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Which clippings match 'Francesca Ziviani' keyword pg.1 of 1
09 SEPTEMBER 2016

Yoann Bourgeois: Celui qui tombe // la Scène nationale d'Orléans

"Yoann Bourgeois se situe à l’exact point de rencontre entre les arts de la danse et du cirque. Son dernier spectacle, Celui qui tombe, rêve de l’exact “point de suspension” cher aux circassiens: l’instant imperceptible, ouvert à tous les possibles, où un objet projeté dans les airs semble marquer un arrêt avant de retomber. Celui qui tombe se joue sur un plateau mobile, qui ne cesse de s’incliner, tanguer, tourner, aller de son ballant. Six interprètes se tiennent dessus, faisant face dans l’instant au jeu des forces qui anime ce support, dont ils ne sont pas maîtres. Philosophiquement, on sera libre d’y voir une métaphore de la condition humaine. Artistiquement, voilà une nouvelle idée du geste: le corps reçoit une force, avant que de prétendre produire une forme. L’acteur accepte de se laisser traverser par les puissances du monde, au lieu de prétendre les soumettre. Et c’est vertigineux."

"Six performers appear to defy the laws of gravity, responding with strength and grace to maintain balance on board a constantly shifting platform."

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TAGS

2017 • Celui qui tombe • Cie Yoan Bourgeois • dance performance • defy gravity • Dimitri Jourde • Elise Legros • Francesca Ziviani • Jean-Baptiste Andre • Julien Cramillet • maintaining balance • Marie Fonte • Mathieu Bleton • rotating platform • rotating stage • shifting platform • silent drama • spinning platform • theatre space • Vania Vaneau • visually dramatic • wooden platform • Yoann Bourgeois

CONTRIBUTOR

Simon Perkins
02 NOVEMBER 2015

Hakanaï dance performance 2013

"Hakanaï is a solo choreographic performance that unfolds through a series of images in motion. In Japanese Hakanaï denotes that which is temporary and fragile, evanescent and transient, and in this case something set between dreams and reality. While widely associated with nature, the term is now often used to elicit an intangible aspect of the human condition and its precariousness. It encompasses two elements: that concerning the human being as well as that related to dreams. This symbolic relationship is the foundation of the dance composition in which a dancer gives life to a space somewhere between the borders of imagination and reality, through her interactions with the images she encounters. The images are on-stage animations that move in physical patterns according to the rhythm of the live sounds that they follow. The performance's outcome is the revelation of a digital installation to its audience."

Fig.1 Composed and Directed by Adrien Mondot & Claire Bardainne; Dance (alternating) Akiko Kajihara, Satchie Noro, Virginie Barjonet, Francesca Ziviani; Digital Interpretation (alternating); Adrien Mondot, Claire Bardainne, Jérémy Chartier, Loïs Drouglazet; Sound Design; Christophe Sartori, Loïs Drouglazet, Pierre Xucla; Sound Interpretation Christophe Sartori, Loïs Drouglazet, Jérémy Chartier, Pierre Xucla; Set Design Martin Gautron, Vincent Perreux; Digital Toolset Loïs Drouglazet; Light Design Jérémy Chartier; Outside Viewer Charlotte Farcet; Costume Design Johanna Elaouf; Technical Director Alexis Bergeron; Administrator Marek Vuiton; Booking Charlotte Auché; Production assistant Margaux Létang; Produced by; Adrien M / Claire B; Co-productions, Funding & Support; Les Subsistances, Lyon / Centre Pompidou-Metz; La Ferme du Buisson, Scène nationale de Marne-la-Vallée, Noisiel / Hexagone Scène Nationale Arts Sciences – Meylan / Les Champs Libres, Rennes / Centre des Arts, Enghien-les-Bains / Maison de la Culture de Nevers et de la Nièvre / City of Lille / DICRéAM; The Adrien M / Claire B Company is accredited by DRAC Rhône-Alpes, Rhône-Alpes Region and is supported by the City of Lyon.

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TAGS

2013 • Adrien Mondot • Akiko Kajihara • Alexis Bergeron • algorithmic composition • algorithmic pattern • art and technology • artistic duo • between dream and reality • black and white • Charlotte Farcet • choreographic performance • Christophe Sartori • Claire Bardainne • computational artscube • dance composition • dance performancedesign formalism • digital backdrop • digital interpretation • digital puppetry • evanescence • fragilityFrancesca Zivianigenerative designgeometric pattern • Hakanai (2013) • immersive worksinteractive installation • Jeremy Chartier • Johanna Elaouf • light projection • Lois Drouglazet • Margaux Letang • Martin Gautron • movement performance • performance installation • Pierre Xucla • projection mappingpuppetryrhythm • Satchie Noro • sensors • snowflake • solo choreographic performance • solo performance • spider web • symbolic relationship • synapsetemporarytransiencetransitory movementtranslucence • translucent veils • Vincent Perreux • Virginie Barjonet • visual journey

CONTRIBUTOR

Simon Perkins
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