow eternal loyalty to one another but then the autumn rolls in and their lives drag them off in very different directions. The visual clichés are familiar, too: by the final reel, the once teeming street is empty, with wind blowing the dust, or the old café where the friends used to meet is boarded up. ...
When Bogdanovich revisited Thalia with a belated sequel, Texasville, in 1990, the results were mixed at best. What had made the original so distinctive was the youth of the characters played by Shepherd, Bottoms and Bridges – their curiosity, innocence and their sense of yearning. Witnessing their travails in middle age simply didn't have the same impact. The real follow–up to The Last Picture Show wasn't Texasville but the films that were made – and are still being made today – in its mould."
(The Independent, 18 March 2011)
"A compendium and leading web resource of film and television title design from around the world. We honor the artists who design excellent title sequences. We discuss and display their work with a desire to foster more of it, via stills and video links, interviews, creator notes, and user comments."
Fig.1 Ian Albinson, David Horridge, M. Keegan Uhl, Bill Simmon (2011). 'A Brief History of Title Design', Music: RJD2 "Ghostwriter"