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18 JANUARY 2013

Rose Goldsen Archive of New Media Art

"Named after the pioneering critic of the commercialization of mass media, the late Professor Rose Goldsen of Cornell University, the Archive was founded in 2002 by Timothy Murray to house international art work produced on CD–Rom, DVD–Rom, video, digital interfaces, and the internet. Its collection of supporting materials includes unpublished manuscripts and designs, catalogues, monographs, and resource guides to new media art.

Emphasizing multimedia artworks that reflect digital extensions of twentieth–century developments in cinema, video, installation, photography, and sound, holdings include extensive special collections in American and Chinese new media arts, significant online and offline holdings in internet art, and the majority of works in the international exhibition, Contact Zones: The Art of CD–Rom. A novel research archive of international significance, the collection complements the holdings in the Division of Rare and Manuscript Collections of illuminated manuscripts and the early modern printed book, and adds to the breadth of its important collections in human sexuality, Asian Studies, and Media, Film, and Music."

(Cornell University Library)

TAGS

2002American • American new media arts • archiveart • catalogues • CD-ROMChinese • Chinese new media arts • cinemacollection • commercialisation of mass media • Contact Zones • Cornell UniversityCornell University Library • designs • digital interfaces • DVD-ROMfilmholdingsinstallation • international art • InternetInternet artmass mediamediamonographs • multimedia artworks • musicnet artnew media artnew media artsonline and offlinephotography • Professor Rose Goldsen • research archive • resource guides • soundspecial collections • Timothy Murray • twentieth-century developments • unpublished manuscripts • video

CONTRIBUTOR

Simon Perkins
18 OCTOBER 2012

Four to the Floor: the ever growing collection of Channel 4 idents

An "ever growing collection of Channel 4 current set of idents. The simple idea that flows through all these idents is the creation of 'the 4, be it optical illusion, supernatural intervention or coincidence, the iconic Channel 4 logo rears its head at some point during all these videos.

The basic premise leaves open many possibilities to play with, which perhaps also explains the longevity that these idents retain. New idents continue to be produced by Channel 4"

(John Beohm, idents.tv)

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CONTRIBUTOR

Simon Perkins
04 AUGUST 2012

A collection of dramatic images: vintage fashion photographs

A list of weblogs featuring compelling photographs.

Fig.1 Bill Silano for Harper's Bazaar, 1967 from PHOTO Album Collection, 1973.

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TAGS

1960s19671970s1973a collection of dramatic imagesarresting images • Bill Silano • blog • Charles Matton • collectiondesign formalismfashion blog • Harpers Bazaar • Herbert Levine • photographyTumblrvintage • vintage fashion • vintage imagesvintage photographsvisual communicationvisual dramavisual spectacle

CONTRIBUTOR

Simon Perkins
20 JULY 2012

Heilbrunn Timeline of Art History: Memory Board (Lukasa)

"Lukasa, or memory boards, are hand–held wooden objects that present a conceptual map of fundamental aspects of Luba culture. They are at once illustrations of the Luba political system, historical chronicles of the Luba state, and territorial diagrams of local chiefdoms. Each board's design is unique and represents the divine revelations of a spirit medium expressed in sculptural form. While many lukasa utilize a system of denotation based on masses of shells and beads affixed to their wooden surfaces, this example communicates its content through incised designs and images carved in relief."

(The Metropolitan Museum of Art)

Fig.1 "Memory Board (Lukasa) [Democratic Republic of Congo; Luba] (1977.467.3)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/works–of–art/1977.467.3 (October 2006).

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TAGS

19th century • ancestress • ancestry • arcane knowledge • art historybeads • carapace • carved relief • carvingchart • chevron • chief • chiefdom • circular elements • collectionconceptual mapconceptual metaphorcrocodilecultural formsculture • decipher and interpret • Democratic Republic of Congo • denote • diagram • divine revelations • facehand-heldHeilbrunn Timeline of Art Historyhistorical chronicleshistorical figuresillustrationinformation aestheticsinterdependenceinterpretation • kaloba • kikungulu • king • kitenta • Lolo Ina Nombe • Luba • lukasa • mbudye • memory • memory aid • memory board • Metropolitan Museum of Artmnemonicmotifmythologynotation • ovoid • physical geography • political organisation • political system • religious geography • representationsculptural formsculpturesymbolism • system of denotation • the spiritual world of ancestorstimeline • turtle • visual communicationvisualisationwood • wooden object • zoomorphic

CONTRIBUTOR

Simon Perkins
15 JULY 2012

The New Zealand Film Archive

"Established in 1981, the Film Archive is an independent charitable trust overseen by a Board of Trustees representing film, archival, Maori and community interests. The Film Archive's constitution and kaupapa express a commitment to collect, protect and connect New Zealand's film and television history.

When an item is in the care of the Archive, it is considered the property of the depositor. Subsequently the copyright for the material remains with the legal rights holders.

The collections of predominantly New Zealand film, video and television date from 1895 to the present day. Every genre of filmmaking – feature films, documentaries, short films, home movies, newsreels, television programmes and film and television advertisements – is represented. There is also a significant documentation collection which includes publicity materials, stills, posters, production records, props, costumes and equipment housed in Wellington.

As there is no statutory deposit legislation for film in New Zealand, material is deposited voluntarily – and without cost to the depositor. Maintaining a kaitiaki role over the collections the Film Archive's guardianship ensures ownership of the original item remains with the depositor and copyright is maintained by the appropriate parties. In the case of material with Maori content, the Film Archive actively maintains relationships with whanau/hapu/iwi to ensure appropriate long term care and access."

(New Zealand Film Archive)

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TAGS

18951981advertisementAotearoa New ZealandarchivalarchiveAustralasia • care and access • collectioncostumecultural heritagedocumentarydocumentationfeature film • film advertisement • film and television history • film archivefilm historyfilmmaking • guardianship • hapu • home movie • independent charitable trust • iwilegal rights holders • long term access • long term care • long term care and access • moving imageNew Zealand cinemaNew Zealand cultureNew Zealand Film ArchivenewsreelNZ Film Archive • production records • publicity materials • publicity posters • publicity stills • short filmtelevision advertisement • television history • television programmeWellington • whana

CONTRIBUTOR

Simon Perkins
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