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Which clippings match 'Clothing' keyword pg.1 of 3
27 NOVEMBER 2015

100 Women 2015: Life for women in Islamic State's Raqqa

"Nour is a woman from Raqqa, the so-called Islamic State's (IS) capital inside Syria. She managed to escape the city and is now a refugee in Europe, where she met up with the BBC. This story is based on her experiences and those of her two sisters, who are still inside the IS-held city. Names and the timings of some events have been changed to avoid compromising the safety of Nour or her family."

(BBC News, 2015)

Video produced by Vladimir Hernandez, Faisal Irshaid and Najlaa Aboumerhi. Animation by Luis Ruibal.

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TAGS

2015asylum seekersautonomy • BBC 100 Women • BBC News • burka • burkha • burqa • civil liberties • cleric • clothing • concealment of the face • control societycruel mendaeshdignity • draconian law • dress code • face • face covering • face-covering • Faisal Irshaid • flagellation • flogging • freedoms • full face veil • gender inequality • harsh penalties • headgear • hesba • hyena • inspirational stories • life for women • Luis Ruibal • Najlaa Aboumerhi • niqab • oppression • perversion • punishment • Raqqa • refugeereligious fundamentalism • religious police • so-called Islamic State • subjugationsubordinate womenSyriaveil • Vladimir Hernandez • whipping • womens clothing

CONTRIBUTOR

Simon Perkins
20 JULY 2013

Futuristic fashions: Eve, A.D. 2000!

"Futuristic fashions 1939 style include a dress that can be adapted for day or evening wear, complete with sun–visor (and African–American maid), and a dress made of transparent net with a towering 60s–style hairdo (wouldn't look out of place on a millennium catwalk). The next two outfits are pretty transparent too; then a bridal gown with a cellophane veil and another adaptable dress.

The suit for the man of 2000 looks like a boiler suit with wide chain mail over the top. A circular aerial is worn on the head, to pick up signals for his mobile phone and radio. He also has two natty silver boxes attached to his belt 'for coins, keys and candy for cuties'. The beard is marcel–waved and he has buns of hair at the side of his head. Not a particularly manly look!"

(British Pathé)

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TAGS

1930s19392000 • 2000 AD • adaptable dress • aerial • African-American • beard • boiler suit • bridal gownBritish Pathe • candy for cuties • catwalkcellophane • chain mail • clothing • day wear • dress • Eve • evening wear • fashion designfashion forecastingfuture forecastingfuturistic design • futuristic fashions • futuristic visionhair • hairdo • maid • manly look • millenniummobile phone • natty • newsreel • outfit • Pathetone Weekly • portable radio • predictionretrofuturismstylesuit • sun visor • transparencyveilwomens clothingwomenswear

CONTRIBUTOR

Simon Perkins
24 MAY 2011

The Purpose and Focus of Research for Costumes

"One of the greatest challenges for any practitioner in the performing arts is to create a believable and completely honest 'world of the play,' no matter how abstract or obscure it might be to the modern eye. A costumer's overarching objective is essentially to create forms of clothing that are appropriate to any and every type of character, taking into account not only the obvious variables of nationality, ethnicity, socioeconomic status, age, gender, sexual orientation and creed, but also those of geography, climate, occupation, familial and/or marital status, physiology, personality, psychological state, ideology, historical milieu and so forth. ...

Evocative research, the most liberating form of research for a costumer, is found all around us. This form of research, includes the visual arts but expands to encompass highly abstract art, music, nature, fantasy, film, language, demography and sociopolitical perspectives. Used by directors, actors and designers alike, it creates a basic vocabulary of concept and style upon which to begin discussions of production design. For example, one of the first discussions regarding a play or opera might be the director bringing to the table a piece of music or a painting that to them conveys the mood and spirit they are looking to evoke in the production. For example, a painting by Gustav Klimt might have a specific palette and a detailed use of texture and pattern that evoke key emotions from the director and serve as an excellent springboard for a stylized concept. A director could even bring in a list of adjectives that describes his or her response to the play, and a production team would be expected to visually interpret these words. It is the combination of evocative and factual research that brings focus, cohesiveness and consistency to a production design. Finding fundamental themes or through–lines upon which to base the clothing of the characters therefore allows the designer to create a more controlled environment and a more unified aesthetic."

(Linda Pisano, Timeless Communications September 2010)

Fig.1 Gloria Swanson in the ruins of the Roxy Theatre. Eliot Elisofon. New York City, October 14, 1960. © Time, Inc.

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TAGS

actorsartistic practicearts practitioner • basic vocabulary • believability • brings into focus • characterclothingcohesiveness • colour palette • consistencycostume design • costumer • demographydesignerethnicityevocative research • factual research • fashionform of research • forms of clothing • fundamental themes • key emotions • list of adjectives • nationalityoperapatternperforming artsproduction design • production team • response to the play • socio-politicalsocioeconomic status • sociopolitical perspectives • stylised concept • texturetheatre designer • theatre director • theatre productiontheatrical play • through-line • unified aesthetic • visual artsvisual interpretation • world of the play • world of the story

CONTRIBUTOR

Simon Perkins
05 NOVEMBER 2010

Esquire uses 2D bar codes within magazine for mobile commerce

"By using the mobile device's camera and the ScanLife application, Esquire readers can scan the feature's bar codes to instantly buy items of clothing and accessories seen within the magazine article. ...

Each article of clothing in The Esquire Collection has its own unique black–and–white 2D bar code. When consumers scan the code with their device's camera, a menu will appear on screen that lets them perform several functions, including buying the item.

The Buy Now feature on the menu lets readers buy an item, get an itemized description and obtain additional information about items seen directly in the magazine.

Consumers can click Learn More About This Item to be taken to a URL where they learn more about the product, the brand, or alternative versions of the product.

Scanning a bar code will also give consumers the option to be redirected to a URL where they can enter their ZIP [post] code and find the brand's nearest retail location.

An update in the near future will let the GPS on the mobile device alert readers to the location closest to them.

Additionally, the scanned bar code will bring the user to an Esquire–branded URL that gives advice on how to style the item for his look or wardrobe."

(Chris Harnick, 4 February 2010, Mobile Commerce Daily)

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TAGS

2010 • 2D bar code • augmented realitybarcodecameraphoneclothingconsumerdigital mediaEsquire MagazinefashionGPS • Hearst Communications Inc • interactive magazine • locationmarketingmedia convergencemobilemobile browsermobile commerceold mediaprintprint mediapublishingQR codesQuick Response codescan • Scanbuy • ScanLife • smartphonetransformationURL • wardrobe

CONTRIBUTOR

Simon Perkins
23 AUGUST 2010

Pioneering colour photography showing everyday Russian life

"Three young women offer berries to visitors to their izba, a traditional wooden house, in a rural area along the Sheksna River, near the town of Kirillov."

(Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA)

[The photograph was created by Sergei Mikhailovich Prokudin–Gorskii in 1909 as part of his survey of the Russian Empire. The image was created using an early 3–colour technique and was commissioned by Tsar Nicholas II.]

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1909 • 3-colour • berries • clothingcolour • colour photography • colour processdesign formalismdevicedocumentary photographyempiregirlsinnovation • izba • Kirillov • lantern • Library of CongresspeasantphotographypioneeringportraitruralRussia • Sergei Mikhailovich Prokudin-Gorskii • Sheksna River • social documentarysocial realitysocietyspectacletechniqueTsar Nicholas IIvisual depiction • Volga-Baltic Waterway • wooden house

CONTRIBUTOR

Simon Perkins
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