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Which clippings match 'Mythopoetic' keyword pg.1 of 1
24 JUNE 2013

Ion Popescu-Gopo: 7 Arte/7 Arts and Sport (1958)

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TAGS

19582D animation • 7 Arte • 7 Arts and Sport • animated short filmCannes Film Festivalcave paintingsgraphic artist • happy accident • imitationIon Popescu-GopomaskmythopoeticPalme dOrsporttheatrical expression

CONTRIBUTOR

Valeria Marti
03 DECEMBER 2009

a critique of consumer goods and advertisement imagery

Hu Jieming's "highly acclaimed photo–manipulated images Raft of the Medusa (2002) he references to Théodore Géricault's seminal and allegorical image, the Raft of the Medusa (1819). The historical painting serves as a mytho–poetic memorial of the 150 lost souls onboard the raft after a fatal shipwreck, from which only 15 survived. The painting very elegantly undermines the traditional heroic 19th century historical painting, and, instead, conveys a society in sinking collapse. Hu Jieming parallels this historic occurrence to the regime of the Cultural Revolution with all its sinister cruelty. His Raft of the Medusa, thus, is more than just a reference to the past: The photos are composed of today's excessive amount of consumer goods and advertisement imagery. Additionally, Hu Jieming juxtaposes pictures of today's youth in gestures of self–indulgent hedonism with monochrome grey pictures of the suppressed people in traditional mao–uniforms. These compositions made of images appropriated from different socio–political realities signify a strong critical engagement with both history and the present – it is a concern ranging beyond pure private considerations."

(ShanghART Gallery)

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CONTRIBUTOR

Simon Perkins
09 FEBRUARY 2009

The engineer is a myth produced by the bricoleur

"If one calls bricolage the necessity of borrowing one's concept from the text of a heritage which is more or less coherent or ruined, it must be said that every discourse is bricoleur. The engi~eer, whom Levi–Strauss opposes to the bricoleur, should be one to construct the totality of his language, syntax, and lexicon. In this sense the engineer is a myth. A subject who would supposedly be the absolute origin of his own discourse and would supposedly construct it 'out of nothing,' 'out of whole cloth,' would be the creator of the verbe, the verbe itself. The notion of the engineer who had supposedly broken with all forms of bricolage is therefore a theological idea; and since Levi–Strauss tells us elsewhere that bricolage is mythopoetic, the odds are that thee engineer is a myth produced by the bricoleur. From the moment that we cease to believe in such an engineer and in a discourse breaking with the received historical discourse, as soon as it is admitted that every finite discourse is bound by a cenain bricolage, and that the engineer and the scientist are also species of bricoleurs then the very idea of bricolage is menaced and the difference in which it took on its meaning decomposes."
(Jacques Derrida)

Jacques Derrida, Writing and Difference, trans. Alan Bass. London: Routledge, pp 278–294

CONTRIBUTOR

Simon Perkins
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