Not Signed-In
Which clippings match 'Weaving' keyword pg.1 of 1
14 NOVEMBER 2014

Smooth and striated interactions between sound and digital technologies

"In the plateau '1440: The Smooth and Striated' from their book A Thousand Plateaus: Capitalism and Schizophrenia, Deleuze and Guattari propose a distinction between smooth and striated space. Presenting a dialectical construction of space in which 'the two spaces in fact exist only in mixture' they argue 'smooth space is constantly being translated, transversed into a striated space, striated space is constantly being reversed, returned to a smooth space' [46]. In particular the technological model of smooth and striated space Deleuze and Guattari put forward serves as a useful construction of the interaction between sound and digital technologies. Using the example of fabric, Deleuze and Guattari explain a conception of striated space in which there are 'two kinds of parallel elements; in the simplest case there are vertical and horizontal elements, and the two intertwine, intersect perpendicularly' [47].

Performing different functions, one of these remains fixed, the other mobile, as demonstrated by one piece of thread remaining in place while another interweaves, or transverses, it or by the x–axis of time in a digital sound buffer which remains linear, straight, as its corresponding y–axis of amplitude simultaneously traces and diverges from it. It is crucial that 'a striated space of this kind is necessarily delimited, closed on at least one side', as 'fabric can be infinite in length but not in width' and though time does not constrain sound the limited headroom of digital audio means amplitude must [48]. Technological striated spaces are constructed with top and bottom, as belied by the seams of fabric or bit depth of digital sound [49]. Digital sound involves a constant process of translation in which sound moves between the smooth phenomenal space of actualized sonority and the striated space of potential that is the digital domain, while still presenting a smooth space of its own, and so is itself nothing more than a functional abstraction."

(Ben Byrne, 2009)

Byrne, B. (2009). "Digital Sound: On Technology, Infidelity and Potentiality". Totally Huge New Music Festival Conference. Edith Cowan University, Perth.


2009 • actualised sonority • amplitude • bit depth • cloth • dialectical construction • digital audio • digital sound • digital technologiesfabricFelix Guattarifunctional abstractionGilles Deleuze • headroom • infinite length • intersect perpendicularly • intertwine • interweave • mixture • parallel elements • Perth • process of translation • recording in analogue • recording sound • smooth and striated interactions • smooth phenomenal spacesmooth space • sonority • sound • sound capture • spacestriated space • technological striated space • thread • transverse • warp • warp and woof • weaving • weft • woof • x-axis • y-axis


Simon Perkins
29 MARCH 2013

Mathematics is the foundation of activities such as knitting, stitching, measuring and cutting that are crucial to crafting and fabrication

The exhibition "Beauty is the First Test" runs form 27 April – 30 June 2013 at The National Centre for Craft & Design, Navigation Wharf, Carre Street, Sleaford, Lincolnshire NG34, UK.

"The group show explores how mathematical concepts underpin craft techniques, aiming to 'demystify a subject that intimates both adults and children', according to the centre. The exhibition demonstrates how mathematics is the foundation of activities such as knitting, stitching, measuring and cutting that are crucial to crafting and fabrication. Showcasing works in disciplines including textiles and sculpture, the show will feature work from artists including Michael Brennand–Wood, Janice Gunner, Lucy McMullen and Ann Sutton.

Alongside the visual proof that maths can indeed be fun – and pretty – the exhibition also presents case studies of five makers, including Gail Baxter and Margo Selby, exploring how the development of their work was furthered by an understanding and appreciation of mathematics."

(Emily Gosling, 27 March 2013, Design Week)

Fig.1 Janette Matthews, "Optical Ellipse". Fig.2 Ann Sutton, "Four Ways from a Square", 2009.




2013algorithmic art • Ann Sutton • Beauty is the First Test (exhibition) • computational aestheticscraft techniquescraftingDesign Weekexhibition • fractal art • Gail Baxter • geometric abstractiongeometric formsgeometric shapes • Godfrey Hardy • group exhibitionharmony • Janette Matthews • Janice Gunner • knitting • Lesley Halliwell • Lucy McMullen • Margo Selby • mathematical abstractionmathematical conceptsmathematical patternmathematicsmaths • Michael Brennand-Wood • National Centre for Craft and Designpattern • Peter Randall-Page • sculpture • spirograph • Stella Harding • Suresh Dutt • textilesvisual abstractionweaving


Simon Perkins
11 DECEMBER 2008

Cabinet of Curiosities Blog

"'Sharp, quirky, and occasionally nettlesome', Walking the Berkshires is my personal blog, an eclectic weaving of human narrative, natural history, and conservation science with the Berkshire and Litchfield Hills as both its backdrop and point of departure. I am interested in how land and people, past and present manifest in the broader landscape and social fabric of our communities. The opinions I express here are mine alone."
(Tim Abbott)



blogcabinet of curiositieseclectic • eclectic weaving • natural history • nettlesome • quirkyrepositorysocial fabric • Walking the Berkshires • weavingweaving together


Simon Perkins

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