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Which clippings match '1978' keyword pg.1 of 2
29 JANUARY 2012

The Way We Were: post-punk performances from the 1970s

"Channel 4 UK programme first broadcast circa 1984 / 1985-ish. Hosted by the late Tony Wilson, it's a compilation of performances by bands taken from his previous TV shows in the late 70's, such as So It Goes. Includes Sex Pistols, Clash, Buzzcocks, Iggy Pop, The Fall, Elvis Costello, Blondie, Penetration, Wreckless Eric, Ian Dury, Tom Robinson, Magazine, John Cooper Clarke, XTC and Joy Division – many of them making their TV debuts."

(The Herb Whisperer)

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TAGS

1970s197619771978 • alternative • alternative music • alternative rock • authorshipbandBlondie • Buzzcocks • Channel 4 • Cherry Vanilla • compilationdebut • Devo • DIY ethicdocumentary • Elvis Costello • Factory Records • Ian Dury • Iggy Popindie rockindie scene • John Cooper Clarke • Joy Divisionlive performance • Magazine (band) • music • music documentary • music videonew wave • Nick Lowe • Penetration (band) • performances • Poly Styrene • post-punkpunkpunk rockpunk rock ethos • Sex Pistols • Sham 69 • Siouxsie and the Banshees • So It Goes • subcultureThe Clash • The Fall • The Jam • Tom Robinson Band • Tony WilsonTV • TV programme • UK • underground music • Wreckless Eric • XTC • youth culture

CONTRIBUTOR

Simon Perkins
16 JULY 2011

One Hit Wonders: singers and groups who made a single hit song and were never heard from again

"The history of popular music is haunted by the ghosts of scores of singers and groups who made a single hit song and were never heard from again. Periodically radio stations that specialize in classic rock will devote a weekend to these one-hit wonders"

(David W. Galenson)

Galenson, David W., One Hit Wonders: Why Some of the Most Important Works of Modern Art are Not by Important Artists (November 2004). NBER Working Paper Series, Vol. w10885, pp. -, 2004. Available at SSRN: http://ssrn.com/abstract=618522

Fig.1 C. W. McCall (1975). "Convoy"; Fig.2 Promises (1978). "Baby it's You"; Fig.3 The Swingers (1982). "Counting The Beat"; Fig.4 Deee-Lite (1990). "Groove Is In The Heart"; Fig.5 OMC (1995). "How Bizarre"

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TAGS

19751978198219901995 • American Gothic • architects • artistic one-hit wonder • artists • best of • Bring Down the Birds • career • Centre Georges Pompidou in Paris • classic rock • conceptual innovation • early career • greatest hits • hit song • individual works • innovationinnovative ideas • isolated achievements • major works of art • masterpiecemusicmusic videonew approachesnew ideasnovelty • one-hit wonders • painters • popular music • radio stations • sculptors • singers • Vietnam Veterans Memorial • visual artists • Washington DC • works of modern art • young practitioners

CONTRIBUTOR

Simon Perkins
23 DECEMBER 2010

The Six Million Dollar Man: the evolution of an iconic title sequence

"The Six Million Dollar Man started off as a novel by [Martin Caidin] called Cyborg, but over the course of its development from book to movie to TV show, it not only changed name, it changed tone.

The book is essentially a thriller that tries to ground itself in reality as much as possible to make Steve Austin a super-spy. Sure he has a bionics left arm (yes, bionics in the book, not bionic), bionics legs and bionics eye. But he can't feel anything in his bionics limbs and his bionics eye won't let him see, only take pictures. And sure, he's very strong, but when he kicks a golf ball, that bionics toe of his still gets crushed by the impact.

It was bionics, but still tried to be relatively aware of the laws of physics and what was practical."

(The Medium is Not Enough TV blog, 9 July 2010)

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TAGS

197219741978accidentartificialastronautaugmentationback story • biomechatronics • Bionic Womanbionicsbodycinematic conventionsconventionscorporeal augmentationcrashcyberneticscyborgexpositionhero • Lee Majors • Lindsay Wagner • Martin Caidinmasculinityorigin myth • Oscar Goldman • pilot episode • prosthesisprostheticsresurrectionsci-fisequence designSix Million Dollar ManspySteve Austinsurgerytelevisionthrillertitle sequenceTVvisual designvisualisation

CONTRIBUTOR

Simon Perkins
05 JUNE 2009

Factory Records 'broke the rules'

"It is 30 years since Factory Records, the Manchester-based indie music label behind bands like Joy Division and the Happy Mondays, was born. Reporter Nicola Stanbridge investigates whether the label contributed significantly to the regeneration of Manchester."
(BBC, 4 June 2009)

TAGS

1978 • A Certain Ratio • BBC • cottage industry • creative industriesenterpriseentrepreneurshipFactory Recordsgraphic designindie rockindie sceneJoy DivisionManchestermusicNew Ordernew wave • OMD • Orchestral Manoeuvres in the Dark • Peter Saville • post-punkrecording • The Durutti Column • The Happy MondaysTony WilsonUKurban regeneration

CONTRIBUTOR

Simon Perkins
23 FEBRUARY 2009

Revision of Kraftwerk's 'Man Machine'

[Revision created by Gareth Scott (pseudonym 'Electrobronze') of Kraftwerk's famous 'Man Machine' track. The clip is accompanied by a 'contemporary retro' animated music video.]

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TAGS

19782007animation • contemporary retro • corporeal • Electrobronze • Gareth Scott • Kraftwerk • Krautrock • man machinemusic videorevisionvisual design

CONTRIBUTOR

Simon Perkins
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