"Science journalist Alok Jha asks whether it is a good idea for humans to reach out to extra-terrestrials and oceanographer Helen Czerski comes face to face with extreme radiation, energy so deadly it could seriously curtail humans travelling further than the solar system. Plus special guest Josh Widdecombe visits NASA in Houston to find out the challenges we face to get humans to Mars and materials scientist Mark Miodownik takes apart a space suit."
(BBC Two, UK)
Fig.1 this animation is from Episode 4 of 6 of Dara Ó Briain's Science Club, Tuesday 27 November at 9pm on BBC Two, voiced by Dara Ó Briain, animated by 12Foot6, Published on YouTube on 27 Nov 2012 by BBC.
"Exquisite Clock is a clock made of numbers taken from everday life – seen, captured and uploaded by people from all over the world. The project connects time, play and visual aesthetics. It's about creativity, collaboration and exchange.
Exquisite Clock is based on the idea that time is everywhere and that people can share their vision of time. Through the website www.exquisiteclock.org, users are invited to collect and upload images of numbers that can be found in different contexts around them – objects, surfaces, landscapes, cables... anything that has a resemblance to a number.
The exquisite clock has an online database of numbers – an exquisite database – at its core. This supplies the website and interconnected physical platforms. The online database works like a feeder that provides data to different instances of clocks in the form of the website, and installations, mobile applications, designed products and urban screens.
All uploaded numbers are tagged according to a category selected by their creator, and are added to the growing database. People viewing the clock can then choose to view all types of numbers, or can make a selection to view only numbers from a specific category – a clock made of vegetables, or clouds, or garments etc."
Fig.1 Exquisite Clock was created and developed Joao Henrique Wilbert at Fabrica in 2009, creative direction by Andy Cameron.
"There are other Expressionist and certainly Freudian dream sequences in the picture, almost always with the old man appearing in them as his present self. And some of these, largely because so many have badly copied, now look a little self-conscious- arty even. But the film's ability to engage the emotions makes it notable for more than just technique.
One of the prime reasons is what can only be described as the transcendent performance of Victor Sjostrom as Professor Borg. Sjostrom was the great Swedish silent-era director, who died aged 80, not long after the film was completed and whose The Phantom Carriage had so influenced Bergman. It was he who made the final scene one of the most serene of all Bergman's endings. 'Sjostrom's face shone', said the director. 'It emanated light - a reflection of a different reality, hitherto absent. His whole appearance was soft and gentle, his glance joyful and tender. It was like a miracle'.
Later, Bergman admitted that the character of Borg was an attempt to justify himself to his own parents, but that Sjostrom had taken his text, made it his own and invested it with Sjostrom's often painful experiences. It is still, however, chiefly concerned with forgiveness between parents and children and the lost possibilities of youth."
(Derek Malcolm, 10 June 1999)
"'The Clock' is constructed out of moments in cinema when time is expressed or when a character interacts with a clock, watch or just a particular time of day. Marclay has excerpted thousands of these fragments and edited them so that they flow in real time. While 'The Clock' examines how time, plot and duration are depicted in cinema, the video is also a working timepiece that is synchronised to the local time zone. At any moment, the viewer can look at the work and use it to tell the time. Yet the audience watching 'The Clock' experiences a vast range of narratives, settings and moods within the space of a few minutes, making time unravel in countless directions at once. Even while 'The Clock' tells the time, it ruptures any sense of chronological coherence."
(White Cube, 2010)
"It's a fusion of dance video routines, time signal music and clock utility.
The video sequence and the clock display intervenes one another every 5 seconds,
while the time signal music seamlessly connects the two.
The infinite video sequence appears randomly and endlessly.
Viewers are eager to see what happens next.
The clock intervals also give the full-screen videos time to re-load.
It's an artistic expression that serves utility as well as technical necessity.
It's a 24/7 presentation of UNIQLO clothing.
In summer, dancers dress in DRY POLO SHIRTS.
In fall, they chage into CASHMERE SWEATERS.
At midnight, UNIQLOCK goes to sleep mode.
Every hour, there is a special sequence.
It even has an alarm funtion.
They can use the mini-version of UNIQLOCK on their own blog.
The website maps out all the users on the world map,
visualizing the world's UNIQLOCK experience.
UNIQLO CLOCK, UNIQUE CLOCK, UNITED CLOCK...
In short, UNIQLOCK"