"Constant works in-between media and art and is interested in the culture and ethics of the World Wide Web. The artistic practice of Constant is inspired by the way that technological infrastructures, data-exchange and software determine our daily life. Free software, copyright alternatives and (cyber)feminism are important threads running through the activities of Constant.
Constant organizes workshops, print-parties, walks and 'Verbindingen/Jonctions'-meetings on a regular basis for a public that's into experiments, discussions and all kinds of exchanges."
"The Research Catalogue (RC) is a searchable database for archiving artistic research. RC content is not peer reviewed, nor is it highly controlled for quality, being checked only for appropriateness. As a result, the RC is highly inclusive.
The open source status of the RC is essential to its nature and serves its function as a connective and transitional layer between academic discourse and artistic practice, thereby constituting a discursive field for artistic research.
The RC creates a link between (1) elaborated documentation of the work; and (2) expositions and comments that engage with the contribution of the work as research.
Given that the RC is a site for artistic research, to add a work is to make a claim that the work can be seen as research; through expositions, comments and articles the initial claim is transformed into an argument. It is believed that the reflective space provided by the RC can become an essential part of the research process by providing a suitable structure in which to develop the relationship between documentation and exposition, whilst also retaining congruence with art itself.
Clearly, the RC is the backbone of JAR: potential JAR expositions emerge from the range of the artistic research activities taking place in it for peer-review and development within the RC space itself. Authors may nominate or JAR editors may select expositions for development as JAR contributions.
If you believe that RC software might also support your research database needs then explore the possibility of using the RC as your repository, by contacting us."
(Society of Artistic Research)
"Introducing a high-quality journal in the field allows an ever-increasing number of artistic researchers to partake in what for the sciences and humanities are standard academic publication procedures. Given that artistic research has become a worldwide movement with many local activities, JAR can serve as a focal point, bringing together diverse voices, facilitating the discourse and thus improving the artistic research community.
In the context of JAR, artistic research is doubly defined: insofar as it is research, it enhances knowledge and understanding; because it is artistic, however, the mode of presentation is essential. This definition excludes works of art that share modes of presentation with artistic research, but do not enhance understanding. It also excludes research that is not dependant on an artistic mode of presentation. Thus, the development of epistemological as well as artistic criteria for the exposure of artistic research is a key ambition of the Journal; part of JAR's mission is to re-negotiate art's relationship to academia and the role and function of research in artistic practice. Furthermore, JAR embraces research practices across disciplines, thereby emphasising the transdisciplinary character of much artistic research.
JAR's unique presentation of artistic research as 'weaves', instead of 'pages', facilitates multi-modal exposition, thereby meeting the desire of artistic researchers to have their work displayed and documented in a manner that demonstrates a respect for modes of presentation. By introducing, together with the RC, a standard for documentation, the Journal is responding to the international artistic and academic communities, which demand high quality referencing and documentation. Moreover, the Journal meets the need of art institutions such as museums, galleries and collections for artistic research to be more easily accessible."
Fig.1 Deborah Harty and Phil Sawdon (2010). "humhyphenhum: Still 5".
"Primary is an artist-led space that exists to support creative research and to develop new ways of engaging with audiences. Offering dedicated artist studios alongside flexible spaces, both within and outside the building, where artists from around the world can meet and work in the heart of Nottingham. Primary is a place where artists and the public can share, experiment and learn about contemporary visual art through an ambitious programme of events and activities. ...
In November 2011, the building opened its doors to the first resident artists: Nadim Chaudry, Simon Raven, Yelena Popova, Rebecca Beinart, Matt Hawthorn, Andy Lock, Simon Withers, Mik Godley, Tether, Frank Abbott, Craig Fisher and Debra Swann. Further recruitment of resident artists has continued in 2012 with an associate artist programme launching later in the year. ...
[Note that] we are not currently open to the public except for special events. However if you would like to visit, please get in touch: 33 Seely Road, Nottingham, NG7 1NU, +44(0)115 924 4493"
(Nottingham Studios Ltd., UK)
"World Event Young Artists (WEYA) is the first of its kind and will take place in the cultural city of Nottingham, England in September 2012.
This global event will showcase a selection of the best international creative talent, across a spectrum of artforms, in one city, providing an opportunity for 1000 artists from 100 nations to join together and share their creativity on an international platform.
The World Event will be a chance for international exchange on a global scale, bringing the city to life; it is as much about intercultural dialogue across political borders as it is about the practice of young artists.
This unique combination of factors will ensure an unforgettable experience for all who take part and its audiences. Its public programme and web resources will offer space for collaborative development, workshops, debates and symposiums across a mixture of structured and informal settings. Artists will take part in workshops and interactive engaging sessions which will be delivered by an exciting range of creative individuals and artform specialists, exclusively tailored for young artists of the 21st century.
This once in a lifetime event will thrive on discussion and collaboration with like minded artistic talents from across the globe and aims to encourage future partnerships.
World Event Young Artists 2012 is hosted by UK Young Artists and supported by Arts Council England, Cultural Olympiad East Midlands, Nottingham Trent University and Nottingham City Council."
(World Event Young Artists 2012, UK)