"Sven Birkerts, a modern-day Luddite, is feeling uneasy about all this rapid cultural change. He longs for the slow elegance of print culture. So much so, in fact, that the cover of his new book, [The Gutenberg Elegies: The Fate of Reading in an Electronic Age], features a fuzzy caramel-colored snapshot of a naturally-lit library which houses the endangered species of digital modernity: a leather armchair draped with an afghan, droopy lace curtains, and shelves of softened leather hard-backs coveting thick yellowed pages and the tidy, immutable thoughts of yesterday's literary prophets.
Birkerts is terrified that his warm dusty paradise is being ransacked, and the remaining rubble is merely forgotten or misunderstood in a world distracted by garish, pulsing iconography."
(Amanda Griscom, 1996)
Amanda Scott Griscom (1996). "Trends of Anarchy and Hierarchy: Comparing the Cultural Repercussions of Print and Digital Media", Brown University.
"ACID (Anti Copying In Design) is a membership trade organisation, set up as a round table action group in 1996, by designers for designers. ACID is a committed to raising awareness & encouraging respect for IP within individual & corporate responsibility. By helping its members to understand and protect their rights, ACID is intent on stamping out intellectual property rights abuse."
(Anti Copying In Design, UK)
"Sima Urale's debut short film, beautifully realised in black and white, tells the story of a young Samoan boy who is expected to play guardian to his siblings. As his parents struggle in their new country, he is overwhelmed by the responsibility. When faced with his grief, the adults fail to recognise his pain. Poignant attention to details that convey a child's perspective (eg. the movement of a spacies game and shopping trolley are intercut) saw O Tamaiti win awards at film festivals around the globe, including the prestigious Silver Lion at Venice."
(NZ On Screen)
Fig. 1 Dir. Sima Urale, 15mins, NZ, 1996, black & white, 1.1:66
"boolab is a production house dedicated to motion graphics, animation (2D and 3D) and the development of other visual techniques, both traditional and cutting or bleeding edge. It came into being in 2004 within the framework of Booker, an advertising production house in the field of live-action, founded in 1996. Initially, boolab was envisaged as an in-house lab for research into new audiovisual languages, but it soon set its sights beyond the company walls. Success was not long in coming, and it rapidly developed into what it is today - a production house that is a benchmark in audiovisual innovation throughout Spain and Europe."
Fig.1 Pilot: 'Evolution' - boolab, uploaded by boolab Plus 1 year ago.
"CSCL is focused on how collaborative learning supported by technology can enhance peer interaction and work in groups, and how collaboration and technology facilitate sharing and distributing of knowledge and expertise among community members."
(Lasse Lipponen, 2002)
2). Lipponen, L. (2002). "Exploring foundations for computer-supported collaborative learning". Proceedings of the Conference on Computer Support for Collaborative Learning: Foundations for a CSCL Community. Boulder, Colorado, International Society of the Learning Sciences: 72-81.