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Which clippings match '1984' keyword pg.1 of 3
16 MARCH 2016

British television series 'Database': How to send an 'E mail' in 1984

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1980s1984BBC MicroBritish television seriesCommodore 64 • Commodore VIC-20 • computer agecomputer historycomputing history • Database (TV series 1984) • Dragon 32 • Dragon 64 • early adopterearly computer-eraforerunnerhome computerinformation ageInternet • Jane Ashton • Julian Green • Micronet • modem • online server • Pat Green • personal computerprecursor technology • press telephone • Prestel • Prestel MicroComputing • rotary telephone • telecommunicationstelephonetelevisionThames TelevisionTV seriesUK • UK Post Office • VIC-20 • Videotex • Viewdata technology • ZX SpectrumZX81

CONTRIBUTOR

Simon Perkins
21 JUNE 2014

Nothing Lasts Forever: a low budget parody about a struggling artist

"Writer–director Schiller is best known for his short films from the early days of SNL and in 1984, together with producer Lorne Michaels, concocted this imaginative fantasy–comedy about true love, bad art, magical hobos, Carnegie Hall and space travel. Sweet, absurd and crammed with an incredible cast and countless hilarious moments of inspired brilliance, it was never released and never found the cult–audience it so rightfully deserved."

(Zack Carlson, 16 December 2012)

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1984 • Alles Ist Verganglich (1984) • anti-consumerist • Apollonia Van Ravenstein • art test • artistauthoritarianism • becoming an artist • Bill Murrayblack and whiteblack humourbus • Calvert Deforest • Carnegie Hallconceptual artcult film • Dan Aykroyd • dream sequence • Eddie Fisher • forgotten works • Holland Tunnel • Imogene Coca • kindness • Lauren Tom • Lawrence Tierney • Lorne Michaels • low budgetManhattan • Marc Alderman • melange • menial job • moon • Mort Sahl • New YorkNew York City • Nothing Lasts Forever (1984) • Odessa Stepsparodypasticheperformance art • Port Authority • repurposingromantic notion of the artist • Sam Jaffe • Saturday Night Livespace travel • starving artist • stock footage • struggling artist • Tom Schiller • tramp • treadmill • underground culture • unreleased films • Zach Galligan

CONTRIBUTOR

Simon Perkins
22 AUGUST 2013

Insanely Great Macintosh: Steve Jobs' 1984 Macintosh Introduction

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CONTRIBUTOR

Simon Perkins
26 JUNE 2013

A Class Divided: Jane Elliott's daring classroom experiment

"On the day after Martin Luther King was killed, I––one of my students came into the room and said they shot a king last night, Mrs. Elliott, why'd they shoot that king? I knew the night before that it was time to deal with this in a concrete way, not just talking about it, because we had talked about racism since the first day of school. But the shooting of Martin Luther King, who had been one of our heroes of the month in February, could not just be talked about and explained away. There was no way to explain this to little third graders in Riceville, Iowa. ...

I decided at that point that it was time to try the eye color thing, which I had thought about many, many times but had never used. So the next day I introduced an eye color exercise in my classroom and split the class according to eye color. And immediately created a microcosm of society in a third–grade classroom."

(Jane Elliott, 1985, PBS)

Frontline "A Class Divided": Season 3, Episode 9, A Class Divided (26 Mar. 1985), Director: William Peters, Writers: Charlie Cobb, William Peters.

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197019841985 • A Class Divided (1985) • ABC News (USA) • attitudes • Charlie Cobb • classroom • classroom experiment • colourcultural assumptionsdiscrimination • eye colour • human experimentationhuman subjects • Iowa • Jane Elliott • lives and attitudes • Martin Luther King • PBSprejudiceprimary schoolracial discriminationracial inequalityracism • Riceville • school pupilschool students • schoolteacher • simulation studysocial responsibility • subhuman • teacherthird gradetranscript • William Peters • women in pedagogy

CONTRIBUTOR

Simon Perkins
10 FEBRUARY 2013

Pre Certification Video

"A 'pre-cert video' (Pre-Certification) is any videotape (or laserdisc/CED) issued in the UK before the introduction of the 1984 Video Recordings Act.

Pre-cert videos were not required by law to be submitted to the BBFC so the era was unregulated, leading to many uncut releases of videos which would have fallen foul of the BBFC's strict guidelines, and would therefore have been censored if submission to the board was a legal requirement.

However, whilst many of the larger respectable companies simply issued their previously BBFC certificated cinema releases onto video to play safe as they feared there was bound to be a clampdown at some stage, some of the smaller independent companies decided to take advantage of the unregulated video rentals market by issuing 'strong uncut' versions depicting graphic violence and gore. A whole barrage of titles previously banned by the BBFC from getting a cinema release suddenly ended up uncensored on home video.

What began as a bill drafted by little known Luton Tory back bencher Graham Bright was made law after he and the tabloid press (most notably The Daily Mail) had successfully whipped the media into a frenzied hysteria over so-called 'video nasties'. Ban the Sadist Videos! was one of the more famous headlines they ran. When the bill was made law it became a legal requirement that all videotapes must be submitted to the BBFC for classification (and possible cuts).

The pre-cert video era is best remembered (amongst horror fans in particular) for the ensuing 'video nasty' debacle in which a selection of 72 videotapes were singled out and prosecuted by the DPP (Director of Public Prosecutions) under Section 2 or Section 3 of the OPA (Obscene Publications Act). Of these, 39 titles were deemed by the courts to be obscene and it's those titles which formed the final 'Video Nasties list."

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1984analogue mediab-moviebad tastebanned • Betamax • British Board of Film Classification (BBFC) • Capacitance Electronic Disc (CED)censorship • cinema release • collectiblesDaily Mail • DiscoVision • exploitation films • exploitation movies • film classification • gore • Graham Bright • graphic violencehome video • LaserDisc • legislationmisogyny • Music and Video (magazine) • nostalgia • Obscene Publications Act (OPA) • obscenityobsolete medium • Popular Video (magazine) • pre-cert video • pre-cert video era • pre-cert videos • pre-certification video • rare video releases • SelectaVisionsexploitation • shocksploitation • slasher • slasher film • sleaze • teensploitation • Television and Home Video (magazine) • UK • unregulated industry • VCR (N1500) • VCR (N1700) • VHS • Video 2000 • Video Business (magazine) • Video Cassette Recorder (VCR) • Video Cassette Recording • Video Compact Cassette (VCC) • video distribution • video nasties • video nasty • Video News (magazine) • Video Recordings Act • video releases • video rental • video rentals market • Video Retailer (magazine) • Video Review (magazine) • Video The Magazine • Video Today (magazine) • Video Trade Weekly (magazine) • Video Viewer (magazine) • Video Week (magazine) • Video World (magazine) • videocassette • videocassette recorder • VideoDisc • videotapes

CONTRIBUTOR

Simon Perkins
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