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19 FEBRUARY 2014

Artwork by Lena Nyadbi installed on Musee du quai Branly roof

"29 April 2013, marks the Australian launch of a unique project that will see a giant work of art by Australian Aboriginal artist Lena Nyadbi installed on the roof of the musée du quai Branly in Paris. To be officially revealed on June 6, the 700 square-metre installation is viewable from the Eiffel Tower and accessible by Google Earth users, making it one of the largest artworks made by an Australian artist and an important new addition to the world renowned museum dedicated to the arts and cultures of Africa, Asia, Oceania and the Americas."

(International Development for Australian Indigenous Art)

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2013artwork • Australia Council • Australian Aboriginal artist • Australian artist • barramundi • black and white • black and white painting • charcoal • commissioned work • Dayiwul Country • Dayiwul Lirlmim (Barramundi Scales) • female artist • fish scales • Gija People • indigenous art • indigenous artist • Indigenous cultural knowledge • International Development for Australian Indigenous Art (IDAIA) • Kimberley region • large scale work • Lena Nyadbi • Musee du quai Branlymuseumochre • Paddy Jaminji • paintingParis • roof • rooftop • simple forms • spare aesthetic • Stephane Martin • Western Australia

CONTRIBUTOR

Simon Perkins
22 JUNE 2013

ArtUp! Media Art in Bulgaria, Greece and Turkey

"ArtUP! is a multilingual portal for media art in Bulgaria, Greece and Turkey expresses the diversity of media art outlines current trends in and around media art fuels discussion about society processes and posts information about media art presents artists links up artists presents media artworks curates exhibitions initiates workshops ArtUP! is a project of the Goethe–Instituts in Ankara, Athens and Sofia."

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2013 • abstract fields • Adelina Popnedeleva • Afroditi Psarra • Albena Baeva • Ali Mahmut Demirel • Ali Miharbi • Alper Sen • Andreas Sitorengo • Angeliki Avgitidou • Angelo Plessas • Anna Lascari • Artemis Papageorgiou • ArtUP • artwork • Babis Venetopoulos • Bill Balaskas • Bill Psarras • Borjana Ventzislavova • Boryana Rossa • Boyan Dobrev • Bulgaria • Bulgarian media art • Burak Arikan • Can Altay • Candas Sisman • Caterina Antonopoulou • Costantino Luca Rolando Kiriakos • Cvetan Krastev • Daniela Kostova • Dimitris Charitos • Dimitris Fotiou • Ergin Cavusoglu • Erkan Ozgen • Esra Ersen • exhibition • Ferhat Ozgur • Genco Gulan • George Drivas • George Ruzhev • Goethe-InstitutGreece • Greek media art • Guven Incirlioglu • Hakan Akcura • Hakan Topal • HR-Stamenov • installation artinteractive art • Ioanna Myrka • Isil Egrikavuk • Iv Toshain • Ivan Moudov • Ivo Ivanov • Jenny Marketou • Kalin Serapionov • Kamen Stoyanov • Kiril Kuzmanov • Kleoni Manoussakis • Koken Ergun • Konstantinos Tiligadis • Koray Tahiroglu • Kosta Tonev • Kostas Daflos • Krassimir Krastev • Krassimir Terziev • Levent Kunt • Lina Theodorou • Luchezar Boyadjiev • Makis Faros • Maria Lalou • Maria Paschalidou • Maria Varela • Mariana Vassileva • Marianne Strapatsakis • Marinos Koutsomichalis • Medea Electronique • media art • Nadezhda Oleg Lyahova • Nancy Atakan • Neno Belchev • Neriman Polat • net artnew media art • new media art exhibition • Nezaket Ekici • Nil Yalter • NINA Kovacheva • Oktay Ince • Oleg Mavromatti • Panagiotis Tomaras • Panayiotis Kokoras • Panos Kouros • Pegy Zali • performance art • personal cinema • Petko Dourmana • Petros Moris • Rada Boukova • Raycho Stanev • rural spaces • Samuil Stoyanov • Sener Ozmen • Sibin Vassilev • Simge Hough • sound art • Stanimir Genov • Stefan Nikolaev • Svetlana Mircheva • The Erasers • Theodoros Giannakis • TurkeyTurkish media art • Tzeni Argyriou • urban spaces • Valentin Stefanoff • Vasilys Bouzas • Venelin Shurelov • Ventsislav Zankov • video artvirtual spacesvisual art organisation • Vladimir Mitrev • Volkan Senozan • Yiannis Melanitis • Zeyno Pekun

CONTRIBUTOR

Simon Perkins
13 OCTOBER 2012

Plato Art Space: Ilhan Koman and Candas Sisman's 'Flux'

"Famous Turkish sculptor İlhan Koman's boat Hulda arrives in İstanbul, its final destination, after its long journey which began in Stockholm. Hulda was both Koman's home and studio during his residence in Stockholm.

The exhibition consists of the photographs and videos from Hulda's journey, 10 original sculptures such as Whirlpool and Dervish by İlhan Koman and a video –dedicated to İlhan Koman– by young artist Candaş Şişman. The photographs and videos are from the cities Hulda visited during its journey –Stockholm, Amsterdam, Bordeaux, Lisbon, Barcelona, Naples, Malta, Thessalonica and İstanbul. The exhibition in Plato Art Space is also the final leg of the activities of Hulda Festival (www.huldafestival.org).

The exhibition is also undertaking the mission of building a bridge between young generation artists and Koman by presenting Candaş Şişman's work. Şişman's video Flux is influenced by Koman's sculptures (Pi, Moebius, Whirlpool and Ogre) and is dedicated to İlhan Koman's inspiring art. The video has a sound design which is also inspired by the materials of Koman's sculptures and is produced by Candaş Şişman.

The exhibition is curated by Yıldırım Arıcı and accompanied by a reader (published by Plato College of Higher Education) and it is featuring texts by Çetin Kanra, Aykut Köksal, Abidin Dino, Ferit Edgü, Burcu Beşlioğlu and a poem by Oktay Rıfat. "

(Plato Art Space, İstanbul contemporary art)

Fig.1 "Flux", Candaş Şişman, Hulda Festival 21 September 2010 – 23 November 2010 İstanbul, Turkey.

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20103D animation • Abidin Dino • abstractionAmsterdamanimated sculptureanimationarchitectural formsartistartwork • Aykut Koksal • Barcelona • Bordeaux • Burcu Beslioglu • Candas Sisman • Cetin Kanra • contemporary art • Dervish • design formalismexhibition • Ferit Edgu • generative artgeometry • Hulda • Hulda Festival • Ilhan Koman • Istanbulkinetic sculptureLisbonMaltamaterial moving in space • Moebius (sculpture) • morphNaples • Ogre (sculpture) • Oktay Rifat • Pi (sculpture) • Plato Art Space • Plato College of Higher Education • primitive logicprimitive shapessculptorsculpturesound designStockholm • Thessalonica • TurkeyTurkish media art • Whirlpool (sculpture) • Yildirim Arici

CONTRIBUTOR

Simon Perkins
13 JUNE 2012

Tape Art

"Watch what happened when Foot Locker and Converse invited a collective of street artists to create tape art installations inspired by the new Converse winter collection created for Foot Locker."

(Uploaded by footlocker on 15 Nov 2010)

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2010actual environmentadvertisingartworkback and forth • Chuck Taylor • Converse Inc • Converse Padded Collar 2 • creative advertisingcreative workdesign collectivedrawing • drawing with tape • extended play • Foot Locker • giant turntable • graffitigraphic artillusionillusionistic spaceillustrationillustrative stylemural • new Converse winter collection • painting as illusionperspectiveperspective viewscratchingstreet artstreet artistsstreetweartape • tape art • tape art installations • turntable • turntablist technique • vinyl recordvisual perspectivevisual representation

CONTRIBUTOR

Kay Van Bellen
10 APRIL 2012

VADS Fine Art Project Digital Capture Pilot Study: Case Study for the pragmatic direct digital capture of artworks from the Surrey Institute of Art and Design

"The VADS Fine Art Project aims to bring together, through a distributed digitisation model, artworks from across Higher Education Institutes (HEIs) that can serve to exemplify the history and achievement of fine art education and practice in this country since its inception in the 1850s.

In the initial stages of the project, a survey was sent out to all the Higher Education Institutions in the UK that taught fine art, in order to elicit whether or not student and staff work had been kept or documented. From this survey it was found that many colleges failed or had ceased to collect artworks due to the cost implications of purchasing, storing and insuring the works, leading to the output of many art colleges remaining undocumented.

As the Fine Art Project progressed, protocols for the digital capture, documentation and copyright clearance of work were established. These were then used to collect works from around the country to be included in the National Fine Art Education Digital Collection. However, given their inherent useable and easily applicable nature, it was thought the same protocols could be just as useful to digitally capture, document and rights–clear works within HEIs as and when they were being produced. This would make it far easier and affordable for colleges to capture and maintain collections of their present and past work, as well as offering additional benefits such as making them widely available on the Internet or for other publishing requirements."

(Ed Bremner, 1 September 2003 [last modified: 28th March 2006], Institute for Learning and Research Technology)

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1850s2003AHDS Visual Artsartworkartworks • capture and maintain collections • case study • collect works • collecting artworks • collectioncopyright clearance • cost implications • digital capture • digitally capture • digitisation • direct digital capture • distributed digitisation model • documentation • documented • fine art • fine art education • fine art practice • Fine Art Project • HEI • Higher Education Institutes • higher education institutions • history and achievement • image management system • insuring artworks • Internetknowledge management • National Fine Art Education Digital Collection • pilot project • pilot study • present and past work • protocol • publishing requirements • purchasing artworks • raw filerepository • SIAD • storing artworks • student and staff work • Surrey Institute of Art and Design • surveyUKVADS • VADS Fine Art Project • VADS Fine Art Project Digital Capture Pilot Study

CONTRIBUTOR

Simon Perkins
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