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Which clippings match '1996' keyword pg.2 of 5
12 NOVEMBER 2012

A modern-day Luddite longing for the slow elegance of print culture

"Sven Birkerts, a modern–day Luddite, is feeling uneasy about all this rapid cultural change. He longs for the slow elegance of print culture. So much so, in fact, that the cover of his new book, [The Gutenberg Elegies: The Fate of Reading in an Electronic Age], features a fuzzy caramel–colored snapshot of a naturally–lit library which houses the endangered species of digital modernity: a leather armchair draped with an afghan, droopy lace curtains, and shelves of softened leather hard–backs coveting thick yellowed pages and the tidy, immutable thoughts of yesterday's literary prophets.

Birkerts is terrified that his warm dusty paradise is being ransacked, and the remaining rubble is merely forgotten or misunderstood in a world distracted by garish, pulsing iconography."

(Amanda Griscom, 1996)

Amanda Scott Griscom (1996). "Trends of Anarchy and Hierarchy: Comparing the Cultural Repercussions of Print and Digital Media", Brown University.

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TAGS

1996 • Amanda Griscom • authentic cultural iconauthenticitybookcultural changecultural codescultural materialismdesign essentialism • digital modernity • electronic ageend of print • garish • hardback • hardbound • hardcover • humanisation of technologyludditenatural • Ned Ludd • nostalgianostalgic yearningobsolescence • print culture • readingromanticism • Sven Birkerts • The Gutenberg Elegies • tradition

CONTRIBUTOR

Simon Perkins
04 NOVEMBER 2012

CollageMachine: An Interactive Agent of Web Recombination

"CollageMachine builds interactive collages from the Web. First you choose a direction. Then CollageMachine will take you surfing out across the Internet as far as it can reach. It builds a collage from the most interesting media it can find for you. You don't have to click through links. You rearrange the collage to refine your exploration.

CollageMachine is an agent of recombination. Aesthetics of musical composition and conceptual detournement underlie its development. The composer John Cage and Dada artists such as Marcel Duchamp and Max Ernst used structured chance procedures to create aesthetic assemblages. These works create new meaning by recontextualizing found objects. Instead of functioning as a single visual work, CollageMachine embodies the process of collage making.

CollageMachine [1] deconstructs Web sites and re-presents them in collage form. The program crawls the Web, downloading sites. It breaks each page down into media elements—images and texts. Over time, these elements stream into a collage. Point, click, drag, and drop to rearrange the media. How you organize the

elements shows CollageMachine what you're interested in. You can teach it to bring media of interest to you. On the basis of your interactions, CollageMachine reasons about your interests; the evolving model informs ongoing choices of selection and placement. CollageMachine has been developed through a process of freely combining disciplines according to the principles of 'interface ecology.'"

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TAGS

1996 • aesthetic assemblages • agent of recombination • Andruid Kerne • collagecollage art • collage form • collage making • CollageMachine (1996) • conceptual collage • conceptual detournement • create new meaning • detournement • digital collage • evolving model • foundfound object • freely combining • influential works • interactive collage • interface ecology • Internet artInternet artworkJohn CageMarcel DuchampMax Ernst • musical composition • net artnew media • New York Digital Salon • objet trouverecombinationrecombinatory practicerecontextualisationrecontextualising found objects • selection and placement • structured chance procedures • web

CONTRIBUTOR

Simon Perkins
28 OCTOBER 2012

ACID: Anti Copying In Design

"ACID (Anti Copying In Design) is a membership trade organisation, set up as a round table action group in 1996, by designers for designers. ACID is a committed to raising awareness & encouraging respect for IP within individual & corporate responsibility. By helping its members to understand and protect their rights, ACID is intent on stamping out intellectual property rights abuse."

(Anti Copying In Design, UK)

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TAGS

1996 • ACID (acronym) • advice and mediation • All Party Group on Design and Innovation • Alliance for Intellectual Property • Anti Copying in Design • British Confederation of Furniture • corporate responsibilitycreative industriesdesign community • design equity • design protection • designers for designers • individual responsibilityintellectual propertyintellectual property rights • intellectual property rights abuse • intellectual property theft • IP • IP rights • raising awareness • rights infringement • round table action group • stealing ideas • strong deterrent • theft • trade enforcement • trade organisation • trading environment • UK

CONTRIBUTOR

Simon Perkins
13 AUGUST 2012

O Tamaiti: young boy who is expected to play guardian to his siblings

"Sima Urale's debut short film, beautifully realised in black and white, tells the story of a young Samoan boy who is expected to play guardian to his siblings. As his parents struggle in their new country, he is overwhelmed by the responsibility. When faced with his grief, the adults fail to recognise his pain. Poignant attention to details that convey a child's perspective (eg. the movement of a spacies game and shopping trolley are intercut) saw O Tamaiti win awards at film festivals around the globe, including the prestigious Silver Lion at Venice."

(NZ On Screen)

Fig. 1 Dir. Sima Urale, 15mins, NZ, 1996, black & white, 1.1:66

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TAGS

1996Aotearoa New Zealandarcade gameattention to detailAustralasiababyblack and whitechildrenchilds perspectivechurch • Coke machine • coming of age • cot death • deathdebutfamily • female filmmaker • hospitalimmigrant • Kara Paewai • kiwi short films • new baby • New Zealand • New Zealand cinemaNew Zealand on Screen • O Tamaiti • PacificPacific IslanderPolynesianpregnancySamoan • sensitive portrayal • shopping trolley • short filmsiblings • Sima Urale • socialsoundSpace InvadersspaciesThe Coming of Age of The New Zealand Short Filmyoung boy

CONTRIBUTOR

Simon Perkins
24 JULY 2012

Pencil drawn evolution by Spanish production house Boolab

"boolab is a production house dedicated to motion graphics, animation (2D and 3D) and the development of other visual techniques, both traditional and cutting or bleeding edge. It came into being in 2004 within the framework of Booker, an advertising production house in the field of live–action, founded in 1996. Initially, boolab was envisaged as an in–house lab for research into new audiovisual languages, but it soon set its sights beyond the company walls. Success was not long in coming, and it rapidly developed into what it is today – a production house that is a benchmark in audiovisual innovation throughout Spain and Europe."

(Boolab)

Fig.1 Pilot: 'Evolution' – boolab, uploaded by boolab Plus 1 year ago.

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TAGS

199620082D animationanimationanimator as creatorBarcelona • Boolab (production house) • character animationcreative experimentscreative practicedesign craftdrawingdrawing on paperevolution • Evolution (animation) • hand-drawnillustrationintertextualityline drawingmotion graphics • Motionographer (magazine) • pen and inkpen sketchesproduction company • production house • quick sketch • Spainstop-frame animationtraditional animationtraditional techniquesvisual communicationvisual designvisual narrativevisual simplicity

CONTRIBUTOR

Simon Perkins
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