Not Signed-In
Which clippings match 'Subversion' keyword pg.1 of 3
05 NOVEMBER 2017

Dada was an effort to reinvigorate art through critical negation

"we should think of Dada in terms of the precise and deliberate negation of art. Dada sought to destroy art. Why? It is my contention that for Dada, art was itself negative: Dada conceived of art as absence, exclusion, and division. This is not in the sense that art was somehow in a state of decay or socially compromised. Rather, for Dada, art was its processes of negation, processes which were not contingent but constitutive and essential to art"

(Mark Hutchinson, 2015)

Hutchinson, M. (2015). "Dada Contra Art History." Dada/Surrealism 20(1).

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TAGS

2015activist practices • against art • anti-disciplinary activities • art as activism • art historyartistic activismavant-garde art • biding legacy • call to arms • conventional cultural terms • critical negation • Dada • Dada Manifesto • destruction of art • destruction of the old • disciplinary promiscuity • discursive struggleshegemonyinstitutionalised artinterdisciplinaritylegacy • Mark Hutchinson • modernism • negation • negativity • nihilism • ossification • painting salons • political art • positive creativity • raucous skepticism • rebellious art • Salon des Refuses • skepticism • stagnation • subversion • sweep clean • University of Iowa

CONTRIBUTOR

Simon Perkins
29 OCTOBER 2017

Michael Glassco: Contested images: the politics and poetics of appropriation

"The dissertation traces the tactics of appropriation of Barbara Kruger, The Billboard Liberation Front and Shepard Fairey as exemplars of transgression and commodification within the changing commercial conditions of neo-liberalism. Their works, tactics and strategies are emphasized as points of insight into the practices and conditions of subversion as well as the limits of hegemonic containment that reproduces the political and economic structure within which they operated. The dissertation furthers and contributes to the theoretical and methodology of critical cultural studies as it emphasizes the role of the economy and ideology in reproducing the prevailing hegemonic order. Critical cultural studies hinges on the concepts of hegemony as lived discursive and ideological struggles over meaning and communication resources within historically specific and socially structured contexts. This framework emphasizes the poetics of appropriation - the use, meaning and spaces of articulation of visual representations with the politics - the socio-economic and discursive conditions that reproduce the dominant social order."

(Michael Glassco, 2012, University of Iowa)

TAGS

2012activismAdbustersadvertising hijacking • advertising imagery • advertising messages • appropriated images • appropriation activists • appropriation artists • appropriation practices • appropriation tactics • Barbara Kruger • Billboard Liberation Front • bricoleur • Buy Nothing Day • co-optioncommodificationconstructed identitiesconsumption spectaclecritical cultural hijacking • critical cultural studies • critique in public spaces • critique power • culture jammingdiscursive struggles • fauxvertising • graphic agitator • guerrilla artGuerrilla Girlsguerrilla tactics • hegemonic containment • hegemony • ideological struggle • ideological systems • ideological warfare • images of appropriation • institutionalised art • Jenny Holzer • manufacturing identity • media hijacking • Michael Glassco • neoliberalismparticipatory engagement • pastiche of visual codes • PhD thesis • poetics of appropriation • political protest • prevailing hegemonic order • privatisation of culture • public space • rebellious bricoleur • revolutionary subjects • Robbie Conal • Rosemary Coombe • Shepard Fairey • sublimating desire • subversionsubvertisements • subvertising • systematic asymmetries of power • tactic of dissent • tactical strikes • tactics of appropriation • tactics of guerrilla semiotics • The Billboard Liberation Front • transgression • TV Turn off Week • un-commercials • unequal access to cultural resources • University of Iowavisual codesvisual representation

CONTRIBUTOR

Simon Perkins
11 NOVEMBER 2016

Technology/Transformation: Wonder Woman by Dara Birnbaum

"Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the 'real' woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, 'cuts' her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ('Get us out from under... Wonder Woman') reveal the sexual source of the superwoman's supposed empowerment: 'Shake thy Wonder Maker.' Writing about the 'stutter-step progression of 'extended moments' of transformation from Wonder Woman,' Birnbaum states, 'The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to 'do good' (be moral) in an (a) or (im)moral society.'"

(Electronic Arts Intermix)

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1970s1978 • abbreviated narrative • appropriationbracelet • comic book narrative • critical appropriation • cultural subversion • Dara Birnbaum • deconstruction • discoland • double entendre • Electronic Arts Intermix (EAI) • extended moments • feminist artfeminist critiquefirefragmentation • hall of mirrors • incendiary device • influential video artists • magical metamorphosis • metamorphosis • music-box doll • pop cultural iconography • pop culture artpop icon • psychological transformation • radical manipulationrepeating formrepeating patternrepetitionrunning • saving a man • sexual empowerment • Sony Portapak • spinningstutter-step progressionstuttering editssubversion • super hero • symbolic transformation • Technology Transformation Wonder Woman (1978) • television form • television imagery • television product • television text • textual deconstruction • TV series • underlying theme • video artvideo artistvideo artwork • Wonder Woman (television programme)

CONTRIBUTOR

Simon Perkins
29 JULY 2012

Fahrenheit 451: passive consumption through audience participation

"When the 'Family' (the television with its 'cousin' announcers and actors) presents an interactive play in which Linda believes she has a role, an actor (Donald Pickering) wearing glasses with thick, black rectangular frames, turns to the camera as it zooms in on him and says, 'What do you think, Linda?'"

(Tom Whalen, Gale Student Resources In Context)

Whalen, Tom. "The Consequences of Passivity: Re–evaluating Truffaut's Fahrenheit 451," in Literature–Film Quarterly, Vol. 35, No. 3, July, 2007, pp. 181(10).

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1966Alphaville • anti-intellectualism • audience participation • banbannedBernard Herrmannbig brotherbook • book burning • book-people • booksburning • Clarisse (character) • comic bookconformityconsolettecontroldisplay walldomestic futuresdystopiadystopian futureFahrenheit 451fire • fire department • firefighter • fireman • Francois Truffaut • Furia • futuristic societyGattacahousewifehumourindividualisminteractive dramainteractive experience • interactive teledrama • interactive television • It Happened Here (film) • Julie ChristieLinda (character)literature • Machiavelli • mahogany veneer • massificationmedia consumerMetropolis (1927)Montag (character)new forms of television • Nicolas Roeg • Nineteen Eighty-Four (1949)Oskar Werner • parlor wall • parlour • participation dramaparticipative media • passive consumer • passive consumptionpicture newspaper • pro-literature underground • Ray Bradburyreadingreality televisionscience fictionself-reflexivity • sensory deprivation • speculative fictionsubversion • telecast • televisiontelevision screenThe Family (television) • The Handmaids Tale • The Martian Chronicles • The Prince (book) • THX 1138 • totalitarianism • TV parlor • TV story • TV wall • video wall • visual joke • wall TV • wall-sized screen • what do you think • written languagewritten word

CONTRIBUTOR

Simon Perkins
22 JULY 2011

Animate Projects: Digitalis Commissions

"Animate Projects, with support from the Jerwood Charitable Foundation, invites UK–based artists and animators to submit proposals for films that – in a broad sense – explore, question, subvert or confound our expectations of art and the 'digital'.

To apply, read the guidelines and download the submission form from the Opportunities section. The deadline for proposals is 4pm, 24 August 2011.

The Digitalis Commissions are part of Digitalis, a strand of activities for 2011 that focus on the potential of the digital space as a site for artistic production."

(Animate Projects)

Fig.1 Teaser for "AnimateTV – 20 Years of Experimental Animation from the UK" (DVD features acclaimed works by key figures in British artists' animation, including Phil Mulloy, Paul Bush, Sarah Cox, Tim Macmillan, Run Wrake, Petra Freeman, Ruth Lingford, Jonathan Hodgson, AL and AL, Keith Piper, Andrew Kötting, Semiconductor, Chris Shepherd, David Shrigley, Stephen Irwin and Simon Faithfull).

Fig.2 Young–Hae Chang Heavy Industries (2008). "I'm Sucking on a Tailpipe in Seoul"

TAGS

2011 • 4mations • AL and AL • Andrew Kotting • Animate Projectsanimated • AnimateTV • animationanimatorsbroadcastChannel 4 • Chris Shepherd • confounding • David Shrigleydigital spacedigitalis • Digitalis Commissions • expectations of art • experimental animationexplorefilmfilms • Jane Wilson • Jean-Gabriel Periot • Jerwood Charitable FoundationJonathan Hodgson • Keith Piper • live action • Louise Wilson • movie • Paul Bush • Petra Freeman • Phil Mulloy • proposals • questions of art • Run Wrake • Ruth Lingford • Sarah Cox • Semiconductor (animator) • Simon Faithfull • site for artistic production • Stephen Irwin • subversiontelevision • the digital • Tim Macmillan • time-slice • UK-based animators • UK-based artists • Young-Hae Chang Heavy Industries

CONTRIBUTOR

Simon Perkins
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