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Which clippings match 'Stuttering Edits' keyword pg.1 of 1
11 NOVEMBER 2016

Technology/Transformation: Wonder Woman by Dara Birnbaum

"Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the 'real' woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, 'cuts' her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ('Get us out from under... Wonder Woman') reveal the sexual source of the superwoman's supposed empowerment: 'Shake thy Wonder Maker.' Writing about the 'stutter-step progression of 'extended moments' of transformation from Wonder Woman,' Birnbaum states, 'The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to 'do good' (be moral) in an (a) or (im)moral society.'"

(Electronic Arts Intermix)

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1970s1978 • abbreviated narrative • appropriationbracelet • comic book narrative • critical appropriation • cultural subversion • Dara Birnbaum • deconstruction • discoland • double entendre • Electronic Arts Intermix (EAI) • extended moments • feminist artfeminist critiquefirefragmentation • hall of mirrors • incendiary device • influential video artists • magical metamorphosis • metamorphosis • music-box doll • pop cultural iconography • pop culture artpop icon • psychological transformation • radical manipulationrepeating formrepeating patternrepetitionrunning • saving a man • sexual empowerment • Sony Portapak • spinningstutter-step progressionstuttering editssubversion • super hero • symbolic transformation • Technology Transformation Wonder Woman (1978) • television form • television imagery • television product • television text • textual deconstruction • TV series • underlying theme • video artvideo artistvideo artwork • Wonder Woman (television programme)

CONTRIBUTOR

Simon Perkins
22 AUGUST 2006

Martin Arnold: a cinema of repression

"The cinema of Hollywood is a cinema of exclusion, reduction and denial, a cinema of repression. There is always something behind that which is being represented, which was not represented. And it is exactly that that is most interesting to consider."

(Martin Arnold)

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American family life • Andy Hardy (character) • cinemaculture jammingcut-up techniquedenial • elongated aural cadences • exclusionfilmHollywoodHollywood starintimate movement • Martin Arnold • mash-up • Mickey Rooney • muscle movements • nonverbal behaviour • Oedipal relationships • old fashioned family valuesparody • possessive spectator • radical manipulationre-purposereductionrepeating formrepresentrepressed desiresrepression • sexual repression • sexual undercurrent • stutter-step progressionstuttering edits • undetectable tics • unwholesomenesswholesomeness
24 MAY 2005

Wranglers: Exposing Homoerotic Tensions Within Westerns

I created this short clip in 1994 from re–purposed shots from Fritz Lang's 1952 film 'Rancho Notorious'. This sequence works to expose homoerotic tensions inherent in the Western film genre.

The sequence shows Vern Haskell (Arthur Kennedy) Rancho Notorious' protagonist, struggle to 'escape the frame' and the admiring advances of his outlaw compatriots - Frenchy Fairmont (Mel Ferrer), Mort Geary (Jack Elam), Kinch (Lloyd Gough), Wilson (George Reeves), Starr (Stuart Randall), Red (Roger Anderson) et al. Through deleting the subject of the cowboy's attentions Marlene Dietrich, I was able to shift the meaning of the scene from one that centred on heterosexual interest to one that centred on homosexual desire.

I created the sound track using a similar technique. I did so through splicing sections of the original sound track together so that it would evoke some of the melodrama of the original film.

The clip was created using the early non–linear editing platform Avid Media Suite Pro.
(Simon Perkins)

Fig.1 Simon Perkins (1994). 'Wranglers' digitised and cut–up VHS video, 3:21 minutes.

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1994appropriation • Arthur Kennedy • Avid Media Suite Procinemaculture jammingcut-up techniquedenialexclusionfilmfilm genre • Francis McDonald • Frank Ferguson • Fritz Langgenre • George Reeves • Hollywoodhomoeroticismkiwi short filmsMarlene Dietrichmasculinitymash-up • Mel Ferrer • melodrama • outlaw • parody • Rancho Notorious (1952) • re-editre-purposerecodingreductionrepresentrepressed desiresrepressionrevisionshort filmSimon Perkinsspatial reconfigurationstutter-step progressionstuttering editssubstitutionsubtexttechnologically-rendered spacewestern film genre • Wranglers (1995)
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