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Which clippings match 'Taboo' keyword pg.1 of 2
04 FEBRUARY 2016

Retailer uses drones to playfully respond to social media censorship

"clothing retail store BUYMA recently produced a creative commercial that strictly wants you to buy their clothes. Since Japanese TV programs are legally obligated to cover sensitive body parts, BUYMA uses drones to fully censor two professional belly [sic] dancers while they dance their routine naked."

[This Buyma ad which was created for television clearly plays with concepts around censorship - both in the context of Japanese broadcast media and perhaps more importantly in the context of social media where it will likely have most traction. In doing so the ad playfully references contemporary restrictions in place on sites such as Facebook.]

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2015ballet • Buyma (retailer) • censorshipcheekyclassical balletclothing retailercomedy of mannerscultural conventionsdancedroneetiquette • flying drone • high-technology • hoverJapan • Japanese online retailer • morality • naked ballet dancing • naughty • nude man • nude women • nudity • obscenity • obscuring nudity • online retailer • playful provocation • playfulnesspolite societyquadcoptersexual taboo • social media censorship • social shopping service • tabootv adtv advertveiledviral advisual gag

CONTRIBUTOR

Simon Perkins
14 JANUARY 2015

Allen Jones: the pop artist whose transgressions went too far

"Jones explains the situation, as he sees it. 'For artists of my generation, coming on stream in the Sixties, whatever you did you had to reckon with American gestural abstraction. The problem with figurative art at the time was that it had run out of steam, but the polemic was that you couldn't do it any more, which seemed absurd after 4,000 years of people making representations of each other. To me the Pop movement was incontrovertibly a swing of the pendulum back towards representation. The problem wasn't with representation, it was the age–old one – with the language. And the language had run out of steam. Using urban imagery as source material revitalised figurative painting, without a doubt. And recently the main thrust of the avant–garde from Basquiat and Schnabel up to Koons and company has been figuration with a vengeance.'"

(Andrew Lambirth 1 November 2014, The Spectator)

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1960s1969 • accepted canons • Allen JonesBritish artist • Chair (1969) • controversydeliberately offensive • demonised figure • female figure • figuration • figurative art • figurative painting • figurative sculptor • figurative work • fine artflat colourflat surfacefurniture • Hat Stand (1969) • human bodyICA • in the wilderness • Jean-Michel Basquiat • Jeff Koons • Julian Schnabel • leather boots • made to offendmannequin • ostracised • outrage • piece of furniture • political correctitude • political correctness • politically correct • pop art • pop artist • provocative art • realistic representation • representational art • retrospective exhibitionscantily cladsculpturesexist • sexually provocative • Table (1969) • tabootransgression • unwritten taboo • urban imagery • wig

CONTRIBUTOR

Simon Perkins
11 JULY 2014

The Phantom of Liberty: humorous critique of bourgeois conventions

"Luis Buñuel's The Phantom of Liberty was quickly dismissed upon its release in 1974. Not only did it have to contend with the lingering success of 1972's similarly themed but significantly less abstract The Discreet Charm of the Bourgeoisie, but it was quickly followed by the dreamlike, bi–polar romantic entanglement of the director's last film, That Obscure Object of Desire. Like Discreet Charm, the plot–free Phantom of Liberty is a patchwork of comedic sketches and sight gags through which Buñuel ravages a complacent European culture and the various sexual hang–ups and historical and cultural disconnects of its inhabitants. This heady, almost off–putting masterwork isn't particularly easy to decipher (maybe we aren't meant to), which is why it's best to approach it as a literal comedy of manners.

Films structured around daisy chains of dysfunction are a dime a dozen; most, though, are as tiresomely long–winded as they are content with their own strained circularity. This isn't the case with Phantom of Liberty, which begins with a shot of Goya's 1808 masterpiece 'The Third of May.' The painting depicts Napoleon's army executing a group of faceless Spaniards, and via a reenactment of this struggle, Buñuel depicts how one of Napoleon's captains tries to defile the monument of Doña Elvira only to be smacked on the head by the moving arm of the statue of the woman's husband. (He later intends to sleep with the woman's corpse, and when he opens her coffin, he's amazed by how her beauty has been preserved.) It's the first of many sight gags in the film, each and every one as startling as they are perversely funny. All these moments are possessed by a sense of shocked wonderment and discovery, and they all more or less evoke fragile pasts and characters trying to reconcile their historical detachments."

(Ed Gonzalez, 13 September 2003, Slant Magazine)

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1974absurd situationsabsurdist humourabsurdity • Adolfo Celi • Adriana Asti • Anne-Marie Deschott • apparition • Arch de Triomphe • archaic rules • Bernard Verley • black humour • bourgeois • bourgeoise societycancer • chance encounter • cigarettes • Claude Pieplu • coffin • comedic sketches • comedycomedy of mannerscorpsecritiquecultural conventionscultural pastdaughterdining practicesdinner tabledisappearancedoctor • Dona Elvira • eatingepisodic structureetiquetteEuropean cinema • European culture • faith • Francois Maistre • girl • Goya • Helene Perdriere • hotel • housemaid • humour • impulses • internal logic • intrusion • Jean Rochefort • Jean-Claude Brialy • Julien Bertheau • Le Fantome de la Liberte (1974) • Luis Bunuel • mailman • masterwork • Michael Lonsdale • Michel Piccoli • Milena Vukotic • Monica Vitti • Montparnasse • morality • nanny • narrative preconceptions • obscene • ostrich • parodypatchwork • Paul Frankeur • phallicphallic symbol • Philippe Brigaud • Pierre Maguelon • policepolite societypostcard • postman • psychoanalysisritual • rooster • rulesschool • schoolchildren • Serge Silberman • sexual hang-ups • sexual taboo • sight gag • sketch comedy • sniper • social behavioursocial conventionsSpanish filmsubconscioussurrealist cinemasurrealist filmmakertaboo • That Obscure Object of Desire (1977) • The Discreet Charm of the Bourgeoisie (1972) • The Phantom of Liberty (1974) • The Third of May (1808) • toilettriptych • vanished • visual gagzoo

CONTRIBUTOR

Simon Perkins
05 FEBRUARY 2012

Pink Flamingos: a provocative celebration of otherness

"'Pink Flamingos was an antihippie movie made for hippies who would be punks in two years. It's a pothead movie. I wrote it on pot.' – John Waters"

(Jeff Jackson, DreamlandNews)

Fig.1 John Waters (1972). trailer for "Pink Flamingos".

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1970s1972androgynyart filmBaltimore Marylandblack humour • camping it up • celluloid moment • comedy • Cookie Mueller • cult filmcult movie • Danny Mills • David Lochary • defecate • deviancedisgust • disgusting • Divine (actor) • dog • Edith Massey • egg • excrement • faeces • female impersonator • film • flamboyance • flamingo • gaygrotesque • hippie • hippie exploitation • independent cinemaindie cinemainfamous • John Waters • lip synclowbrow • Mary Vivian Pearce • midnight movie • Mink Stole (actor) • mobile home • notorietyotherness • over-acting • over-the-toppink • Pink Flamingos (film) • poodleprovocativepseudonympunkpunk rock ethosqueer cinemashockshocking • Steve Yeager • subculture • swallow • tabootransgressiontrashunderground • underground star • USAviolence

CONTRIBUTOR

Simon Perkins
17 NOVEMBER 2009

Male-gazing in NZ, Russia and NYC

"Much advertising in the past has been about creating new needs and taboos that can be met by products, writes Lynne Ciochetto, as I noted in my Eye 59 article 'Advertising and the globalisation of aspiration'. Throughout most of the twentieth century, the focus has been on the female market.

However as markets in the west become saturated, the male market has been redefined in terms of products, and the representation of men has broadened beyond the narrow stereotypes of the past. For decades after the 1960s, the masculine ideal was epitomised by 'Marlboro Man', regarded within advertising as the man every man wanted to be and that every woman wanted to be with."

(Lynne Ciochetto, 2009, Eye Magazine)

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CONTRIBUTOR

Simon Perkins
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