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Which clippings match 'Metatext' keyword pg.1 of 1
27 APRIL 2017

Kung Fury: nostalgic homage to 1980s retro style

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TAGS

1980s retro style2015 • action comedy • Adolf Hitlerarcade machinearchetypal charactersblack humour • brick phone • character archetypecheesy • cheesy one-liner • computer hacking • computer nerd archetype • crowdfunding • David Hasselhoff • David Sandberg • dinosaurDynaTACexcessive violence • genre hybridisation • genre play • ironyKickstarterkitsch • Knight Rider • Kung fu • Kung Fury (2015) • martial artist • melange • meta-narrative • metatext • Miami Police Department • nostalgic styleover-the-topparodypastiche • police detective • retroretro computer graphics • revenge plot • science fictionshort filmSwedish filmmaker • Thor (mythology) • time travel • Transformers • triceratops • Umea • Unicorn • vikingWorld War II

CONTRIBUTOR

Simon Perkins
30 OCTOBER 2015

Ephemeral Media: temporal programmatic recombinatory practice

"Kuleshov's insights gave voice to a temporal recombinatory practice that is older than the film medium, evident for example in nineteenth-century programming of magiclantern exhibitions, where showmen learned to build – and to rework – stories from the slides that they happened to have. But these early practices, particularly as they appeared through film's first decade or so, actually made use of recombinatory logic in a double sense. First, in the hands of film-makers such as Edwin S. Porter and D. W. Griffith, the sequence of shots was manipulated to construct overall textual meaning (just as Kuleshov would later theorise and experimentally demonstrate). Second, the positioning of the films of Porter, Griffiths and others into full programmes (complete with lantern slides, actualités and other narratives) could itself radically transform the meanings of individual films. Here, the programmer (usually the projectionist) could, through simple manipulation of film sequence, comment upon or build different frameworks of coherence for a particular film. This metalevel of recombination was not discussed by Kuleshov and, indeed, largely took residual form in exhibition practice. But it was seized upon by television (and radio), where programmatic recombination would emerge as the economic lifeblood of the industry in the form of the rerun. And it provides one of the keys to television's distinctive deployment of ephemeral programme elements. Television's programming logics turn on a triad of organisational principles when it comes to texts, ephemeral and not: sequence, interpenetration and repetition."

(William Uricchio, 2011)

[2] Derek Kompare (2005) offers an excellent overview of this practice.

William Uricchio, "The Recurrent, the Recombinatory and the Ephemeral," in Paul Grainge, ed., Ephemeral Media: Transitory Screen Culture from Television to YouTube (London: British Film Institute / Palgrave MacMillan, 2011): 23-36 [http://www.palgrave.com/page/detail/ephemeral-media-paul-grainge/?isb=9781844574353].

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TAGS

actualites • broadcast era programming • broadcast schedule • careful orchestration of programme units • changing constituency of viewers • commercial television • content recycling • contextualisationcontinuous viewing • David Wark Griffith • displaced micro-programme elements • Edwin Porter • ephemeral media • ephemeral programme elements • exhibition practice • frameworks of coherence • frequency of repetition • iconic footage • interconnect programme elements • interpenetration • interstitialsjuxtaposed imagesKuleshov Effect • larger whole • line-up • magic lantern • manipulation of film sequence • mass media • metalevel recombination • metatextNatural Born Killers • news headlines • organisational principles • paratext • Paul Grainge • persuasive logic • programmatic historical framing • programmatic recombination • programme bumpers • programme hooks • programme segments • programme units • projectionist • punctuation of programme sequence • radio • recombinatory logic • recombinatory practice • recycling of footage • recycling programmes • repetition • rerun • residual form • rework • rupture engagement • self-programmer • sequence design • sequence of shots • showmen • television and broadcasting • television programmingtemporal contiguity • temporal recombinatory practice • textual meaning • thirty-minute rotation • timed advertisements • transitory screen culture • watching television • William Uricchio • YouTube channel • YouTube segments

CONTRIBUTOR

Simon Perkins
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