Not Signed-In
Which clippings match 'Totalitarianism' keyword pg.1 of 1
20 NOVEMBER 2016

Alex Gendler: how to recognize a dystopia

"The genre of dystopia – the 'not good place'– has captured the imaginations of artists and audiences alike for centuries. But why do we bother with all this pessimism? Alex Gendler explains how dystopias act as cautionary tales – not about some particular government or technology, but the very idea that humanity can be molded into an ideal shape."

1

TAGS

Aldous Huxley • Alex Gendler • Animal Farm (1954)artificial intelligence • aryan • atomic energyBlade Runner (1982)brave new world • Brave New World (1932) • cautionary talecommunist systemconcentration campdemocracydepletion of natural resourcesDr Strangelove (1964) • drudgery • dystopia • dystopian fiction • dystopian literature • dystopian science fictioneugenicsfactory workerfascismfree willgas chambergenetic engineering • Gullivers Travels (1726) • H G Wells • humanitys future • impoverished masses • impoverishment • industrial ageindustrial revolution • industrial warfare • It Cant Happen Here (1935) • Jack London • Jonathan Swift • mass entertainment • mass media ageMetropolis (1927) • modern anxieties • nightmare world • Nineteen Eighty-Four (1949)nuclear war • oligarchy • oppressionoverpopulationparadise • perfect world • political structures • povertyprogress narratives • resource depletion • science fiction • Sinclair Lewis • slumsocial rolessocial structures • space colony • space travelspeculative fiction • squalor • surveillance state • TED-Ed • The Handmaids Tale (1985) • The Iron Heel (1908) • The RepublicThe Time MachineThomas Moretotalitarianism • tyrannical oligarchy • tyranny of modernismutopia • V for Vendetta (2006) • Watchmen (2009) • We (1924) • Westworld (1973) • WW1WWII • Yevgeny Zamyatin

CONTRIBUTOR

Simon Perkins
29 JULY 2012

Fahrenheit 451: passive consumption through audience participation

"When the 'Family' (the television with its 'cousin' announcers and actors) presents an interactive play in which Linda believes she has a role, an actor (Donald Pickering) wearing glasses with thick, black rectangular frames, turns to the camera as it zooms in on him and says, 'What do you think, Linda?'"

(Tom Whalen, Gale Student Resources In Context)

Whalen, Tom. "The Consequences of Passivity: Re–evaluating Truffaut's Fahrenheit 451," in Literature–Film Quarterly, Vol. 35, No. 3, July, 2007, pp. 181(10).

1
2
3

4

TAGS

1966Alphaville • anti-intellectualism • audience participation • banbannedBernard Herrmannbig brotherbook • book burning • book-people • booksburning • Clarisse (character) • comic bookconformityconsolettecontroldisplay walldomestic futuresdystopiadystopian futureFahrenheit 451fire • fire department • firefighter • fireman • Francois Truffaut • Furia • futuristic societyGattacahousewifehumourindividualisminteractive dramainteractive experience • interactive teledrama • interactive television • It Happened Here (film) • Julie ChristieLinda (character)literature • Machiavelli • mahogany veneer • massificationmedia consumerMetropolis (1927)Montag (character)new forms of television • Nicolas Roeg • Nineteen Eighty-Four (1949)Oskar Werner • parlor wall • parlour • participation dramaparticipative media • passive consumer • passive consumptionpicture newspaper • pro-literature underground • Ray Bradburyreadingreality televisionscience fictionself-reflexivity • sensory deprivation • speculative fictionsubversion • telecast • televisiontelevision screenThe Family (television) • The Handmaids Tale • The Martian Chronicles • The Prince (book) • THX 1138 • totalitarianism • TV parlor • TV story • TV wall • video wall • visual joke • wall TV • wall-sized screen • what do you think • written languagewritten word

CONTRIBUTOR

Simon Perkins
15 JANUARY 2009

Jiri Trnka - Ruka (aka The Hand)

"is the last film he made before his death in 1969 and reflects Trnka's own struggle to create art under a totalitarian regime."
(Seksu Roba)

1

TAGS

1965allegoryanimationcritiqueCzechoslovakia • Jiri Trnka • marionettepioneeringpolitical allegory • Ruka • symbolism • The Hand • totalitarianism

CONTRIBUTOR

Simon Perkins
08 OCTOBER 2003

Placelessness: Alphaville

There are numerous films that deal with issues relating to non–place. One key example if the 1965 film Alphaville, made by Jean Luc Godard about a futuristic city where its inhabitants are controlled/programmed by a central computer. At no time during the film does it feel that any of the inhabitants actually reside or belong to the city. The city appears to be a conduit between the objectives of its master and it's subjects. The city is a non–place that facilitates occupation and transport without offering placement. The institutional nature of engagement within the narrative space reinforces this. Rooms speak their status without addressing anyone specifically, compass references are offered but without any clear connection to a specific geography. The only avenue for escape for the film's protagonist (and his love–interest), is to exit through another non–place: one of the city's interstate highways.

1
2

Sign-In

Sign-In to Folksonomy

Can't access your account?

New to Folksonomy?

Sign-Up or learn more.