"A small test getting a drawing animated. I made one main drawing, and on the following page redrew some elements so I could scan both into Photoshop and cobble together a looping animation. I staggered the elements out over more frames for a little more variation than a simple 2 frame flip."
(Yi-Piao Yeoh, 27 January 2012, Eraser Dust Everywhere)
"To start with I made some reference by acting it out, took photos and printed them out, I drew them in my sketch book, using what I learnt in animation principals where u put a cross through the character, so you can tell where the weight is distributed on the foot and the angle of the shoulders and pelvis. Once I am happy, I drew boxes on top of the pose."
(Alexander Bax, deviantART)
F.g.1-6 Alexander Bax, fighting and fencing poses
"You know how people sometimes say that jazz is the only truly American art form? Animated GIFs are like the jazz of the internet: they could only exist, and be created and appreciated, online. That said, PopTart Cat is not exactly on par with Thelonious Monk. But photographer Jamie Beck and motion graphics artist Kevin Burg may have finally found a way to elevate the animated GIF to a level approaching fine art, with their 'cinemagraphs' -- elegant, subtly animated creations that are 'something more than a photo but less than a video.' ...
The pair was inspired to create these cinemagraphs while preparing to cover Fashion Week this past February: 'We wanted to tell more of a story than a single still frame photograph but didn't want the high maintenance aspect of a video,' they told Co.Design via email."
(John Pavlus, Co.Design)
"I have questions that do not occur in words: questions about space, about material moving in space, and about the intermingling of space and object. I feel that space disguises itself and its nature by its transparency. It is, strangely, this very transparency that makes space opaque to our awareness. This new work uses skinny lines moving in space. Emptying out the volume reduces the visual mass so that more of the space around the work gets implicated in what the work finally is. The space shares in creating, or manifesting, the function of the work itself. This emptying-out of the mass makes it possible to imbue space without occupying space."
Fig.1 Parietals 2005;
"Norman McLaren is [one of] the most influential animator in the history of the art of animation. Over many years of constant groundbreaking research and experimentation he has created a coherent and extraordinary body of work with a unique inventiveness. This is best exemplified by his most important film, the anti-war parable Neighbours."
(United Nations Educational, Scientific and Cultural Organization, 1995 - 2010)
Fig.1 Norman McLaren (1952). 'Neighbours', National Film Board of Canada.