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Which clippings match 'Oeuvre' keyword pg.1 of 1
12 MARCH 2016

Josef Frank Exhibition: Against Design in Vienna

"The exhibition JOSEF FRANK: Against Design presents the full scope of Frank's pioneering and diverse oeuvre. In light of his prodigious output of furniture and textile designs that remain current to this day and his intensive involvement with the possibilities of architecture and living in the modern era, the title Against Design might at first seem a puzzling choice for an exhibition on Josef Frank. Frank, whose work as a designer and design critic continues to be considered contemporary today, represented a pragmatic approach to design and argued for a simple and 'normal'—but by no means normative—architecture and design. He believed that existing elements should be taken into account as a matter of course and intuitively developed for practical use, without striving toward representation and innovation. To Frank, it was not so much the formal qualities, but those of social experience that were important; his interiors and household objects were not intended to be subjected to formalist concepts, but placed at the service of convenience.

Especially today, Josef Frank's ideas about an uncontrived and unpretentious functionality, whose aim was an independent, free, enlightened bourgeois domestic culture far from stylistic dogmas and fashionable conventions, seem more relevant than ever."

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TAGS

applied artsarchitecture • architecture and design • Austria • Austrian architect • Austrian designer • Austrian Museum of Applied Arts and Contemporary Art • design • design critic • designer • diverse oeuvre • domestic culture • exhibition • fashionable conventions • formal qualities • furniture design • household objects • interior design • intuitively developed • Josef Frank • living in the modern era • modernist aestheticsmodernist architecturemodernist furniturenon-representationaloeuvre • pioneering oeuvre • practical use • pragmatic approach to desig • prodigious output • service of convenience • social experience • stylistic dogma • textile design • uncontrived functionality • unpretentious functionality • Vienna

CONTRIBUTOR

Simon Perkins
22 JUNE 2011

Examination of Theses in the Creative Arts: The Exegesis

"4.2 The main purpose of the exegesis is to support and complement the creative work by providing the context and background of the creative work. The Degree Rules state that the exegesis must 'provide a rationale for the techniques and strategies adopted in the creative work and must situate them in relation to a theoretical and/or historical cultural context. Where appropriate, it may include a sustained account of the creative process.

4.5 In communication, the exegesis will provide an analytical documentation of the creative work. The exegesis will provide, for example, an analytical documentation of the creative production, a parallel critical support to the body of work produced, or a contextual, polemic extension to the broadcast work.

4.6 In design/illustration, the exegesis may take a number of forms, for example, an analytical documentation of design/illustration process and/or field research, a parallel critical support to the project or body of work produced or a contextual critical review of the project.

5.0 Word Length

5.1 Although there is no prescribed word length for the accompanying exegesis it is recommended that this should normally comprise 12,000 – 25,000 words for a Masters and 20,000 – 35,000 words for a Doctoral submission and should not normally exceed 40,000 words excluding appendices, tables and illustrative matter."

(The University of Newcastle, Australia, 28 August 2009)

TAGS

analytical documentation • Australia • body of work • context and background of the creative work • contextual • contextual critical review • creative artscreative process • creative production • creative work • critical support to the project • cultural contextdoctoral submission • Examination of Theses • exegesisfield research • historical context • MA • Masters submission • oeuvre • parallel critical support • PhDrationale • research document • sustained account • techniques and strategies • theoretical context • University of Newcastle

CONTRIBUTOR

Simon Perkins
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